By Ray Pride Pride@moviecitynews.com

AMC THEATRES® AND PARAMOUNT PICTURES INTRODUCE A FIRST TIME UNLIMITED TICKET FOR INTERSTELLAR

Posted Monday, November 17th, 2014 - Comments Off on AMC THEATRES® AND PARAMOUNT PICTURES INTRODUCE A FIRST TIME UNLIMITED TICKET FOR INTERSTELLAR
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With moviegoers around the country raving that INTERSTELLAR is a movie they want to see again, AMC Theatres and Paramount Pictures offer AMC Stubs members an out-of-this-world opportunity with a ticket to see INTERSTELLAR as many times as they want

Leawood, Kan. (Nov. 17, 2014) – AMC Theatres and Paramount Pictures are excited to offer AMC Stubs members a first-of-its-kind INTERSTELLAR Unlimited Ticket, which allows AMC’s loyal moviegoers to see the film as many times as they’d like for one price. AMC Stubs members who have already seen the movie have an option to upgrade to the unlimited ticket at AMC.

For two weeks, movie lovers have flocked to AMC Theatres to experience Christopher Nolan’s latest blockbuster, INTERSTELLAR. Guest feedback indicates that guests not only love the movie, many are expressing a strong interest in seeing it again in the theatre.

“Christopher Nolan has created a masterpiece that movie fans are saying gets better every time they see it,” said Elizabeth Frank, executive vice president and chief content and programming officer, AMC Theatres. “The INTERSTELLAR Unlimited Ticket gives these fans an opportunity to experience the spectacular cinematography and heart-warming stories as many times as they would like – at any AMC location, any showtime, in any format, including IMAX.”

INTERSTELLAR Unlimited Tickets are available for sale to AMC Stubs members at AMC box offices in 330 locations across the country. The INTERSTELLAR Unlimited Ticket price varies by location, ranging from $19.99 to $34.99. All AMC Stubs members who have already purchased a ticket to the movie can upgrade for $14.99.

A commemorative INTERSTELLAR pass will be issued, which can be used at any AMC location playing the film. While the ticket is unlimited, quantities are not, and guests are encouraged to get their Unlimited Ticket while supplies last.

“INTERSTELLAR” stars Matthew McConaughey, Anne Hathaway, Jessica Chastain, Bill Irwin, Ellen Burstyn, John Lithgow and Michael Caine. With our time on Earth coming to an end, a team of explorers undertakes the most important mission in human history; traveling beyond this galaxy to discover whether mankind has a future among the stars. Directed by Christopher Nolan, written by Jonathan Nolan and Christopher Nolan, and produced by Emma Thomas, Christopher Nolan and Lynda Obst.

 

“INTERSTELLAR” is playing in theaters nationwide.

 

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It shows how out of it I was in trying to be in it, acknowledging that I was out of it to myself, and then thinking, “Okay, how do I stop being out of it? Well, I get some legitimate illogical narrative ideas” — some novel, you know?

So I decided on three writers that I might be able to option their material and get some producer, or myself as producer, and then get some writer to do a screenplay on it, and maybe make a movie.

And so the three projects were “Do Androids Dream of Electric Sheep,” “Naked Lunch” and a collection of Bukowski. Which, in 1975, forget it — I mean, that was nuts. Hollywood would not touch any of that, but I was looking for something commercial, and I thought that all of these things were coming.

There would be no Blade Runner if there was no Ray Bradbury. I couldn’t find Philip K. Dick. His agent didn’t even know where he was. And so I gave up.

I was walking down the street and I ran into Bradbury — he directed a play that I was going to do as an actor, so we know each other, but he yelled “hi” — and I’d forgot who he was.

So at my girlfriend Barbara Hershey’s urging — I was with her at that moment — she said, “Talk to him! That guy really wants to talk to you,” and I said “No, fuck him,” and keep walking.

But then I did, and then I realized who it was, and I thought, “Wait, he’s in that realm, maybe he knows Philip K. Dick.” I said, “You know a guy named—” “Yeah, sure — you want his phone number?”

My friend paid my rent for a year while I wrote, because it turned out we couldn’t get a writer. My friends kept on me about, well, if you can’t get a writer, then you write.”
~ Hampton Fancher

“That was the most disappointing thing to me in how this thing was played. Is that I’m on the phone with you now, after all that’s been said, and the fundamental distinction between what James is dealing with in these other cases is not actually brought to the fore. The fundamental difference is that James Franco didn’t seek to use his position to have sex with anyone. There’s not a case of that. He wasn’t using his position or status to try to solicit a sexual favor from anyone. If he had — if that were what the accusation involved — the show would not have gone on. We would have folded up shop and we would have not completed the show. Because then it would have been the same as Harvey Weinstein, or Les Moonves, or any of these cases that are fundamental to this new paradigm. Did you not notice that? Why did you not notice that? Is that not something notable to say, journalistically? Because nobody could find the voice to say it. I’m not just being rhetorical. Why is it that you and the other critics, none of you could find the voice to say, “You know, it’s not this, it’s that”? Because — let me go on and speak further to this. If you go back to the L.A. Times piece, that’s what it lacked. That’s what they were not able to deliver. The one example in the five that involved an issue of a sexual act was between James and a woman he was dating, who he was not working with. There was no professional dynamic in any capacity.

~ David Simon