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By Ray Pride Pride@moviecitynews.com

Dr. Uwe Boll Goes-a-Crowdfunding

RAMPAGE 2

From: uwe boll
Subject: Re: Uwe Boll starts INDIEGOGO campaign for RAMPAGE 3 ….. 
Date: November 25, 2014 at 1:23:01 PM PST

Behind this campaign!

Hello, my name is Uwe Boll and I directed , wrote and produced over 30 movies with stars like Ben Kingsley, Jason Statham, Ray Liotta and Ron Perlman.

The RAMPAGE series is really close to my heart. RAMPAGE 1 and 2  together with my movies DARFUR, AUSCHWITZ, ASSAULT ON WALLSTREET, STOIC and POSTAL are the most important movies of my career.  RAMPAGE nails the cynical world we are living in and now I need your help to finance RAMPAGE 3. Although Rampage 2 has been a huge success it did not make enough to get the financing of RAMPAGE 3.

Why I need your support!

The movie distribution world is changing in a bad way. Many countries are pirated and movies are just getting free downloaded on the internet. In other countries TV is not showing movies anymore because they are busy showing cooking shows, Real Housewives and other Reality TV shit. As a result the producers cannot make good movies with okay budgets anymore. What is left are big Comic Book studio movies and super small mostly really bad independent movies. I need to finish the saga about Bill Williamson the biggest mass murderer in US history. RAMPAGE is my “Breaking Bad“  its dark, consequent, merciless, logic and necessary.  RAMPAGE 3 will be the final and the end of the story.  Without you it will not happen.

We almost have the financing together but we need your $ 100.000 to go out with a bang. Before I make the final movie I need to be sure that the production value is the same as RAMPAGE 1 and 2. Actually RAMPAGE 3 will have way more action then Rampage 2.

If we getting over 50.000 $ together then I guarantee that the movie will get made.  And that should be a goal for all of us what is doable.   

Share this!

Contributing money will help get this made but I also need help to share this campaign. Advertise it to everybody you know!!  Be our ambassador and post it on TWITTER, FACEBOOK, YOUTUBE etc….don’t stop till we have our goal reached.  A lot of you loved RAMPAGE and the content. Bill Williamson nailed the political situation we are living in and NOBODY else is political so radical and so on the point as RAMPAGE.

I have never used crowd funding money before and from my track record you all can see that I get movies made.

I promise you a great movie and you will be proud that you were a part of it.

Best Regards,

Dr. Uwe Boll

Event Film
1746 Collingwood Street
Vancouver BC, V6R 3K3

www.eventfilm.us

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It shows how out of it I was in trying to be in it, acknowledging that I was out of it to myself, and then thinking, “Okay, how do I stop being out of it? Well, I get some legitimate illogical narrative ideas” — some novel, you know?

So I decided on three writers that I might be able to option their material and get some producer, or myself as producer, and then get some writer to do a screenplay on it, and maybe make a movie.

And so the three projects were “Do Androids Dream of Electric Sheep,” “Naked Lunch” and a collection of Bukowski. Which, in 1975, forget it — I mean, that was nuts. Hollywood would not touch any of that, but I was looking for something commercial, and I thought that all of these things were coming.

There would be no Blade Runner if there was no Ray Bradbury. I couldn’t find Philip K. Dick. His agent didn’t even know where he was. And so I gave up.

I was walking down the street and I ran into Bradbury — he directed a play that I was going to do as an actor, so we know each other, but he yelled “hi” — and I’d forgot who he was.

So at my girlfriend Barbara Hershey’s urging — I was with her at that moment — she said, “Talk to him! That guy really wants to talk to you,” and I said “No, fuck him,” and keep walking.

But then I did, and then I realized who it was, and I thought, “Wait, he’s in that realm, maybe he knows Philip K. Dick.” I said, “You know a guy named—” “Yeah, sure — you want his phone number?”

My friend paid my rent for a year while I wrote, because it turned out we couldn’t get a writer. My friends kept on me about, well, if you can’t get a writer, then you write.”
~ Hampton Fancher

“That was the most disappointing thing to me in how this thing was played. Is that I’m on the phone with you now, after all that’s been said, and the fundamental distinction between what James is dealing with in these other cases is not actually brought to the fore. The fundamental difference is that James Franco didn’t seek to use his position to have sex with anyone. There’s not a case of that. He wasn’t using his position or status to try to solicit a sexual favor from anyone. If he had — if that were what the accusation involved — the show would not have gone on. We would have folded up shop and we would have not completed the show. Because then it would have been the same as Harvey Weinstein, or Les Moonves, or any of these cases that are fundamental to this new paradigm. Did you not notice that? Why did you not notice that? Is that not something notable to say, journalistically? Because nobody could find the voice to say it. I’m not just being rhetorical. Why is it that you and the other critics, none of you could find the voice to say, “You know, it’s not this, it’s that”? Because — let me go on and speak further to this. If you go back to the L.A. Times piece, that’s what it lacked. That’s what they were not able to deliver. The one example in the five that involved an issue of a sexual act was between James and a woman he was dating, who he was not working with. There was no professional dynamic in any capacity.

~ David Simon