Chicago Film Critics Association 2014 Nominations

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BEST PICTURE
 
Birdman
Boyhood
The Grand Budapest Hotel
Under the Skin
Whiplash
 
BEST DIRECTOR
 
Wes Anderson–The Grand Budapest Hotel
David Fincher–Gone Girl
Alejandro Gonzalez Inarritu–Birdman
Richard Linklater–Boyhood
Christopher Nolan–Interstellar
 
BEST ACTOR
 
Benedict Cumberbatch–The Imitation Game
Jake Gyllenhaal–Nightcrawler
Michael Keaton–Birdman
David Oyelowo–Selma
Eddie Redmayne–The Theory of Everything
 
BEST ACTRESS
 
Marion Cotillard–Two Days, One Night
Scarlett Johannson–Under the Skin
Julianne Moore–Still Alice
Rosamund Pike–Gone Girl
Reese Witherspoon–Wild
 
BEST SUPPORTING ACTOR
 
Josh Brolin–Inherent Vice
Ethan Hawke–Boyhood
Edward Norton–Birdman
Mark Ruffalo–Foxcatcher
J.K. Simmons–Whiplash
 
BEST SUPPORTING ACTRESS
 
Patricia Arquette–Boyhood
Jessica Chastain–A Most Violent Year
Laura Dern–Wild
Agata Kulesza–Ida
Emma Stone–Birdman
 
BEST ORIGNAL SCREENPLAY
 
Birdman–Alejandro Gonzalez Inarritu, Nicolas Giacobone, Alexander Dinelaris and Armando Bo
Boyhood–Richard Linklater
Calvary–John Michael McDonagh
The Grand Budapest Hotel–Wes Anderson
Whiplash–Damien Chazelle
 
BEST ADAPTED SCREENPLAY
 
Gone Girl–Gillian Flynn
The Imitation Game–Graham Moore
Inherent Vice–Paul Thomas Anderson
Under the Skin–Walter Campbell
Wild–Nick Hornby
 
BEST FOREIGN-LANGUAGE FILM
 
Force Majeure
Ida
Mommy
The Raid 2
Two Days, One Night
 
BEST DOCUMENTARY
 
Citizenfour
Jodorowsky’s Dune
Last Days in Vietnam
Life Itself
The Overnighters
 
BEST ANIMATED FEATURE
 
Big Hero 6
The Boxtrolls
How to Train Your Dragon 2
The Lego Movie
Tales of the Princess Kaguya
 
BEST ART DIRECTION/PRODUCTION DESIGN
 
The Grand Budapest Hotel
Interstellar
Into The Woods
Only Lovers Left Alive
Snowpiercer
 
BEST CINEMATOGRAPHY
 
Birdman–Emmanuel Lubezki
The Grand Budapest Hotel–Robert Yeoman
Ida–Ryszard Lenczewski and Lukasz Zal
Inherent Vice–Robert Elswit
Interstellar–Hoyte Van Hoytema
 
BEST EDITING
 
Birdman–Douglas Crise and Stephen Mirrion
Boyhood–Sandra Adair
Gone Girl–Kirk Baxter
The Grand Budapest Hotel–Barney Pilling
Whiplash–Tom Cross
 
BEST ORIGINAL SCORE
 
Birdman–Antonio Sanchez
The Grand Budapest Hotel–Alexandre Desplat
The Imitation Game–Alexandre Desplat
Interstellar–Hans Zimmer
Under the Skin–Mica Levi
 
MOST PROMISING PERFORMER
 
Ellar Coltrane–Boyhood
Gugu Mbatha-Raw–Belle/Beyond the Lights
Jack O’Connell–Starred Up/Unbroken
Tony Revolori–The Grand Budapest Hotel
Jenny Slate–Obvious Child
Agata Trzebuchowska–Ida
 
MOST PROMISING FILMMAKER
 
Damien Chazelle–Whiplash
Dan Gilroy–Nightcrawler
Jennifer Kent–The Babadook
Jeremy Saulnier–Blue Ruin
Justin Simien–Dear White People
 
Nominations By The Numbers
 
9–Birdman
8–The Grand Budapest Hotel
7–Boyhood
5–Whiplash
4–Gone Girl, Ida, Interstellar, Under the Skin
3–The Imitation Game, Inherent Vice, Wild
2–Nightcrawler, Two Days, One Night
1–The Babadook, Belle, Beyond the Lights, Big Hero 6, Blue Ruin, The Boxtrolls, Calvary, Citizenfour, Dear White People, Force Majeure, Foxcatcher, How to Train Your Dragon 2, Into the Woods, Jodorowsky’s Dune, Last Days in Vietnam, The Lego Movie, Life Itself, Mommy, A Most Violent Year, Obvious Child, Only Lovers Left Alive, The Overnighters, The Raid 2, Selma, Snowpiercer, Starred Up, Still Alice, Tale of the Princess Kaguya, The Theory of Everything, Unbroken
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It shows how out of it I was in trying to be in it, acknowledging that I was out of it to myself, and then thinking, “Okay, how do I stop being out of it? Well, I get some legitimate illogical narrative ideas” — some novel, you know?

So I decided on three writers that I might be able to option their material and get some producer, or myself as producer, and then get some writer to do a screenplay on it, and maybe make a movie.

And so the three projects were “Do Androids Dream of Electric Sheep,” “Naked Lunch” and a collection of Bukowski. Which, in 1975, forget it — I mean, that was nuts. Hollywood would not touch any of that, but I was looking for something commercial, and I thought that all of these things were coming.

There would be no Blade Runner if there was no Ray Bradbury. I couldn’t find Philip K. Dick. His agent didn’t even know where he was. And so I gave up.

I was walking down the street and I ran into Bradbury — he directed a play that I was going to do as an actor, so we know each other, but he yelled “hi” — and I’d forgot who he was.

So at my girlfriend Barbara Hershey’s urging — I was with her at that moment — she said, “Talk to him! That guy really wants to talk to you,” and I said “No, fuck him,” and keep walking.

But then I did, and then I realized who it was, and I thought, “Wait, he’s in that realm, maybe he knows Philip K. Dick.” I said, “You know a guy named—” “Yeah, sure — you want his phone number?”

My friend paid my rent for a year while I wrote, because it turned out we couldn’t get a writer. My friends kept on me about, well, if you can’t get a writer, then you write.”
~ Hampton Fancher

“That was the most disappointing thing to me in how this thing was played. Is that I’m on the phone with you now, after all that’s been said, and the fundamental distinction between what James is dealing with in these other cases is not actually brought to the fore. The fundamental difference is that James Franco didn’t seek to use his position to have sex with anyone. There’s not a case of that. He wasn’t using his position or status to try to solicit a sexual favor from anyone. If he had — if that were what the accusation involved — the show would not have gone on. We would have folded up shop and we would have not completed the show. Because then it would have been the same as Harvey Weinstein, or Les Moonves, or any of these cases that are fundamental to this new paradigm. Did you not notice that? Why did you not notice that? Is that not something notable to say, journalistically? Because nobody could find the voice to say it. I’m not just being rhetorical. Why is it that you and the other critics, none of you could find the voice to say, “You know, it’s not this, it’s that”? Because — let me go on and speak further to this. If you go back to the L.A. Times piece, that’s what it lacked. That’s what they were not able to deliver. The one example in the five that involved an issue of a sexual act was between James and a woman he was dating, who he was not working with. There was no professional dynamic in any capacity.

~ David Simon