By Ray Pride Pride@moviecitynews.com

Sundance Announces Premieres And Doc Premieres

SUNDANCE INSTITUTE ANNOUNCES FILMS IN
PREMIERES AND DOCUMENTARY PREMIERES
FOR 2015 SUNDANCE FILM FESTIVAL

NEW ‘SPECIAL EVENTS’ SECTION AND TWO ‘POWER OF STORY’ PANELS ANNOUNCED

Park City, UT — Sundance Institute announced today the films selected to screen in the out-of-competition Premieres and Documentary Premieres sections, as well as the selections for a new Special Events section and participants for two panels, at the 2015 Sundance Film Festival, January 22 to February 1 in Park City, Salt Lake City, Ogden and Sundance, Utah. The Festival is the centerpiece of the year-round public programs for the Institute, which also hosts 24 residency labs and grants more than $2.5 million to independent artists each year.

John Cooper, Director of the Sundance Film Festival, said, “Filmmakers in the Premieres and Documentary Premieres sections, many of whom are returning to the Festival, do not shy away from controversial, challenging and provocative subject matter. Their work enrages, engages and entertains audiences, shining a light on issues and people we thought we knew.

Trevor Groth, Director of Programming for the Sundance Film Festival, said, “As artists continue to explore evolving forms of storytelling, this year’s new Special Events section allows us the space to showcase episodic content and live performance. With this addition, the Festival offers a more complete look at the creative opportunities for independent artists today.”

In addition to those announced today, films in the U.S. and World Competitions, NEXT <=>, Spotlight, Park City at Midnight, New Frontier and Sundance Kids sections have been announced. An announcement of the selections for the Short Film section are forthcoming. For a full list of films visit sundance.org/festival.

PREMIERES
A showcase of world premieres of some of the most highly anticipated narrative films of the coming year.

Brooklyn / United Kingdom (Director: John Crowley, Screenwriter: Nick Hornby, based on the book by Colm Tóibín) — 1950s Ireland: Eilis must confront a terrible dilemma — a heartbreaking choice between two men and two countries, between duty and true love. Cast: Saoirse Ronan, Domhnall Gleeson, Emory Cohen, Julie Walters, Jim Broadbent.

Digging for Fire / U.S.A. (Director: Joe Swanberg, Screenwriters: Jake Johnson, Joe Swanberg) — The discovery of a bone and a gun sends a husband and wife on separate adventures over the course of a weekend. Cast: Jake Johnson, Rosemarie Dewitt, Orlando Bloom, Brie Larson, Sam Rockwell, Anna Kendrick.

Don Verdean / U.S.A. (Director: Jared Hess, Screenwriters: Jared Hess, Jerusha Hess) — Biblical archaeologist Don Verdean is hired by a local church pastor to find faith-promoting relics in the Holy Land. But after a fruitless expedition he is forced to get creative in this comedy of faith and fraud. Cast: Sam Rockwell, Jemaine Clement, Amy Ryan, Danny McBride, Leslie Bibb, Will Forte.

End of the Tour / U.S.A. (Director: James Ponsoldt, Screenwriter: Donald Margulies) — This story of the five-day 1996 interview between Rolling Stone reporter David Lipsky and acclaimed novelist David Foster Wallace explores the tenuous yet intense relationship that develops between journalist and subject. The two men bob and weave, sharing laughs and also concealing and revealing their hidden vulnerabilities. Cast: Jesse Eisenberg, Jason Segel, Anna Chlumsky, Joan Cusack, Mamie Gummer, Ron Livingston.

Experimenter / U.S.A. (Director and screenwriter: Michael Almereyda) — Experimenter is based on the true story of famed social psychologist Stanley Milgram, who in 1961 conducted a series of radical behavior experiments that tested ordinary humans’ willingness to obey authority by using electric shock. We follow Milgram from meeting his wife through his controversial experiments that sparked public outcry. Cast: Peter Sarsgaard, Winona Ryder, Jim Gaffigan, Kellan Lutz, Taryn Manning, John Leguizamo.

Grandma / U.S.A. (Director and screenwriter: Paul Weitz) — Self-described misanthrope Elle Reid has her protective bubble burst when her 18-year-old granddaughter, Sage, shows up needing help. The two of them go on a day-long journey that causes Elle to come to terms with her past and Sage to confront her future. Cast: Lily Tomlin, Julia Garner, Marcia Gay Harden, Judy Greer, Laverne Cox, Sam Elliott.

I Am Michael / U.S.A. (Director: Justin Kelly, Screenwriters: Justin Kelly, Stacey Miller) — The controversial true story of a gay activist who rejects his homosexuality and becomes a Christian pastor. Cast: James Franco, Zachary Quinto, Emma Roberts.

I’ll See You in My Dreams / U.S.A. (Director: Brett Haley, Screenwriters: Brett Haley, Marc Basch) — A sudden loss disrupts Carol’s orderly life, propelling her into the dating world for the first time in 20 years. Finally living in the present tense, she finds herself swept up in not one, but two unexpected relationships that challenge her assumptions about what it means to grow old. Cast: Blythe Danner, Martin Starr, Sam Elliott, Malin Akerman, June Squibb, Rhea Perlman.

Last Days in the Desert / U.S.A. (Director and screenwriter: Rodrigo Garcia) — Ewan McGregor is Jesus — and the Devil — in an imagined chapter from his 40 days of fasting and praying in the desert. On his way out of the wilderness, Jesus struggles with the Devil over the fate of a family in crisis, setting himself up for a dramatic test. Cast: Ewan McGregor, Ciarán Hinds, Ayelet Zurer, Tye Sheridan.

Lila & Eve / U.S.A. (Director: Charles Stone III, Screenwriter: Patrick Gilfillan) — Lila, a grief-stricken mother reeling from her son’s murder, attends a support group where she meets Eve, who urges her to take matters into her own hands to track down her son’s killers. They soon embark on a journey of revenge, but also recovery. Cast: Viola Davis, Jennifer Lopez, Shea Whigham, Julius Tennon, Ron Caldwell, Aml Ameen.

Mississippi Grind / U.S.A. (Directors and screenwriters: Ryan Fleck, Anna Boden) — Gerry is a talented poker player whose habit is getting the best of him. He convinces younger player Curtis to join him on a road trip, and they begin gambling their way towards a high-stakes game in New Orleans. During their journey, true motivations are revealed, and the two bond. Cast: Ryan Reynolds, Ben Mendelsohn, Sienna Miller, Analeigh Tipton, Alfre Woodard, Robin Weigert.

Mistress America / U.S.A. (Director: Noah Baumbach, Screenwriters: Noah Baumbach, Greta Gerwig) — Tracy, a lonely college freshman in New York, is rescued from her solitude by her soon-to-be stepsister Brooke, an adventurous gal about town who entangles her in alluringly mad schemes. Mistress America is a comedy about dream-chasing, score-settling, makeshift families, and cat-stealing. Cast: Greta Gerwig, Lola Kirke.

Seoul Searching / U.S.A., Korea (Director and screenwriter: Benson Lee) — Seoul Searching is a comedy set in the ’80s about a group of foreign-born Korean teenagers who meet at a Seoul summer camp to learn what it means to be Korean. The three boys, from the U.S., Mexico, and Germany, then meet three girls who rock their world. Cast: Justin Chon, Jessika Van, In-pyo Cha, Teo Yoo, Esteban Ahn, Byul Kang.

Sleeping With Other People / U.S.A. (Director and screenwriter: Leslye Headland) — Jake and Lainey impulsively lose their virginity to each other in college. When their paths cross twelve years later in NYC, they realize they both have become serial cheaters. Bonding over their chronic infidelity, they form a platonic friendship to support each other in their quests for healthy romantic relationships. Cast: Jason Sudeikis, Alison Brie, Adam Scott, Amanda Peet, Jason Mantzoukas, Natasha Lyonne.

Ten Thousand Saints / U.S.A. (Directors: Robert Pulcini, Shari Springer Berman, Screenwriters: Shari Springer Berman, Robert Pulcini) — Based on the acclaimed novel, Ten Thousand Saints follows three lost kids and their equally lost parents as they come of age in New York’s East Village in the era of CBGB, yuppies, and the tinderbox of gentrification that exploded into the Tompkins Square Park Riot of 1988. Cast: Ethan Hawke, Asa Butterfield, Emily Mortimer, Julianne Nicholson, Hailee Steinfeld, Emile Hirsch.

Zipper / U.S.A. (Director: Mora Stephens, Screenwriters: Mora Stephens, Joel Viertel) — Sam Ellis is a man on the rise — a hot-shot federal prosecutor on the cusp of a bright political future. But what was meant to be a one-time experience with an escort turns into a growing addiction — a new demon threatening to destroy his life, family, and career. Cast: Patrick Wilson, Lena Headey, Richar Dreyfuss, Ray Winstone, John Cho, Dianna Agron.

DOCUMENTARY PREMIERES
Renowned filmmakers and films about far-reaching subjects comprise this section highlighting our ongoing commitment to documentaries. Each is a world premiere.

Beaver Trilogy Part IV / U.S.A. (Director: Brad Besser) — A chance meeting in a parking lot in 1979 between filmmaker Trent Harris and a young man from Beaver, Utah, inspired the creation of an underground film that is now known as Beaver Trilogy. But the film itself is only part of the story.

The Black Panthers: Vanguard of the Revolution / U.S.A. (Director: Stanley Nelson) — This feature-length documentary tells of the rise and fall of the Black Panther Party, one of the 20th century’s most alluring and controversial organizations that captivated the world’s attention for nearly 50 years.

DRUNK STONED BRILLIANT DEAD: The Story of the National Lampoon / U.S.A. (Director: Douglas Tirola) — Three Harvard graduates start the first national humor magazine for adults, launching the careers of some of Hollywood’s most legendary talent. But success and excess among its brilliant and subversive contributors begins to challenge its existence.

Fresh Dressed / U.S.A. (Director: Sacha Jenkins) — The history of hip-hop fashion from its birth in the South Bronx to its rise as a billion-dollar global industry, Fresh Dressed is supported by rich archival materials, in-depth interviews with individuals crucial to the evolution, and the outsiders who study and admire them.

Going Clear: Scientology and the Prison of Belief / U.S.A. (Director: Alex Gibney) — Going Clear intimately profiles eight former members of the Church of Scientology, shining a light on how they attract true believers and the things they do in the name of religion.

In Football We Trust / U.S.A. (Directors: Tony Vainuku, Erika Cohn) — Four young Polynesian football players struggle to overcome gang violence and poverty as they enter the high-stakes world of recruiting, competitive athletics and family pressures.

The Hunting Ground / U.S.A. (Director: Kirby Dick) — From the makers of The Invisible War comes a startling exposé of rape crimes on U.S. campuses, their institutional cover-ups, and brutal social toll. Weaving together verite footage and first-person testimonies, the film follows survivors as they pursue their education and justice — despite harsh retaliation, harassment, and pushback.

Kurt Cobain: Montage of Heck / U.S.A. (Director and screenwriter: Brett Morgen) — Kurt Cobain, lead singer, guitarist, and songwriter of Nirvana, remains an icon 20 years after his death. Kurt Cobain: Montage of Heck is a raw and visceral journey through Cobain’s life and his career with Nirvana through the lens of his home movies, recordings, artwork, photography, and journals.

The Mask You Live In / U.S.A. (Director: Jennifer Siebel Newsom) — Is there a “boy crisis” in America? Is our male population suffering due to our emphasis on power, dominance, and aggression? The Mask You Live In explores how our narrow definition of masculinity is harming our boys, men, and society at large and unveils what we can do about it.

Most Likely to Succeed / U.S.A. (Director: Greg Whiteley) — Our current education system is attempting to teach and test skills, that even when mastered, leaves graduates woefully unprepared for the 21st century. This feature-length documentary examines what sort of educational environment is most likely to prepare students for a world changing exponentially.

Prophet’s Prey / U.S.A. (Director: Amy Berg) — When Warren Jeffs rose to prophet of the Fundamentalist Church of Jesus Christ of Latter Day Saints, he bridged the gap between sister wives and ecclesiastically justified rape, befuddling the moral compass of his entire congregation.

Tig / U.S.A. (Directors: Kristina Goolsby, Ashley York, Screenwriter: Jennifer Arnold) — This documentary explores comedian Tig Notaro’s extraordinary journey as her life unfolds in grand and unexpected ways, all while she is battling a life-threatening illness and falling in love.

What Happened, Miss Simone? / U.S.A. (Director: Liz Garbus) — Classically trained pianist, dive-bar chanteuse, black power icon, and legendary recording artist Nina Simone lived a life of brutal honesty, musical genius, and tortured melancholy. This astonishing epic interweaves never-before-heard recordings and rare footage, creating an unforgettable portrait of one of our least understood, most beloved artists. DAY ONE FILM

SPECIAL EVENTS
One-of-a-kind moments highlighting new independent works that add to the unique Festival experience. An evolving section, this year includes episodic work, short films and live performance.

Animals. / U.S.A. (Directors and screenwriters: Phil Matarese, Mike Luciano) — Animals. is an independently produced animated series that focuses on the downtrodden creatures native to Earth’s least habitable environment: New York City. Whether it’s lovelorn rats, gender-questioning pigeons, or aging bed bugs in the midst of a mid-life crisis, the awkward small talk, moral ambiguity, and existential woes of non-human urbanites prove startlingly similar to our own. Cast: Phil Matarese, Mike Luciano, Mark Duplass, Katie Aselton, Nick Kroll, Rob Corddry. World Premiere. FOLLOWED BY A CONVERSATION with the creative team of Animals.: Mark Duplass, Phil Matarese and Mike Luciano. They will discuss how their unique project came to light as well as the changing landscape of episodic storytelling in the digital era.

The Jinx: The Life and Deaths of Robert Durst / U.S.A. (Director: Andrew Jarecki, Screenwriters: Andrew Jarecki, Marc Smerling, Zac Stuart-Pontier) — Robert Durst, scion of New York’s billionaire real estate family, has been accused of three murders but never convicted. Brilliant, reclusive, and the subject of relentless media scrutiny, he’s never spoken publicly–until now. During interviews with Andrew Jarecki, Durst reveals secrets that have baffled authorities for 30 years. Cast: Robert Durst, Andrew Jarecki, Marc Smerling, Zac Stuart-Pontier, Dick DeGuerin, Cody Cazalas. World Premiere

Misery Loves Comedy / U.S.A. (Director: Kevin Pollak, Screenwriters: Kevin Pollak, John Varhous) — Do you have to be miserable to be funny? Children cry, “Hey, look at me,” but who turns that into a profession? Over 50 funny people, like Tom Hanks, Larry David, Jimmy Fallon, Judd Apatow, and Amy Schumer share pain-filled insights from a life in pursuit of laughter. Cast: Tom Hanks, Larry David, Amy Schumer, Jimmy Fallon, Judd Apatow, Jim Gaffigan. World Premiere

The Sundance Institute Short Film Challenge — An international shorts program designed to spark global conversation highlighting human ingenuity and imaginative solutions real people are creating to overcome challenges like extreme hunger and poverty. Filmmakers include Sundance Institute alumni Gael Garcia Bernal, Heidi Ewing, Rachel Grady, Diego Luna, Marialy Rivas, and six storytellers from around the world. Presented with the Bill & Melinda Gates Foundation.

The Way of the Rain / U.S.A. (Creative Director: Sibylle Szaggars Redford, Collaborators: Will Calhoun, Dave Eggar, Chuck Palmer, Desmond Richardson, Ron Saint Germain, Steve Cohen, Floyd Thomas McBee III) — A live multidisciplinary performance art inspired by the annual monsoon rains that sustain life on the fragile high desert plateaus of the southwest. Conceived by environmental artist Sibylle Szaggars Redford and world-renowned artistic collaborators, this unique work comes to life through paintings, music, dance, film, light and spoken word. Special Guest Appearances: Sussan Deyhim, Marc Roberge, Complexions Contemporary Ballet, Robert Redford. LIVE PERFORMANCE

“POWER OF STORY” PANELS
The Festival’s “Power of Story” panel series deepens public engagement with storytelling, explores cinema culture and celebrates artists whose work pushes the form. These events will be live streamed on sundance.org.

Power of Story: Serious Ladies — The range of three-dimensional female characters on film and television suggest a sea change in the cultural zeitgeist. Lena Dunham, Mindy Kaling, Jenji Kohan, Kristen Wiig and New Yorker critic Emily Nussbaum discuss anti-heroes and archetypes, using humor to push boundaries and how far art can go in exploring truths.

Power of Story: Visions of Independence — Kicking off “Art of Film,” a new program celebrating the craft of filmmaking, join Robert Redford and George Lucas — two iconic filmmakers who epitomize the spirit of independence in American cinema — in conversation with critic Leonard Maltin.

The Sundance Film Festival®
The Sundance Film Festival has introduced global audiences to some of the most groundbreaking films of the past three decades, including Whiplash, Boyhood, Rich Hill, Beasts of the Southern Wild, Fruitvale Station, Little Miss Sunshine, sex, lies, and videotape, Reservoir Dogs, Hedwig and the Angry Inch, An Inconvenient Truth, Precious and Napoleon Dynamite, and through its New Frontier initiative has showcased groundbreaking media works by artists and creative technologists including Chris Milk, Doug Aitken, Palmer Luckey, Klip Collective and Nonny de la Pena. The Festival is a program of the non-profit Sundance Institute®. 2015 Festival sponsors to date include: Presenting Sponsors – HP, Acura, SundanceTV and Chase Sapphire Preferred®; Leadership Sponsors – Adobe, Airbnb, Grey Goose® Vodka, LensCrafters and Southwest Airlines; Sustaining Sponsors – Blundstone Australia Pty Ltd, Canada Goose, Canon U.S.A., Inc., Chobani, LLC, Omnicom, Stella Artois® and VIZIO. Sundance Institute recognizes critical support from the Utah Governor’s Office of Economic Development, and the State of Utah as Festival Host State. The support of these organizations helps offset the Festival’s costs and sustain the Institute’s year-round programs for independent artists. sundance.org/festival

Sundance Institute
Founded in 1981 by Robert Redford, Sundance Institute is a nonprofit organization that provides and preserves the space for artists in film, theatre, and new media to create and thrive. The Institute’s signature Labs, granting, and mentorship programs, dedicated to developing new work, take place throughout the year in the U.S. and internationally. The Sundance Film Festival and other public programs connect audiences to artists in igniting new ideas, discovering original voices, and building a community dedicated to independent storytelling. Sundance Institute has supported such projects as Beasts of the Southern Wild, Fruitvale Station, Sin Nombre, The Invisible War, The Square, Dirty Wars, Spring Awakening, A Gentleman’s Guide to Love and Murder and Fun Home. Join Sundance Institute on Facebook, Instagram, Twitter and YouTube.

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It shows how out of it I was in trying to be in it, acknowledging that I was out of it to myself, and then thinking, “Okay, how do I stop being out of it? Well, I get some legitimate illogical narrative ideas” — some novel, you know?

So I decided on three writers that I might be able to option their material and get some producer, or myself as producer, and then get some writer to do a screenplay on it, and maybe make a movie.

And so the three projects were “Do Androids Dream of Electric Sheep,” “Naked Lunch” and a collection of Bukowski. Which, in 1975, forget it — I mean, that was nuts. Hollywood would not touch any of that, but I was looking for something commercial, and I thought that all of these things were coming.

There would be no Blade Runner if there was no Ray Bradbury. I couldn’t find Philip K. Dick. His agent didn’t even know where he was. And so I gave up.

I was walking down the street and I ran into Bradbury — he directed a play that I was going to do as an actor, so we know each other, but he yelled “hi” — and I’d forgot who he was.

So at my girlfriend Barbara Hershey’s urging — I was with her at that moment — she said, “Talk to him! That guy really wants to talk to you,” and I said “No, fuck him,” and keep walking.

But then I did, and then I realized who it was, and I thought, “Wait, he’s in that realm, maybe he knows Philip K. Dick.” I said, “You know a guy named—” “Yeah, sure — you want his phone number?”

My friend paid my rent for a year while I wrote, because it turned out we couldn’t get a writer. My friends kept on me about, well, if you can’t get a writer, then you write.”
~ Hampton Fancher

“That was the most disappointing thing to me in how this thing was played. Is that I’m on the phone with you now, after all that’s been said, and the fundamental distinction between what James is dealing with in these other cases is not actually brought to the fore. The fundamental difference is that James Franco didn’t seek to use his position to have sex with anyone. There’s not a case of that. He wasn’t using his position or status to try to solicit a sexual favor from anyone. If he had — if that were what the accusation involved — the show would not have gone on. We would have folded up shop and we would have not completed the show. Because then it would have been the same as Harvey Weinstein, or Les Moonves, or any of these cases that are fundamental to this new paradigm. Did you not notice that? Why did you not notice that? Is that not something notable to say, journalistically? Because nobody could find the voice to say it. I’m not just being rhetorical. Why is it that you and the other critics, none of you could find the voice to say, “You know, it’s not this, it’s that”? Because — let me go on and speak further to this. If you go back to the L.A. Times piece, that’s what it lacked. That’s what they were not able to deliver. The one example in the five that involved an issue of a sexual act was between James and a woman he was dating, who he was not working with. There was no professional dynamic in any capacity.

~ David Simon