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David Poland

By David Poland poland@moviecitynews.com

Friday Estimates by Still Snipin’ Klady

Friday Estimates 2015-01-31 at 8.43.58 AM

On my way to a family-style screening of Sponge Out of Water, which should probably have been the Secret Screening at Sundance, given the deep spiritual journey that an anthropomorphic sponge without its life-sustaining surroundings suggests. Anyway… crap box office weekend, so…

American Sniper has a normal drop… for a change. The film hit $200 million in wide release on its 11th day of expansion ($3.42m in exclusive until then), making its run comparable to the last Rings movie and Despicable Me 2 on that basis. Because of the long limited release and the Wednesday opening of The Passion of the Christ, direct comparisons are iffy. So, 3rd Friday vs 3rd Friday, Sniper did $2 million more than Passion on the day, but is about $13 million behind Passion overall. Both films showed, in their early weeks, a tendency to a huge Saturday bump. If that trend continues as it has been for Sniper, it will pass $250 million by a few million by the end of this weekend… and still be about $11 million behind The Passion. But with numbers like these, there is nothing but good news.

The openings for newcomers… all suck. One of the hot gimmicks these days is promoting the low budget for movies like Project Almanac ($12m), making an $8m opening seem okay, if not good. It still costs money to sell these things. The wolf is not hanging around Paramount’s (or any studio’s) door because of these projects. It’s really a numbers game. If they lose $50 million on five of these that flop and the sixth is a hit, there is still a fortune to be made.

For a TV show that is now being highlighted in IMAX, a near-$2 million weekend for “Game of Thrones” is impressive. Less so in the normal context. $250k for the weekend for Oscar-nominated shorts is also a nice haul, considering the general lack of commercial interest in shorts and the fractured indie theatrical marketplace. Oscar-nominee Timbuktu leads the indie scene with near $9k per screen for the weekend.

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5 Responses to “Friday Estimates by Still Snipin’ Klady”

  1. EtGuild2 says:

    GIRLHOOD deserved better.

    Yeah, the amount of flops is definitely eyebrow raising this month. Six write-offs in a three week period, with two more to come next weekend.

  2. Kevin says:

    No FÉLIX ET MEIRA numbers?

  3. EtGuild2 says:

    Lex, how was THE LOFT? I thought it was boring, empty and misogynistic! (not a term I usually throw around lightly)

    And I was kind of excited for it too, so….

  4. Joshua says:

    I don’t think that the Oscar Shorts programs should have their box office results combined. The animated, live action, and documentary programs are three different shows, each separately ticketed.

  5. Joe Leydon says:

    As I said in my review of The Loft: Imagine what might have happened in The Apartment had Jack Lemmon NOT foiled Shirley MacLaine’s suicide attempt.

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I was walking down the street and I ran into Bradbury — he directed a play that I was going to do as an actor, so we know each other, but he yelled “hi” — and I’d forgot who he was.

So at my girlfriend Barbara Hershey’s urging — I was with her at that moment — she said, “Talk to him! That guy really wants to talk to you,” and I said “No, fuck him,” and keep walking.

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My friend paid my rent for a year while I wrote, because it turned out we couldn’t get a writer. My friends kept on me about, well, if you can’t get a writer, then you write.”
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“That was the most disappointing thing to me in how this thing was played. Is that I’m on the phone with you now, after all that’s been said, and the fundamental distinction between what James is dealing with in these other cases is not actually brought to the fore. The fundamental difference is that James Franco didn’t seek to use his position to have sex with anyone. There’s not a case of that. He wasn’t using his position or status to try to solicit a sexual favor from anyone. If he had — if that were what the accusation involved — the show would not have gone on. We would have folded up shop and we would have not completed the show. Because then it would have been the same as Harvey Weinstein, or Les Moonves, or any of these cases that are fundamental to this new paradigm. Did you not notice that? Why did you not notice that? Is that not something notable to say, journalistically? Because nobody could find the voice to say it. I’m not just being rhetorical. Why is it that you and the other critics, none of you could find the voice to say, “You know, it’s not this, it’s that”? Because — let me go on and speak further to this. If you go back to the L.A. Times piece, that’s what it lacked. That’s what they were not able to deliver. The one example in the five that involved an issue of a sexual act was between James and a woman he was dating, who he was not working with. There was no professional dynamic in any capacity.

~ David Simon