By Ray Pride Pride@moviecitynews.com

BAFTA Winners Announced

 Boyhood wins Best Film, Director and Supporting Actress
The Grand Budapest Hotel wins five BAFTAs
Three BAFTAs for The Theory of Everything: Outstanding British Film, Adapted Screenplay and Leading Actor for Eddie Redmayne
Julianne Moore wins Leading Actress
Three wins for Whiplash: Supporting Actor, Editing and Sound
London, Sunday 8 February: At tonight’s EE British Academy Film Awards Boyhood was named Best Film with Richard Linklater winning Director and Patricia Arquette receiving the award for Supporting Actress. The Awards were hosted for a tenth year by Stephen Fry and held at London’s Royal Opera House.
The Grand Budapest Hotel won five awards: Costume Design, Production Design, Make Up & Hair and Original Music, with Wes Anderson winning his first BAFTA for Original Screenplay.
Leading Actor was presented to Eddie Redmayne for his portrayal of Professor Stephen Hawking in The Theory of Everything, which also received the awards for Outstanding British Film and Adapted Screenplay.
Whiplash received three BAFTAs: Supporting Actor for J. K. SimmonsEditing andSoundLeading Actress was presented to Julianne Moore for her role in Still Alice, meaning all four of this year’s performance awards went to first-time BAFTA winners.
Writer Stephen Beresford and Producer David Livingstone received the award forOutstanding Debut by a British Writer, Director or Producer for their first feature film Pride. Previous Outstanding Debut winner Pawel Pawlikowski picked up the award for Film Not in the English Language for Ida.
Emmanuel Lubezki received the BAFTA for Cinematography for Birdman, having won this category twice previously, most recently in 2014.
The Lego Movie received the BAFTA for Animated Film, and Special Visual Effects was presented to Interstellar. The award for Documentary was won by Citizenfour.
Boogaloo and Graham won the British Short Film award and the British Short Animationaward was presented to The Bigger Picture; both shorts are nominated for this year’s international short film and animation categories at the Oscars later this month.
The EE Rising Star Award, voted for by the public, was presented to Jack O’Connell.
The special award for Outstanding British Contribution to Cinema was presented to BBC Films in their 25th year. Mike Leigh, whose films include Naked, Secrets & Lies, Vera Drake and Mr. Turner, received the Fellowship, the highest honour the Academy can bestow.
As part of BAFTA’s year-round programme of events and initiatives that supports the film industry, many of this year’s nominees took part in the first ever ‘BAFTA Film Craft: The Sessions’ event on Saturday where they discussed their work with students and emerging talent. In addition, this year’s nominated British Short Film and British Short Animation filmmakers will take part in Q&A sessions at select UK and international theatrical screenings of their films, which BAFTA is delivering in partnership with the Independent Cinema Office (ICO) and the British Council. Other year-round film activity includes scholarships, masterclasses and briefings as well as the flagship David Lean Lecture by a leading film director and ‘A Life in Pictures’ career retrospectives.
2014 NOMINATIONS & WINNERS (PRESENTED IN 2015)
FELLOWSHIP
MIKE LEIGH
OUTSTANDING BRITISH CONTRIBUTION TO CINEMA
BBC FILMS
BEST FILM
BIRDMAN Alejandro G. Iñárritu, John Lesher, James W. Skotchdopole
*BOYHOOD Richard Linklater, Cathleen Sutherland
THE GRAND BUDAPEST HOTEL Wes Anderson, Scott Rudin, Steven Rales, Jeremy Dawson
THE IMITATION GAME Nora Grossman, Ido Ostrowsky, Teddy Schwarzman
THE THEORY OF EVERYTHING Tim Bevan, Eric Fellner, Lisa Bruce, Anthony McCarten
OUTSTANDING BRITISH FILM
’71 Yann Demange, Angus Lamont, Robin Gutch, Gregory Burke
THE IMITATION GAME Morten Tyldum, Nora Grossman, Ido Ostrowsky, Teddy Schwarzman, Graham Moore
PADDINGTON Paul King, David Heyman
PRIDE Matthew Warchus, David Livingstone, Stephen Beresford
*THE THEORY OF EVERYTHING James Marsh, Tim Bevan, Eric Fellner, Lisa Bruce, Anthony McCarten
UNDER THE SKIN Jonathan Glazer, James Wilson, Nick Wechsler, Walter Campbell
OUTSTANDING DEBUT BY A BRITISH WRITER, DIRECTOR OR PRODUCER
ELAINE CONSTANTINE (Writer/Director) Northern Soul
GREGORY BURKE (Writer), YANN DEMANGE (Director) ’71
HONG KHAOU (Writer/Director) Lilting
PAUL KATIS (Director/Producer), ANDREW DE LOTBINIÈRE (Producer) Kajaki: The True Story
*STEPHEN BERESFORD (Writer), DAVID LIVINGSTONE (Producer) Pride
FILM NOT IN THE ENGLISH LANGUAGE
*IDA Pawel Pawlikowski, Eric Abraham, Piotr Dzieciol, Ewa Puszczynska

LEVIATHAN Andrey Zvyagintsev, Alexander Rodnyansky, Sergey Melkumov
THE LUNCHBOX Ritesh Batra, Arun Rangachari, Anurag Kashyap, Guneet Monga
TRASH Stephen Daldry, Tim Bevan, Eric Fellner, Kris Thykier
TWO DAYS, ONE NIGHT Jean-Pierre Dardenne, Luc Dardenne, Denis Freyd
DOCUMENTARY
20 FEET FROM STARDOM Morgan Neville, Caitrin Rogers, Gil Friesen
20,000 DAYS ON EARTH Iain Forsyth, Jane Pollard
*CITIZENFOUR Laura Poitras, Mathilde Bonnefoy, Dirk Wilutzky
FINDING VIVIAN MAIER John Maloof, Charlie Siskel
VIRUNGA Orlando von Einsiedel, Joanna Natasegara
ANIMATED FILM
BIG HERO 6 Don Hall, Chris Williams
THE BOXTROLLS Anthony Stacchi, Graham Annable
*THE LEGO MOVIE Phil Lord, Christopher Miller
DIRECTOR
BIRDMAN Alejandro G. Iñárritu
*BOYHOOD Richard Linklater
THE GRAND BUDAPEST HOTEL Wes Anderson
THE THEORY OF EVERYTHING James Marsh
WHIPLASH Damien Chazelle
ORIGINAL SCREENPLAY
BIRDMAN Alejandro G. Iñárritu, Nicolás Giacobone, Alexander Dinelaris Jr, Armando Bo
BOYHOOD Richard Linklater
*THE GRAND BUDAPEST HOTEL Wes Anderson
NIGHTCRAWLER Dan Gilroy
WHIPLASH Damien Chazelle
ADAPTED SCREENPLAY
AMERICAN SNIPER Jason Hall
GONE GIRL Gillian Flynn
THE IMITATION GAME Graham Moore
PADDINGTON Paul King
*THE THEORY OF EVERYTHING Anthony McCarten
LEADING ACTOR
BENEDICT CUMBERBATCH The Imitation Game
*EDDIE REDMAYNE The Theory of Everything
JAKE GYLLENHAAL Nightcrawler
MICHAEL KEATON Birdman
RALPH FIENNES The Grand Budapest Hotel
LEADING ACTRESS
AMY ADAMS Big Eyes
FELICITY JONES The Theory of Everything
*JULIANNE MOORE Still Alice
REESE WITHERSPOON Wild
ROSAMUND PIKE Gone Girl
SUPPORTING ACTOR
EDWARD NORTON Birdman
ETHAN HAWKE Boyhood
*J.K. SIMMONS Whiplash
MARK RUFFALO Foxcatcher
STEVE CARELL Foxcatcher
SUPPORTING ACTRESS
EMMA STONE Birdman
IMELDA STAUNTON Pride
KEIRA KNIGHTLEY The Imitation Game
*PATRICIA ARQUETTE Boyhood
RENE RUSSO Nightcrawler
ORIGINAL MUSIC
BIRDMAN Antonio Sanchez
*THE GRAND BUDAPEST HOTEL Alexandre Desplat
INTERSTELLAR Hans Zimmer
THE THEORY OF EVERYTHING Jóhann Jóhannsson
UNDER THE SKIN Mica Levi
CINEMATOGRAPHY
*BIRDMAN Emmanuel Lubezki

THE GRAND BUDAPEST HOTEL Robert Yeoman
IDA Lukasz Zal, Ryszard Lenczewski
INTERSTELLAR Hoyte van Hoytema
MR. TURNER Dick Pope
EDITING
Due to a tie in voting in this category, there are six nominations
BIRDMAN Douglas Crise, Stephen Mirrione
THE GRAND BUDAPEST HOTEL Barney Pilling
THE IMITATION GAME William Goldenberg
NIGHTCRAWLER John Gilroy
THE THEORY OF EVERYTHING Jinx Godfrey
*WHIPLASH Tom Cross
PRODUCTION DESIGN
BIG EYES Rick Heinrichs, Shane Vieau
*THE GRAND BUDAPEST HOTEL Adam Stockhausen, Anna Pinnock
THE IMITATION GAME Maria Djurkovic, Tatiana Macdonald
INTERSTELLAR Nathan Crowley, Gary Fettis
MR. TURNER Suzie Davies, Charlotte Watts
COSTUME DESIGN
*THE GRAND BUDAPEST HOTEL Milena Canonero
THE IMITATION GAME Sammy Sheldon Differ
INTO THE WOODS Colleen Atwood
MR. TURNER Jacqueline Durran
THE THEORY OF EVERYTHING Steven Noble
MAKE UP & HAIR
*THE GRAND BUDAPEST HOTEL Frances Hannon, Mark Coulier
GUARDIANS OF THE GALAXY Elizabeth Yianni-Georgiou, David White
INTO THE WOODS  Peter Swords King, J. Roy Helland
MR. TURNER Christine Blundell, Lesa Warrener
THE THEORY OF EVERYTHING Jan Sewell, Kristyan Mallett
SOUND
AMERICAN SNIPER Walt Martin, John Reitz, Gregg Rudloff, Alan Robert Murray, Bub Asman
BIRDMAN Thomas Varga, Martin Hernández, Aaron Glascock, Jon Taylor, Frank A. Montaño
THE GRAND BUDAPEST HOTEL Wayne Lemmer, Christopher Scarabosio, Pawel Wdowczak
THE IMITATION GAME John Midgley, Lee Walpole, Stuart Hilliker, Martin Jensen, Andy Kennedy
*WHIPLASH Thomas Curley, Ben Wilkins, Craig Mann
SPECIAL VISUAL EFFECTS
DAWN OF THE PLANET OF THE APES Joe Letteri, Dan Lemmon, Erik Winquist, Daniel Barrett
GUARDIANS OF THE GALAXY Stephane Ceretti, Paul Corbould, Jonathan Fawkner, Nicolas Aithadi
THE HOBBIT: THE BATTLE OF THE FIVE ARMIES Joe Letteri, Eric Saindon, David Clayton, R. Christopher White
*INTERSTELLAR Paul Franklin, Scott Fisher, Andrew Lockley, Ian Hunter
X-MEN: DAYS OF FUTURE PAST Richard Stammers, Anders Langlands, Tim Crosbie, Cameron Waldbauer
BRITISH SHORT ANIMATION
*THE BIGGER PICTURE Chris Hees, Daisy Jacobs, Jennifer Majka

MONKEY LOVE EXPERIMENTS Ainslie Henderson, Cam Fraser, Will Anderson
MY DAD Marcus Armitage
BRITISH SHORT FILM
*BOOGALOO AND GRAHAM Brian J. Falconer, Michael Lennox, Ronan Blaney
EMOTIONAL FUSEBOX Michael Berliner, Rachel Tunnard
THE KÁRMÁN LINE Campbell Beaton, Dawn King, Tiernan Hanby, Oscar Sharp
SLAP Islay Bell-Webb, Michelangelo Fano, Nick Rowland
THREE BROTHERS Aleem Khan, Matthieu de Braconier, Stephanie Paeplow
THE EE RISING STAR AWARD (voted for by the public)
GUGU MBATHA-RAW
*JACK O’CONNELL
MARGOT ROBBIE
MILES TELLER
SHAILENE WOODLEY
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It shows how out of it I was in trying to be in it, acknowledging that I was out of it to myself, and then thinking, “Okay, how do I stop being out of it? Well, I get some legitimate illogical narrative ideas” — some novel, you know?

So I decided on three writers that I might be able to option their material and get some producer, or myself as producer, and then get some writer to do a screenplay on it, and maybe make a movie.

And so the three projects were “Do Androids Dream of Electric Sheep,” “Naked Lunch” and a collection of Bukowski. Which, in 1975, forget it — I mean, that was nuts. Hollywood would not touch any of that, but I was looking for something commercial, and I thought that all of these things were coming.

There would be no Blade Runner if there was no Ray Bradbury. I couldn’t find Philip K. Dick. His agent didn’t even know where he was. And so I gave up.

I was walking down the street and I ran into Bradbury — he directed a play that I was going to do as an actor, so we know each other, but he yelled “hi” — and I’d forgot who he was.

So at my girlfriend Barbara Hershey’s urging — I was with her at that moment — she said, “Talk to him! That guy really wants to talk to you,” and I said “No, fuck him,” and keep walking.

But then I did, and then I realized who it was, and I thought, “Wait, he’s in that realm, maybe he knows Philip K. Dick.” I said, “You know a guy named—” “Yeah, sure — you want his phone number?”

My friend paid my rent for a year while I wrote, because it turned out we couldn’t get a writer. My friends kept on me about, well, if you can’t get a writer, then you write.”
~ Hampton Fancher

“That was the most disappointing thing to me in how this thing was played. Is that I’m on the phone with you now, after all that’s been said, and the fundamental distinction between what James is dealing with in these other cases is not actually brought to the fore. The fundamental difference is that James Franco didn’t seek to use his position to have sex with anyone. There’s not a case of that. He wasn’t using his position or status to try to solicit a sexual favor from anyone. If he had — if that were what the accusation involved — the show would not have gone on. We would have folded up shop and we would have not completed the show. Because then it would have been the same as Harvey Weinstein, or Les Moonves, or any of these cases that are fundamental to this new paradigm. Did you not notice that? Why did you not notice that? Is that not something notable to say, journalistically? Because nobody could find the voice to say it. I’m not just being rhetorical. Why is it that you and the other critics, none of you could find the voice to say, “You know, it’s not this, it’s that”? Because — let me go on and speak further to this. If you go back to the L.A. Times piece, that’s what it lacked. That’s what they were not able to deliver. The one example in the five that involved an issue of a sexual act was between James and a woman he was dating, who he was not working with. There was no professional dynamic in any capacity.

~ David Simon