By Leonard Klady Klady@moviecitynews.com
The Weekend Report
Pitch Perfect 2 hit the right note and bowed to an estimated $70.2 million to win weekend bragging rights. The session’s other wide release, Mad Max: Fury Road, also opened dynamically with $44.4 million. In limited wide release, inspirational drama Where Hope Grows had little cultivation with a $458,000 tally.
In the niches, Bollywood entry Bombay Velvet was no diamond in the rough with $313,000 from 218 locations and new Tamil and Telugu entrants barely registered a pulse. Exclusive newbies were largely moribund apart from senior-appeal I’ll See You in My Dreams with $50,900 from three screens.
Overall revenues shot up to about $185 million, a sizable 41% boost from seven days back. It was also 4% improved from 2014 when the launch of Godzilla roared to $93.2 million and Neighbors’ second weekend grossed $25.1 million.
Tracking leading into the weekend clearly favored the singing sequel ahead of the kinetic one. The former was expected to gross $50 million to $55 million with the latter approximated at between $35 million and $40 million. In the end both performed better than expected.
Pitch Perfect 2 followed up on its 2012 inspiration with the sort of scenario most chapter twos aspire to but can rarely achieve – namely in its ability to capitalizing on growing its appeal with exposure on cable, satellite and other ancillaries. The first songfest, while unquestionably successful ,wound up with a $65 million domestic box office and an additional international gross of $50 million. It’s already bested its performance on the home front and expected to do the same overseas next weekend.
The film got a head start a week back with opening in Australia and New Zealand that generated a potent $9.2 million. This weekend it added an additional 27 territories and an estimated $27 million including chart-topping bows in the UK of $8 million and $4.2 million in Germany.
Studio exit polls definitively underscored that PP2 hit a bullseye with its target audience. Women comprised 75% of opening customers that were 62% aged 25-years and younger.
The long-gestating Mad Max (three decades since Thunderdome) continuation provided sufficiently time to see the original anti-hero replaced by Tom Hardy in Fury Road. It attracted the inverse Pitch Perfect crowd with a 70% male audience and 63% of eyes aged 25-year and older. It also had a higher than normal 46% attendance for 3D engagements. [ed.: paragraph corrected]
Internationally the film opened day-and-date in 68 international climes and is headed for a $35 million session. Historically Mad Max movies haven’t punched their weight in the U.S. but that could well change for Fury Road with rapturous reviews that bode well for its survival hopes in coming weeks.
Weekend (estimates) May 15 – 17, 2015 | |||||
Title | Distributor | Gross (average) | % change * | Theaters | Cume |
Pitch Perfect 2 | Uni | 70.2 (20,220) | NEW | 3473 | 70.2 |
Mad Max: Fury Road | WB | 44.4 (11,980) | NEW | 3702 | 44.4 |
Avengers: Age of Ultron | BV | 38.9 (9,090) | -50% | 4276 | 372 |
Hot Pursuit | WB | 5.7 (1,870) | -59% | 3037 | 23.4 |
Paul Blart: Mall Cop 2 | Sony | 3.6 (1,380) | -31% | 2632 | 63 |
Furious 7 | Uni | 3.6 (1,620) | -33% | 2238 | 343.8 |
The Age of Adaline | Lionsgate | 3.2 (1,210) | -45% | 2623 | 37.1 |
Home | Fox | 2.6 (1,290) | -16% | 2006 | 165.5 |
Ex Machina | A24/Mongrel | 2.1 (1,220) | -41% | 1718 | 19.6 |
Far From the Madding Crowd | Searchlight | 1.3 (4,430) | 66% | 289 | 2.6 |
Woman in Gold | Weinstein Co. | 1.2 (1,350) | -32% | 876 | 28.9 |
Cinderella | BV | .63 (980) | -62% | 641 | 197.2 |
Piku | Yash Raj | .59 (4,850) | -37% | 122 | 1.8 |
Get Hard | WB | .56 (1,110) | -47% | 505 | 88.8 |
Unfriended | Uni | .54 (820) | -63% | 657 | 32.1 |
The Longest Ride | Fox | .53 (660) | -61% | 803 | 36.3 |
Monkey Kingdom | BV | .48 (710) | -62% | 675 | 15.3 |
Where Hope Grows | Rodside Attractions | .46 (1,660) | NEW | 276 | 0.46 |
Insurgent | Lionsgate | .39 (770) | -50% | 503 | 128.4 |
Bombay Velvet | Fox Intl | .31 (1,440) | NEW | 218 | 0.31 |
Little Boy | Open Road | .31 (630) | -55% | 490 | 5.9 |
The Water Diviner | WB/eOne | .26 (900) | -53% | 288 | 3.7 |
McFarland USA | BV | .20 (1,010) | 28% | 198 | 43.5 |
Weekend Total ($500,000+ Films) | $179.65 | ||||
% Change (Last Year) | 4% | ||||
% Change (Last Week) | 41% | ||||
Also debuting/expanding | |||||
5 Flights Up | Focus | ,19 (1,990) | -21% | 94 | 0.51 |
While We’re Young | A24/Elevation | .18 (1,040) | -39% | 174 | 7.2 |
La Famille Belier | Seville | .14 (3,710) | -16% | 38 | 0.44 |
Iris | Magnolia | .13 (2,540) | 34% | 52 | 0.39 |
Welcome to Me | Alchemy | .10 (1,310) | -47% | 78 | 0.42 |
Danny Collins | Bleecker/Elevation | 79,500 (850) | -41% | 93 | 5.5 |
The Salt of the Earth | Sony Classics | 66,400 (1,040) | -29% | 64 | 0.96 |
Good Kill | IFC/Remstar | 65,700 (1,600) | 41 | 0.07 | |
Wild Tales | Sony Classics | 54,100 (1,420) | -15% | 38 | 2.8 |
36 Vayadhinile | Praneeth | 52,300 (1,540) | 34 | 0.05 | |
I’ll See You in My Dreams | Bleecker Street | 50,900 (16,970) | 3 | 0.05 | |
The 100-Year Old Man Who Climbed … | Music Box | 49,600 (2,070) | 57% | 24 | 0.09 |
Lion | SLV Cinema | 39,800 (610) | 65 | 0.11 | |
Saint Laurent | Sony Classics | 37,200 (2,320) | 10% | 16 | 0.09 |
Dancing Arabs | Mongrel | 18,200 (4,550) | 4 | 0.02 | |
Purampokku | ATMUS | 15,500 (820) | 19 | 0.02 | |
In the Name of My Daughter | Cohen Media | 13,700 (4,570) | 3 | 0.01 | |
Animals | Oscilloscope | 11,800 (1,180) | 10 | 0.01 | |
Slow West | A24 | 10,100 (5,050) | 2 | 0.01 | |
Every Secret Thing | Starz | 8,400 (600) | 14 | 0.01 | |
Dark Star: H.R. Gigers World | Icarus | 7,600 (1,520) | 5 | 0.01 | |
Hunting Elephants | Ocean | 6,200 (1,240) | 5 | 0.01 | |
Chronicles of Evil | CJ | 5,500 (5,500) | 1 | 0.01 | |
Absolution | Film Arcade | 4,600 (460) | 10 | 0.01 | |
Know How | First Run | 2,800 (1,400) | 2 | 0.01 | |
Domestic Market Share (January 1 – May 14, 2015) | |||||
Distributor (releases) | Box Office | Market Share | |||
Buena Vista (9) | 684.1 | 18.20% | |||
Warner Bros. (14) | 667.3 | 17.80% | |||
Universal (11) | 658.5 | 17.60% | |||
20th Century Fox (12) | 491.2 | 13.10% | |||
Paramount (7) | 276.2 | 7.30% | |||
Lionsgate (8) | 202.1 | 5.40% | |||
Sony (7) | 188.1 | 5.00% | |||
Weinstein Co. (10) | 186.9 | 5.00% | |||
Fox Searchlight (5) | 74.9 | 2.00% | |||
Relativity (6) | 71.7 | 1.90% | |||
Sony Classics (11) | 41.2 | 1.10% | |||
CBS (1) | 34 | 0.90% | |||
A24 (3) | 28.5 | 0.75% | |||
Open Road (4) | 21.8 | 0.60% | |||
Other * (153) | 125.5 | 3.35% | |||
3752 | 100% | ||||
* none greater than 0.45% | |||||
Top Global Grossers (January 1 – May 14, 2015) | |||||
Title | Distributor | Box Office | |||
Furious 7 | Uni | 1,433,663,409 | |||
Avengers: Age of Ultron | BV | 982,533,315 | |||
Fifty Shades of Grey | Uni | 569,764,428 | |||
American Sniper | WB | 548,852,608 | |||
Cinderella | BV | 515,263,835 | |||
Kingsman: The Secret Service | Fox | 404,285,637 | |||
Home | Fox; Dmwks | 340,732,764 | |||
Taken 3 | Fox; Europa | 328,171,749 | |||
The Hobbit: The Battle of the Five Armies * | WB | 324,095,379 | |||
SpongeBob Movie: Sponge Out of Water | Par | 312,095,619 | |||
Big Hero 6 * | BV | 307,411,639 | |||
Insurgent | Lionsgate | 280,921,973 | |||
Night at the Museum: Secret of the Tomb * | Fox | 226,827,442 | |||
Jupiter Ascending | WB | 184,107,499 | |||
The Imitation Game * | Weinstein; CAA | 177,354,911 | |||
From Vegas to Macau | Mega-vision | 165,381,086 | |||
Paddington * | Weinstein; Studio Canal | 165,086,531 | |||
Focus | WB | 159,101,608 | |||
Penguins of Madagascar * | Fox; Dmwks | 157,897,976 | |||
Into the Woods | BV | 143,774,136 | |||
Wolf Totem | Wild Bunch | 128,912,478 | |||
Get Hard | WB | 106,231,045 | |||
Chappie | Sony | 98,408,512 | |||
Unbroken * | Uni | 96,322,655 | |||
Paul Blart: Mall Cop 2 | Sony | 89,043,753 | |||
* does not include 2014 box office |
Um, it’s been 30 years since ‘Thunderdome’.
Mad Max Beyond Thunderdome came out in 1985, not 1995. Try the math again.
Come on, this isn’t a math-based article.