By Ray Pride Pride@moviecitynews.com

Johnny Depp To Receive Maltin Modern Master Award At 31st Santa Barbara International Film Festival

SANTA BARBARA, CA (November 4, 2015) – Johnny Depp is set to receive the newly renamed Maltin Modern Master Award at the 31st annual Santa Barbara International Film Festival, the festival announced today.  Previously known as The Modern Master Award the honor was renamed this year to honor the famed film critic who has moderated the event for over 25 years. The award will be presented on Saturday, February 6 at Santa Barbara’s historic Arlington Theater.

“Johnny Depp is a true embodiment of a modern master.  He has had a long and storied career that has shown his commitment to taking on compelling and dynamic roles.  But in the gripping film BLACK MASS under the skillful direction of Scott Cooper, Johnny Depp delivers his defining performance to date,” SBIFF Executive Director Roger Durling stated.

Depp is a three-time Academy Award nominee for Best Actor for his work in “Finding Neverland,” “Pirates of the Caribbean: The Curse of the Black Pearl” and “Sweeney Todd: The Demon Barber of Fleet Street.”  Over the last three decades, Depp’s diverse range of roles has made him one of the leader actors of his generation including performances John Waters’ “Cry Baby,” “Benny & Joon,” Lasse Hallstrom’s “What’s Eating Gilbert Grape” and “Chocolat,” Mike Newell’s “Donnie Brasco,” Terry Gilliam’s “Fear and Loathing in Las Vegas,” Ted Demme’s “Blow,” “The Libertine,” Michael Mann’s “Public Enemies” and several collaborations with Tim Burton including “Edward Scissorhands,” “Ed Wood” and “Sleepy Hollow.”

Depp can currently be seen in “Black Mass,” which tells of the unholy alliance between ruthless mobster James “Whitey” Bulger (Depp) and childhood friend-turned-FBI agent, John Connolly (Joel Edgerton).  The bond, forged growing up on the streets of South Boston, would test the limits of loyalty in a town that answers to its own, unwritten code.  Blinded by ambition, Connolly convinces Bulger to inform on their common enemy, the Italian Mafia. 

The Modern Master Award was established in 1995 and is the highest accolade presented by SBIFF.  Created to honor an individual who has enriched our culture through accomplishments in the motion picture industry, it was re-named the Maltin Modern Master Award in 2015 in honor of long-time SBIFF moderator and renowned film critic Leonard Maltin.  Past recipients include Michael Keaton, Bruce Dern, Ben Affleck, Christopher Plummer, Christopher Nolan, James Cameron, Clint Eastwood, Cate Blanchett, Will Smith, George Clooney and Peter Jackson.

The 31st annual Santa Barbara International Film Festival will take place from Wednesday, February 3 – Saturday, February 13.

For more information, please visit www.sbiff.org.

About the Santa Barbara International Film Festival

The Santa Barbara International Film Festival is a 501(c)(3) non-profit arts and educational organization dedicated to discovering and showcasing the best in independent and international cinema. SBIFF offers 11 days of 200+ films, tributes and symposiums that transforms beautiful downtown Santa Barbara, CA into a rich destination for film lovers which attract more than 90,000 attendees.

 

SBIFF continues its commitment to education and the community through free programs like its 10-10-10 Student Filmmaking and Screenwriting Competitions, Mike’s Field Trip to the Movies, National Film Studies Program, AppleBox Family Films, 3rd Weekend and educational seminars. In recent years SBIFF has expanded its year round presence with regular screenings and Q&As with programs like Cinema Society, The Showcase and its Wave Film Festivals.

 

# # #

Be Sociable, Share!

Comments are closed.

Quote Unquotesee all »

It shows how out of it I was in trying to be in it, acknowledging that I was out of it to myself, and then thinking, “Okay, how do I stop being out of it? Well, I get some legitimate illogical narrative ideas” — some novel, you know?

So I decided on three writers that I might be able to option their material and get some producer, or myself as producer, and then get some writer to do a screenplay on it, and maybe make a movie.

And so the three projects were “Do Androids Dream of Electric Sheep,” “Naked Lunch” and a collection of Bukowski. Which, in 1975, forget it — I mean, that was nuts. Hollywood would not touch any of that, but I was looking for something commercial, and I thought that all of these things were coming.

There would be no Blade Runner if there was no Ray Bradbury. I couldn’t find Philip K. Dick. His agent didn’t even know where he was. And so I gave up.

I was walking down the street and I ran into Bradbury — he directed a play that I was going to do as an actor, so we know each other, but he yelled “hi” — and I’d forgot who he was.

So at my girlfriend Barbara Hershey’s urging — I was with her at that moment — she said, “Talk to him! That guy really wants to talk to you,” and I said “No, fuck him,” and keep walking.

But then I did, and then I realized who it was, and I thought, “Wait, he’s in that realm, maybe he knows Philip K. Dick.” I said, “You know a guy named—” “Yeah, sure — you want his phone number?”

My friend paid my rent for a year while I wrote, because it turned out we couldn’t get a writer. My friends kept on me about, well, if you can’t get a writer, then you write.”
~ Hampton Fancher

“That was the most disappointing thing to me in how this thing was played. Is that I’m on the phone with you now, after all that’s been said, and the fundamental distinction between what James is dealing with in these other cases is not actually brought to the fore. The fundamental difference is that James Franco didn’t seek to use his position to have sex with anyone. There’s not a case of that. He wasn’t using his position or status to try to solicit a sexual favor from anyone. If he had — if that were what the accusation involved — the show would not have gone on. We would have folded up shop and we would have not completed the show. Because then it would have been the same as Harvey Weinstein, or Les Moonves, or any of these cases that are fundamental to this new paradigm. Did you not notice that? Why did you not notice that? Is that not something notable to say, journalistically? Because nobody could find the voice to say it. I’m not just being rhetorical. Why is it that you and the other critics, none of you could find the voice to say, “You know, it’s not this, it’s that”? Because — let me go on and speak further to this. If you go back to the L.A. Times piece, that’s what it lacked. That’s what they were not able to deliver. The one example in the five that involved an issue of a sexual act was between James and a woman he was dating, who he was not working with. There was no professional dynamic in any capacity.

~ David Simon