By Ray Pride Pride@moviecitynews.com

NOMINATIONS ANNOUNCED FOR THE 2015 MOËT BRITISH INDEPENDENT FILM AWARDS

The Lobster leads the nominations with 7

45 Years and Macbeth have 6 nominations each
Amy, Brooklyn and Ex Machina have 5
4 nominations for High-Rise and Suffragette

28 different British feature films nominated

London, Tuesday 3 November: The Lobster topped the list of nominations for the Moët British Independent Film Awards, announced this morning. The film is nominated for Best British Independent Film, Best Director, Best Screenplay andProducer of the Year. Colin Farrell is nominated for Best Actor and Olivia Colmanand Ben Whishaw for their supporting roles.

The six nominations each for 45 Years and Macbeth include Best British Independent Film and Best Director. 45 Years also has nominations for its screenplay, for Producer of the Year, and for its stars Charlotte Rampling and Tom Courtenay. Macbeth and Lady Macbeth, Michael Fassbender and Marion Cotillardare nominated for Best Actor and Best Actress and Macduff, Sean Harris, for Best Supporting Actor. The film’s Cinematography also gets a nod.

Asif Kapadia’s Amy Winehouse documentary, Amy, has five nominations, forDirector, Documentary, Producer of the Year, for its Editing and for Best British Independent Film.

Completing the Best British Independent Film line up is Alex Garland’s Ex Machina, which is nominated for Director and Screenplay. The film’s Production Design and Visual Effects are also recognised.

Carey Mulligan, Helena Bonham Carter and Anne-Marie Duff are all nominated for their performances in Suffragette. Alicia Vikander is nominated for Best Actress for her performance in The Danish Girl. Tom Hardy is nominated (just once) for Best Actor for his performance as both Kray twins in Legend.

Father and son Brendan and Domhnall Gleeson are both nominated for Best Supporting Actor for Suffragette and Brooklyn, respectively. Brooklyn’s other nominations come for Nick Hornby’s Screenplay and for Best Actress Saoirse Ronanand Best Supporting Actress Julie Walters. The film’s Casting is also nominated, in the Outstanding Achievement in Craft category.

Amy Jump’s Screenplay for High-Rise, adapted from the novel by JG Ballard, is nominated. The film’s cast are recognised too: Tom Hiddleston is nominated forBest Actor, Sienna Miller for Supporting Actress and Luke Evans for Supporting Actor.

There are five first-time performance nominees this year (Charlotte Rampling, Tom Courtenay, Tom Hiddleston, Marion Cotillard and Luke Evans) and nine past winners: Tom Hardy, Brendan Gleeson Anne-Marie Duff, Olivia Colman, Michael Fassbender, Helena Bonham Carter, Julie Walters and Ben Whishaw, who was BIFA’s Most Promising Newcomer in 2001.

This year’s Most Promising Newcomers are Agyness Deyn for Sunset Song, Mia Goth for The Survivalist, Abigail Hardingham for Nina Forever, Milo Parker for Mr Holmes and Bel Powley for A Royal Night Out. Nina Forever and The Survivalist are both nominated for The Douglas Hickox Award for Best Debut Director for directors The Blaine Brothers and Stephen Fingleton.  The other first-time directors nominated are John Maclean for Slow West, Corin Hardy for The Hallow and Paul Katis for Kajaki: The True Story, which is also nominated for Producer of the Year.The Violators is also nominated for Producer of the Year.

Nominated for Best Documentary along with Amy, are Dark Horse: The Incredible True Story of Dream Alliance, How to Change the World, Palio and A Syrian Love Story.

The nominations for the new Discovery Award, which recognises innovation and vision in lower-budget films, are Aaaaaaaah!, Burn Burn Burn, Orion: The Man Who Would Be King, The Return and Winter. More information on these, and all the nominated films, is available on www.bifa.film.

The nominations were announced by Gemma Chan and Thomas Brodie-Sangster at The London EDITION, W1.

Also announced today is a landmark series of screenings of BIFA-nominated and winning films, supported by the BFI. The partnership will see a selection of nominated films screened right across the country from 23 November, the first time that BIFA has been able to bring the films it celebrates directly to new audiences. The full programme will be announced on 11 November.

Laurence Green, chairman of the BIFA Board, said, “BIFA’s committed voters watched over 260 films this year – more than ever.  After thousands of hours of viewing, nearly 30 jury meetings and two rounds of voting, their nominations cover a breathtaking range of British films and filmmaking talent. With the support of the BFI, BIFA is delighted to be making it possible for the public to see these films before the winners are announced, bringing them to cinemas right across the UK and so giving audiences the chance to discover the very best of British film for themselves.”

Julie Nollet, Marketing & Communications Director at Moët Hennessy UK Ltd, commented “Moët & Chandon is delighted to be supporting the Awards for the sixth consecutive year. This year’s nominations once more showcase the wealth and variety of talent committed to British independent filmmaking. As the Champagne of cinema, we look forward to toasting to the success of all nominees at the glamorous Awards night on 6th December 2015 with a glass of Moët & Chandon.”

As previously announced, the Variety Award, which recognises a director, actor, writer or producer who has made a global impact and helped to focus the international spotlight on the UK, will be presented to Kate Winslet.

The winners will be announced at The Moët British Independent Film Awards on Sunday 6 December at Old Billingsgate. The event will be live streamed on www.bifa.film

 

2015 MOËT BRITISH INDEPENDENT FILM AWARDS NOMINATIONS

Best British Independent Film sponsored by Moët & Chandon
45 YEARS Tristan Goligher, Andrew Haigh
AMY James Gay-Rees, Asif Kapadia
EX MACHINA Andrew Macdonald, Allon Reich, Alex Garland
THE LOBSTER Ceci Dempsey, Ed Guiney, Lee Magiday, Efthymis Filippou, Yorgos Lanthimos
MACBETH Iain Canning, Emile Sherman, Laura Hastings-Smith, Todd Louiso, Jacob Koskoff, Michael Lesslie, Justin Kurzel

Best Director
45 YEARS Andrew Haigh
AMY Asif Kapadia
EX MACHINA Alex Garland
THE LOBSTER Yorgos Lanthimos
MACBETH Justin Kurzel

Best Screenplay sponsored by BBC Films 45 YEARS Andrew Haigh BROOKLYN Nick Hornby EX MACHINA Alex Garland HIGH-RISE Amy Jump THE LOBSTER Yorgos Lanthimos, Efthymis Filippou

Best Actress sponsored by MAC
MARION COTILLARD Macbeth
CAREY MULLIGAN Suffragette
CHARLOTTE RAMPLING 45 Years
SAOIRSE RONAN Brooklyn
ALICIA VIKANDER The Danish Girl

Best Actor sponsored by Movado
TOM COURTENAY 45 Years
COLIN FARRELL The Lobster
MICHAEL FASSBENDER Macbeth
TOM HARDY Legend
TOM HIDDLESTON High-Rise

Best Supporting Actress
HELENA BONHAM CARTER Suffragette
OLIVIA COLMAN The Lobster
ANNE-MARIE DUFF Suffragette
SIENNA MILLER High-Rise
JULIE WALTERS Brooklyn

Best Supporting Actor
LUKE EVANS High-Rise
BRENDAN GLEESON Suffragette
DOMHNALL GLEESON Brooklyn
SEAN HARRIS Macbeth
BEN WHISHAW The Lobster

Most Promising Newcomer sponsored by The London Edition
AGYNESS DEYN Sunset Song
MIA GOTH The Survivalist
ABIGAIL HARDINGHAM Nina Forever
MILO PARKER Mr Holmes
BEL POWLEY A Royal Night Out

The Douglas Hickox Award (Best Debut Director) sponsored by 3 Mills Studios
THE HALLOW Corin Hardy
KAJAKI: THE TRUE STORY Paul Katis
NINA FOREVER Chris & Ben Blaine
SLOW WEST John Maclean
THE SURVIVALIST Stephen Fingleton

The Discovery Award sponsored by Raindance
AAAAAAAAH! Andrew Starke, Steve Oram
BURN BURN BURN Daniel-Konrad Cooper, Tim Phillips, Charlie Covell, Chanya Button
ORION: THE MAN WHO WOULD BE KING Jeanie Finlay
THE RETURN Oliver Nias
WINTER Tilly Wood, Paula Crickard, Heidi Greensmith

Best Documentary
AMY James Gay-Rees, Asif Kapadia
DARK HORSE: THE INCREDIBLE TRUE STORY OF DREAM ALLIANCE Judith Dawson, Louise Osmond
HOW TO CHANGE THE WORLD Bous De Jong, Al Morrow, Jerry Rothwell
PALIO James Gay-Rees, John Hunt, Cosima Spender
A SYRIAN LOVE STORY Elhum Shakerifar, Sean McAllister

Producer of the Year
TRISTAN GOLIGHER 45 Years
JAMES GAY-REES Amy
PAUL KATIS, ANDREW DE LOTBINIERE Kajaki: The True Story
CECI DEMPSEY, ED GUINEY, YORGOS LANTHIMOS, LEE MAGIDAY The Lobster
DAVID A HUGHES, DAVID MOORES The Violators

Outstanding Achievement in Craft
ADAM ARKAPAW Cinematography – Macbeth
MARK DIGBY Production Design – Ex Machina
CHRIS KING Editing – Amy
FIONA WEIR Casting – Brooklyn
ANDREW WHITEHURST Visual Effects, Ex Machina

Best British Short Film
BALCONY Tom Kimberly, Ali Mansuri, Toby Fell-Holden
CRACK Joseph Taussig, Peter King
EDMOND Emilie Jouffroy, Nina Gantz
LOVE IS BLIND Lizzie Brown, Dan Hodgson
MANoMAN Kamilla Kristiane Hodøl, Simon Cartwright

Best International Independent Film
CAROL Elizabeth Karlsen, Stephen Woolley, Christine Vachon, Phyllis Nagy, Todd Haynes
FORCE MAJEURE Erik Hemmendorff, Marie Kjellson, Philippe Bober, Ruben Östlund
GIRLHOOD Bénédicte Couvreur, Céline Sciamma
ROOM Ed Guiney, David Gross, Emma Donoghue, Lenny Abrahamson
SON OF SAUL Gábor Sipos, Gábor Rajna, Cara Royer, László Nemes

NOMINATIONS BY FILM 2015

Not including Shorts, International

45 Years 6 Ex Machina 5 Macbeth 6 Slow West 1
Aaaaaaaah! 1 The Hallow 1 Mr Holmes 1 Suffragette 4
Amy 5 High-Rise 4 Nina Forever 2 Sunset Song 1
Brooklyn 5 How to Change the World 1 Orion… 1 The Survivalist 2
Burn Burn Burn 1 Kajaki: The True Story 2 Palio 1 A Syrian Love Story 1
The Danish Girl 1 Legend 1 The Return 1 The Violators 1
Dark Horse… 1 The Lobster 7 A Royal Night Out 1 Winter 1

 

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It shows how out of it I was in trying to be in it, acknowledging that I was out of it to myself, and then thinking, “Okay, how do I stop being out of it? Well, I get some legitimate illogical narrative ideas” — some novel, you know?

So I decided on three writers that I might be able to option their material and get some producer, or myself as producer, and then get some writer to do a screenplay on it, and maybe make a movie.

And so the three projects were “Do Androids Dream of Electric Sheep,” “Naked Lunch” and a collection of Bukowski. Which, in 1975, forget it — I mean, that was nuts. Hollywood would not touch any of that, but I was looking for something commercial, and I thought that all of these things were coming.

There would be no Blade Runner if there was no Ray Bradbury. I couldn’t find Philip K. Dick. His agent didn’t even know where he was. And so I gave up.

I was walking down the street and I ran into Bradbury — he directed a play that I was going to do as an actor, so we know each other, but he yelled “hi” — and I’d forgot who he was.

So at my girlfriend Barbara Hershey’s urging — I was with her at that moment — she said, “Talk to him! That guy really wants to talk to you,” and I said “No, fuck him,” and keep walking.

But then I did, and then I realized who it was, and I thought, “Wait, he’s in that realm, maybe he knows Philip K. Dick.” I said, “You know a guy named—” “Yeah, sure — you want his phone number?”

My friend paid my rent for a year while I wrote, because it turned out we couldn’t get a writer. My friends kept on me about, well, if you can’t get a writer, then you write.”
~ Hampton Fancher

“That was the most disappointing thing to me in how this thing was played. Is that I’m on the phone with you now, after all that’s been said, and the fundamental distinction between what James is dealing with in these other cases is not actually brought to the fore. The fundamental difference is that James Franco didn’t seek to use his position to have sex with anyone. There’s not a case of that. He wasn’t using his position or status to try to solicit a sexual favor from anyone. If he had — if that were what the accusation involved — the show would not have gone on. We would have folded up shop and we would have not completed the show. Because then it would have been the same as Harvey Weinstein, or Les Moonves, or any of these cases that are fundamental to this new paradigm. Did you not notice that? Why did you not notice that? Is that not something notable to say, journalistically? Because nobody could find the voice to say it. I’m not just being rhetorical. Why is it that you and the other critics, none of you could find the voice to say, “You know, it’s not this, it’s that”? Because — let me go on and speak further to this. If you go back to the L.A. Times piece, that’s what it lacked. That’s what they were not able to deliver. The one example in the five that involved an issue of a sexual act was between James and a woman he was dating, who he was not working with. There was no professional dynamic in any capacity.

~ David Simon