By Ray Pride Pride@moviecitynews.com

Slamdance Announces Competition Features And Docs

SLAMDANCE ANNOUNCES 2016 FEATURE FILM COMPETITION WITH INCREASED GLOBAL REACH AND DIVERSITY

Lineup full of premieres and highlights first-time directors from around the globe including Australia, Brazil, Canada, Germany, Indonesia, Italy and UK tackles subjects of redemption, agoraphobia, misfits, captivity, friendship and whistleblowers

(LOS ANGELES, CA – November 30, 2015) The Slamdance Film Festival today announced their Narrative and Documentary Feature Film Competition programs for its 22nd Festival edition. As the premiere film festival by filmmakers for filmmakers,Slamdance’s showcase of emerging artists includes 12 narrative and 8 documentary films. This 20-feature film competition includes 16 premieres – 12 World, 3 North American, and 1 US premieres. Slamdance is proud to present the best of first-time feature filmmakers pushing the boundaries of filmmaking with innovation and unique talent. All competition films are feature film directorial debuts with budgets of less than $1 million and without US distribution. All films were programmed entirely from blind submissions by the Slamdance filmmaking community.

Jury Awards are presented to feature films in both categories and all films are eligible for Audience Awards as well as the Spirit of Slamdance Award, judged by the filmmakers themselves.

“The standard of DIY filmmaking around the world is the highest we’ve seen, and the diversity of storytelling is the most we’ve experienced. With a record breaking number of submissions to select from, the narrative and documentary feature line-up has never been so competitive or as exciting to program.” states Co-founder and President, Peter Baxter.

The 2016 Slamdance Film Festival will take place from January 22rd – 28th, 2015 in Park City, Utah at the Treasure Mountain Inn, located at 255 Main Street, Park City, UT 84060

NARRATIVE FEATURES PROGRAM

All the Colors of the Night  – Director: Pedro Severien; Screenwriter: Luiz Otávio Pereira

(Brazil)

Iris wakes up in her spacious seafront apartment, discovers a body in the living room and enlists the help of other women, setting off a spiral of redemption in an atmospheric drama of dark imagery and questionable reality.

Cast: Sabrina Greve, Sandra Possani, Brenda Ligia, Giovanna Simões, Rômulo Braga

 

Alvin’s Harmonious World of Opposites – Director & Screenwriter: Platon Theodoris

(Australia/Indonesia) North American Premiere

Agoraphobic Alvin prefers stuffed pandas and online shopping to the aggressive rantings of his neighbor Virginia, until the sludge seeping from his ceiling forces him to search for answers in this offbeat comedy with a tender heart.

Cast: Teik-Kim Pok, Vashti Hughes, Dessy Fitri, Ailis Logan, Nitin Vengurlekar, Tina Andrews, Alicia O’Donnel

 

Chemical Cut – Director & Screenwriter: Marjorie Conrad

(USA) World Premiere

23-year-old Irene is an artistic misfit turned LA model busy searching for identity, inspiration and a kindred spirit while surrounded by competition, absurdity, and so many nude bras.

Cast: Marjorie Conrad, Ian Coster, Leah Rudick, Michael Lucid, Stephen Saban, Deven Green, Nicolas Coster, Vicki Marlane

 

Driftwood – Director & Screenwriter: Paul Taylor

(USA) World Premiere

A young woman washes ashore and is claimed and conditioned by an older man in this intricately layered, dialogue-free exploration of familial roles, isolation and captivity.

Cast: Joslyn Jensen, Paul C. Kelly, Michael Fentin

 

Honey Buddies – Director: Alex Simmons; Screenwriters: Alex Simmons, David Giuntoli, Flula Borg

(USA) World Premiere

Jilted groom David is convinced by his excitable best man Flula to continue with his planned honeymoon, a backcountry trek in the mountains of Oregon, in a highly comedic ode to friendship and the great outdoors.

Cast: David Giuntoli, Flula Borg, Brian T. Finney, Claire Coffee, Jeanne Syquia

 

Hunky Dory – Director: Michael Curtis Johnson; Screenwriters: Michael Curtis Johnson, Tomas Pais

(USA) World Premiere

After his ex disappears, Sidney, a dive bar drag queen, is forced to look after his 11-year-old son in a tale of unconventional fatherhood, the fear of mediocrity, and the pulsing reality of dreams deferred.

Cast: Tomas Pais, Peter Van Norden, Jeff Newburg, Joy Darash, Edouard Holdener, Nora Rothman, Chad Borden, Chad Hartigan

 

If There’s A Hell Below – Director: Nathan Williams; Screenwriters: Nathan Williams, Matthew Williams

(USA) World Premiere

In a desolate landscape, an ambitious young journalist in a dusty car meets covertly with a national security whistleblower, and their roving exchange becomes increasingly cloaked in paranoia, tension and escalating threat.

Cast: Conner Marx, Carol Roscoe, Paul Budraitis, Mark Carr

 

Last Summer – Director: Leonardo Guerra Seragnoli; Screenwriters: Leonardo Guerra Seragnoli, Igort

(Italy) US Premiere

Set on board a luxury yacht in sparkling international waters, this tense and stylish drama captures the four final days a mother is granted with her 6-year-old son to say goodbye after losing a custody battle.

Cast: Rinko Kikuchi, Yorick van Wageningen, Lucy Griffiths, Laura Bach, Daniel Ball, Ken Brady

 

The Lesson – Director & Screenwriter: Ruth Platt

(UK) North American Premiere

A grisly study of the relationship between a tormented teacher and the troubled teens who bear his wrath once he snaps; this morally challenging horror film is dark, claustrophobic, and shockingly eloquent.

Cast: Evan Bendall, Robert Hands, Michaela Prchalova, Tom Cox, Rory Coltart, Dolya Gavaniski, Michael Swatton, Charlotte Croft

 

MAD – Director & Screenwriter: Robert G. Putka

(USA) World Premiere

A matriarch past the point of a nervous breakdown, her two daughters that don’t give a damn, and the heat-seeking missiles of resentment they toss at each other create a lively backdrop for this dark and dramatic comedy.

Cast: Jennifer Lafleur, Maryann Plunkett, Eilis Cahill, Mark Reeb, David Sullivan, Conor Casey, Shaun Weiss, Chris Doubek

 

Neptune – Director: Derek Kimball; Screenwriters: Derek Kimball, Matthew Konkel

(USA)

Set in the late 1980s on an island off the coast of Maine, an orphan girl raised by the church becomes obsessed by the disappearance of a classmate, and her haunted dreams and visions propel her to push past her sheltered life.

Cast: Jane Ackermann, Tony Reilly, William McDonough III, Christine Louise Marshall, Dylan Chestnutt, Maureen Butler

 

The Tail Job – Directors & Screenwriters: Bryan Moses, Daniel Millar

(Australia) World Premiere

Nicholas hires a taxi driver to follow his fiancé when he suspects her of cheating in this micro-budget comedy action tale that makes every wrong turn crackle with genuine humor and unexpected insight.

Cast: Blair Dwyer, Craig Anderson, Laura Hughes, Kellie Clarke, Dorje Swallow, Grant Dodwell, Gary Waddell, Ursula Mills

 

DOCUMENTARY FEATURES PROGRAM

 

1ha 43a – Director & Screenwriter: Monika Pirch

(Germany) North American Premiere

After inheriting a plot of farming land near Dusseldorf, Monika explores the potential of her field through administrative, historic and poetic methods and manages to reconnect with the land and her ancestry in a beautiful and unexpected way.

 

Art of the Prank – Director & Screenwriter: Andrea Marini

(USA)

Legendary funny man Joey Skaggs has been pulling Americas chain since 1965. His next hoax? Film festivals.

Cast: Joey Skaggs, Robert Forster, Peter Maloney, Charlie Todd, Richard Johnson, Buck Wolf, Sarah Farrell, Jeff Cohen

 

Dead Hands Dig Deep – Director: Jai Love; Screenwriters: Jai Love, Spencer Heath

(USA/Australia ) World Premiere

From the isolation of his secluded desert compound Edwin Borsheim, founder of the shock metal band Kettle Cadaver, ruminates on a life of violence, mayhem and personal destruction lived on the absolute edge of the known musical universe.

 

Fursonas – Director & Screenwriter: Dominic Rodriguez

(USA) World Premiere

Like any community, the Furry world is one with gossipers, dreamers, followers, whistleblowers and the one guy who wants to rule them all.

 

Los Punks; We Are All We Have – Director: Angela Boatwright; Screenwriter: Christine Triano

(USA) World Premiere

A cobbled-together family of Hispanic youth comprise the thriving backyard punk scene of South Central and East L.A.: bands, fans, and production are interwoven into a sub-culture of thrash, noise and pits.

Cast: Gary Alvarez, Nacho Corrupted, April Desmadre, Jennie Oi, Alex Pedorro, Natalie Rodriguera

 

The Million Dollar Duck – Director: Brian Golden Davis; Screenwriter: Martin J. Smith

(USA) World Premiere

Artists from different walks of life vie to win the Federal Duck Stamp Contest, the only art competition of its kind sponsored by the U.S. government.

Cast: The Hautman Brothers, Rebekah Nastav, Tim Taylor, Dee Dee Murry, Rob McBroom, Adam Grimm

 

Myrtle Beach  – Directors: Neil Rough, Michael Fuller

(Canada) World Premiere

Myrtle Beach is a disturbingly intimate peek into the lives of the deviants, outcasts and forget-me-nows that inhabit this deformed stepsister of Coney Island.

 

Peanut Gallery – Director & Screenwriter: Molly Gandour

(USA)

An intimate and unflinching exploration of one family’s tragic loss and their attempt to heal after decades of silence.

Cast: Jackson Gandour, Mary Jane Gandour, Molly Gandour, Aimee Gandour

 

All Access/Industry, Local’s, and Student Festival Passes are available now online. Individual tickets will be available shortly. To purchase, click here:http://showcase.slamdance.com/Passes-and-Tickets

About Slamdance

Slamdance is a community, a year-round experience, and a statement. Established by a wild bunch of filmmakers in 1995 who were tired of relying on a large oblique system to showcase their work, Slamdance is an ongoing experiment that has proven, year after year, when it comes to recognizing talent and launching careers, the independent and grassroots communities can do it themselves.

Slamdance alums are responsible for the programming and organization of the following year’s festival. With a variety of backgrounds, interests, and talents, but with no individual filmmaker’s vote meaning more than another’s, Slamdance’sprogramming and organizing committees have been able to stay close to the heart of low budget and do-it-yourself filmmaking. In this way, Slamdance continues to grow and exemplify its mantra: By Filmmakers, For Filmmakers.

Notable Slamdance alumni who first gained notice at the festival include: Christopher Nolan (Interstellar), Oren Peli  (Paranormal Activity), Marc Forster (World War Z),Jared Hess (Napoleon Dynamite), Lena Dunham (Girls), Benh Zeitlin (Beasts of the Southern Wild), Anthony & Joe Russo (Captain America: The Winter Soldier), Jeremy Saulnier (Blue Ruin), Seth Gordon (Horrible Bosses) and Lynn Shelton (Humpday)and Matt Johnson (Operation Avalanche). Box Office Mojo reports alumni who first showed their work at Slamdance have accumulated over $11.5 billion in the Box Office to date.

In addition to the festival, Slamdance serves emerging artists and a growing audience with several year-round activities. These include the popular Slamdance Screenplay Competition, traveling On The Road screening events, the Anarchy Workshop for student filmmakers, and The ArcLight Presents Slamdance Cinema Club, a monthly cinema club partnership with ArcLight Cinemas based out of the ArcLightHollywood, with two screenings and filmmaker Q&A’s each month at:https://www.arclightcinemas.com/en/news/arclight-presents-slamdance-cinema-club

 

In January 2015, Hulu partnered with Slamdance Studios to offer a new film collection from festival alumni. The nascent but already profitable venture allows viewers to accessSlamdance Studios on Hulu at: http://www.hulu.com/companies/slamdance

Slamdance Presents is a new distribution arm established to access broader distribution of independent films made or acquired by Slamdance Studios. The goal is to build the popularity of independent films and support filmmakers on a commercial level through theatrical release. The Resurrection of Jake The Snake is the first film to be released by the company.

 

In November, 2015, Slamdance announced DIG, a new digital, interactive and gaming showcase dedicated to emerging independent artists working in hybrid, immersive and developing forms of digital media art. Ten works will feature in the inaugural DIG show that will open in Los Angeles at Big Pictures Los Angeles on December 5th and run through December 13th, 2015. Admission is free and open to the public. The show will also be featured at the 2016 Slamdance Film Festival.

2016 Slamdance Film Festival Sponsors include Blackmagic Design, Distribber, CreativeFuture, Directors Guild of America, Kodak, Digital Bolex, The International Fusion Doc Challenge, Carhartt, Different By Design, Pierce Law Group LLP, Writers Guild Of America West, and Salt Lake City’s Slug Magazineand BlueStar Café. Slamdance is proud to partner with sponsors who support emerging artists and filmmakers.

 

The 2016 Slamdance Film Festival will take place January 22nd – 28th in Park City, Utah. Additional information about the Slamdance is available at www.slamdance.com

Connect With Slamdance:

Facebook: SlamdanceFilmFestival

Twitter: @slamdance

Instagram: @slamogram

 

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It shows how out of it I was in trying to be in it, acknowledging that I was out of it to myself, and then thinking, “Okay, how do I stop being out of it? Well, I get some legitimate illogical narrative ideas” — some novel, you know?

So I decided on three writers that I might be able to option their material and get some producer, or myself as producer, and then get some writer to do a screenplay on it, and maybe make a movie.

And so the three projects were “Do Androids Dream of Electric Sheep,” “Naked Lunch” and a collection of Bukowski. Which, in 1975, forget it — I mean, that was nuts. Hollywood would not touch any of that, but I was looking for something commercial, and I thought that all of these things were coming.

There would be no Blade Runner if there was no Ray Bradbury. I couldn’t find Philip K. Dick. His agent didn’t even know where he was. And so I gave up.

I was walking down the street and I ran into Bradbury — he directed a play that I was going to do as an actor, so we know each other, but he yelled “hi” — and I’d forgot who he was.

So at my girlfriend Barbara Hershey’s urging — I was with her at that moment — she said, “Talk to him! That guy really wants to talk to you,” and I said “No, fuck him,” and keep walking.

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My friend paid my rent for a year while I wrote, because it turned out we couldn’t get a writer. My friends kept on me about, well, if you can’t get a writer, then you write.”
~ Hampton Fancher

“That was the most disappointing thing to me in how this thing was played. Is that I’m on the phone with you now, after all that’s been said, and the fundamental distinction between what James is dealing with in these other cases is not actually brought to the fore. The fundamental difference is that James Franco didn’t seek to use his position to have sex with anyone. There’s not a case of that. He wasn’t using his position or status to try to solicit a sexual favor from anyone. If he had — if that were what the accusation involved — the show would not have gone on. We would have folded up shop and we would have not completed the show. Because then it would have been the same as Harvey Weinstein, or Les Moonves, or any of these cases that are fundamental to this new paradigm. Did you not notice that? Why did you not notice that? Is that not something notable to say, journalistically? Because nobody could find the voice to say it. I’m not just being rhetorical. Why is it that you and the other critics, none of you could find the voice to say, “You know, it’s not this, it’s that”? Because — let me go on and speak further to this. If you go back to the L.A. Times piece, that’s what it lacked. That’s what they were not able to deliver. The one example in the five that involved an issue of a sexual act was between James and a woman he was dating, who he was not working with. There was no professional dynamic in any capacity.

~ David Simon