By Ray Pride Pride@moviecitynews.com

Central Ohio Film Critics Association Goes For Spotlight

Spotlight shines at 14th annual Central Ohio Film Critics Association awards

(Columbus, January 7, 2016) Tom McCarthy’s investigative dramaSpotlight has been named Best Film in the Central Ohio Film Critics Association’s 14th annual awards, which recognize excellence in the film industry for 2015.  The film also claimed three other awards. McCarthy was honored as Best Director.  The cast, including Michael Keaton, Mark Ruffalo, and Rachel McAdams, was named Best Ensemble.  Josh Singer and McCarthy won for Best Original Screenplay.

Columbus-area critics lauded Alicia Vikander with three awards: Best Supporting Actress (Ex Machina); Actor of the Year for her exemplary body of work in Burnt, The Danish Girl, Ex Machina, The Man from U.N.C.L.E., Seventh Son, and Testament of Youth; and Breakthrough Film Artist.  Other individual screen performers commended for their achievements include Best Actor Leonardo DiCaprio (The Revenant), who previously was named COFCA’s Best Actor in 2006 for The Departed; Best Actress Brie Larson (Room); and Best Supporting Actor Benicio Del Toro (Sicario).

The Revenant’s Emmanuel Lubezki won Best Cinematography.  COFCA members also tabbed him for Best Cinematography in 2011 for The Tree of Life and 2013 for Gravity. Other winners include: Mad Max: Fury Road’s Margaret Sixel for Best Film Editing; The Big Short’s Charles Randolph and Adam McKay for Best Adapted Screenplay; The Hateful Eight’s Ennio Morricone for Best Score; Best Documentary The Look of Silence; Best Foreign Language Film Phoenix; Best Animated FilmInside Out; and The Tribe (Plemya) as Best Overlooked Film.

Founded in 2002, the Central Ohio Film Critics Association is comprised of film critics based in Columbus, Ohio and the surrounding areas. Its membership consists of 21 print, radio, television, and internet critics. COFCA’s official website at www.cofca.org contains links to member reviews and past award winners.

Winners were announced at a private party on January 7.

Complete list of awards:

Best Film

1. Spotlight

2. Inside Out

3. Room

4. Mad Max: Fury Road

5. Ex Machina

6. Sicario

7. Star Wars: Episode VII – The Force Awakens

8. The Revenant

9. The Big Short

10. The Martian

Best Director

-Tom McCarthy, Spotlight

-Runner-up: George Miller, Mad Max: Fury Road

Best Actor

-Leonardo DiCaprio, The Revenant

-Runner-up: Michael Fassbender, Steve Jobs

Best Actress

-Brie Larson, Room

-Runners-up: Saoirse Ronan, Brooklyn and Alicia Vikander, The Danish Girl

Best Supporting Actor

-Benicio Del Toro, Sicario

-Runner-up: Oscar Isaac, Ex Machina

Best Supporting Actress

-Alicia Vikander, Ex Machina

-Runner-up: Jennifer Jason Leigh, The Hateful Eight

Best Ensemble

-Spotlight

-Runner-up: The Hateful Eight

Actor of the Year (for an exemplary body of work)

-Alicia Vikander, Burnt, The Danish Girl, Ex Machina, The Man from

U.N.C.L.E., Seventh Son, and Testament of Youth

-Runner-up: Domhnall Gleeson, Brooklyn, Ex Machina, The Revenant, and Star

Wars: Episode VII -The Force Awakens

Breakthrough Film Artist

-Alicia Vikander, Burnt, The Danish Girl, Ex Machina, The Man from

U.N.C.L.E., Seventh Son, and Testament of Youth (for acting)

-Runner-up: Sean Baker, Tangerine (for producing, directing, screenwriting, film editing, cinematography, camera operation, and casting)

Best Cinematography

-Emmanuel Lubezki, The Revenant

-Runner-up: John Seale, Mad Max: Fury Road

Best Film Editing

-Margaret Sixel, Mad Max: Fury Road

-Runner-up: Joe Walker, Sicario

Best Adapted Screenplay

-Charles Randolph and Adam McKay, The Big Short

-Runner-up: Emma Donoghue, Room

Best Original Screenplay

-Josh Singer and Tom McCarthy, Spotlight

-Runner-up: Pete Docter, Meg LeFauve, and Josh Cooley, Inside Out

Best Score

-Ennio Morricone, The Hateful Eight

-Runner-up: Junkie XL, Mad Max: Fury Road

Best Documentary

-The Look of Silence

-Runner-up: Amy

Best Foreign Language Film

-Phoenix

-Runner-up: Wild Tales (Relatos salvajes)

Best Animated Film

-Inside Out

-Runner-up: Anomalisa

Best Overlooked Film

-The Tribe (Plemya)

-Runner-up: The Gift

COFCA offers its congratulations to the winners.

Previous Best Film winners:

2002:  Punch-Drunk Love

2003:  Lost in Translation

2004:  Million Dollar Baby

2005:  A History of Violence

2006:  Children of Men

2007:  No Country for Old Men

2008:  WALL·E

2009:  Up in the Air

2010:  Inception

2011:  Drive

2012:  Moonrise Kingdom

2013:  Gravity

2014:  Selma

For more information about the Central Ohio Film Critics Association, please visit www.cofca.org or e-mail info@cofca.org.

The complete list of members and their affiliations:

Richard Ades (Freelance); Dwayne Bailey (Bailey’s Buzz); Logan Burd (Cinema or Cine-meh?); Kevin Carr (www.7mpictures.com,FilmSchoolRejects.com); Bill Clark (www.fromthebalcony.com); Olie Coen (Archer Avenue, DVD Talk); John DeSando (90.5 WCBE); Frank Gabrenya (The Columbus Dispatch); James Hansen (Out 1 Film Journal); Brad Keefe (Columbus Alive); Kristin Dreyer Kramer (NightsAndWeekends.com, 90.5 WCBE); Joyce Long (Freelance); Rico Long (Freelance); Hope Madden (Columbus Underground andMaddWolf.com); Paul Markoff (WOCC-TV3; Otterbein TV); David Medsker (Bullz-Eye.com); Lori Pearson (Kids-in-Mind.com,critics.com); Mark Pfeiffer (Reel Times: Reflections on Cinema; WOCC-TV3; Otterbein TV); Melissa Starker (Columbus Alive, The Columbus Dispatch); George Wolf (Columbus Radio Group andMaddWolf.com); Jason Zingale (Bullz-Eye.com); Nathan Zoebl (PictureShowPundits.com).

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It shows how out of it I was in trying to be in it, acknowledging that I was out of it to myself, and then thinking, “Okay, how do I stop being out of it? Well, I get some legitimate illogical narrative ideas” — some novel, you know?

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My friend paid my rent for a year while I wrote, because it turned out we couldn’t get a writer. My friends kept on me about, well, if you can’t get a writer, then you write.”
~ Hampton Fancher

“That was the most disappointing thing to me in how this thing was played. Is that I’m on the phone with you now, after all that’s been said, and the fundamental distinction between what James is dealing with in these other cases is not actually brought to the fore. The fundamental difference is that James Franco didn’t seek to use his position to have sex with anyone. There’s not a case of that. He wasn’t using his position or status to try to solicit a sexual favor from anyone. If he had — if that were what the accusation involved — the show would not have gone on. We would have folded up shop and we would have not completed the show. Because then it would have been the same as Harvey Weinstein, or Les Moonves, or any of these cases that are fundamental to this new paradigm. Did you not notice that? Why did you not notice that? Is that not something notable to say, journalistically? Because nobody could find the voice to say it. I’m not just being rhetorical. Why is it that you and the other critics, none of you could find the voice to say, “You know, it’s not this, it’s that”? Because — let me go on and speak further to this. If you go back to the L.A. Times piece, that’s what it lacked. That’s what they were not able to deliver. The one example in the five that involved an issue of a sexual act was between James and a woman he was dating, who he was not working with. There was no professional dynamic in any capacity.

~ David Simon