By Ray Pride Pride@moviecitynews.com

The Full BAFTAS 2015 List

Five BAFTAs for The Revenant including Best Film, Director, and Leading Actor for Leonardo DiCaprio
– Mad Max: Fury Road wins four BAFTAs
– Brie Larson wins Leading Actress for Room
– 14 feature films receive at least one BAFTA

London, Sunday 14 February: At tonight’s EE British Academy Film Awards The Revenant was named Best Film with Alejandro G. Iñárritu winning Director andLeonardo DiCaprio receiving the award for Leading Actor. Emmanuel Lubezki won forCinematography – his fourth BAFTA overall and third win in a row, and the film also won for Sound.
Mad Max: Fury Road won four awards for its return to the big screen: Costume Design,Production Design, Make Up & Hair and Editing.
The Awards were hosted for an eleventh year by Stephen Fry and held at London’s Royal Opera House. In a ceremony that reflected an outstanding year of filmmaking, 12 further features received BAFTA awards:
Leading Actress was presented to Brie Larson for her portrayal of a young mother held captive in Room, while the award for Supporting Actress went to Kate Winslet for her performance in Steve Jobs. Mark Rylance received the BAFTA for Supporting Actor inBridge of Spies, with Steven Spielberg onstage to accept the award on his behalf.
The award for Outstanding British Film went to Brooklyn, a transatlantic love story about a young woman caught between a future in New York and her home in Ireland. British filmAmy triumphed against domestic and international competition to receive the BAFTA forDocumentary.
The award for Original Music went to Ennio Morricone for his work on The Hateful Eight, marking the composer’s sixth BAFTA in this category. Spotlight was successful in the Original Screenplay category, and the BAFTA for Adapted Screenplay went to The Big Short.
The award for Special Visual Effects went to Star Wars for its rendering of a galaxy far, far away, while the BAFTA for Animated Film went to Inside Out for its imagining of a world much closer to home.
Writer-Director Naji Abu Nowar and Producer Rupert Lloyd received the award forOutstanding Debut by a British Writer, Director or Producer for their first feature, Theeb. The BAFTA for Film Not in the English Language was presented to Argentinian film Wild Tales.
Operator won the British Short Film award, while the BAFTA for British Short Animationwas presented to Edmond.
The EE Rising Star Award, voted for by the public, was presented to John Boyega.
The special award for Outstanding British Contribution to Cinema was presented toAngels Costumes, the world’s longest-established and largest professional costume house, in their 175th year.
Sir Sidney Poitier received the Fellowship, the highest accolade that BAFTA can bestow, in recognition of his outstanding career in film. Sir Sidney’s award was presented to him by Jamie Foxx and his daughter, Sydney Tamiia Poitier, in his Los Angeles home. During the ceremony filmed tributes were given by Oprah Winfrey, Noel Clarke and his To Sir, With Love co-star, Lulu.
As part of BAFTA’s year-round programme of events and initiatives, many of this year’s nominees took part in a ‘BAFTA Film: The Sessions’ event on Saturday at Picturehouse Central. Nominees took to the stage to discuss their work with students and emerging talent. In addition, this year’s nominated British Short Film and British Short Animationfilmmakers will take part in Q&A sessions at select UK and international theatrical screenings of their films, which BAFTA is delivering in partnership with the Independent Cinema Office (ICO) and the British Council. Other year-round film activity includes scholarships and masterclasses as well as the David Lean Lecture by a leading film director and ‘A Life in Pictures’ career retrospectives. To access the best creative minds in film, TV and games production, visit www.bafta.org/guru. For more, visit www.bafta.org.
–A FULL LIST OF THE NOMINATIONS IS BELOW–
2015 NOMINATIONS AND WINNERS (presented in 2016)
FELLOWSHIP
SIR SIDNEY POITIER
OUTSTANDING BRITISH CONTRIBUTION TO CINEMA
ANGELS COSTUMES
BEST FILM
THE BIG SHORT Dede Gardner, Jeremy Kleiner, Brad Pitt
BRIDGE OF SPIES Kristie Macosko Krieger, Marc Platt, Steven Spielberg
CAROL Elizabeth Karlsen, Christine Vachon, Stephen Woolley
*THE REVENANT Steve Golin, Alejandro G. Iñárritu, Arnon Milchan, Mary Parent, Keith Redmon
SPOTLIGHT Steve Golin, Blye Pagon Faust, Nicole Rocklin, Michael Sugar
OUTSTANDING BRITISH FILM
45 YEARS Andrew Haigh, Tristan Goligher
AMY Asif Kapadia, James Gay-Rees
*BROOKLYN John Crowley, Finola Dwyer, Amanda Posey, Nick Hornby
THE DANISH GIRL Tom Hooper, Tim Bevan, Eric Fellner, Anne Harrison, Gail Mutrux, Lucinda Coxon
EX MACHINA Alex Garland, Andrew Macdonald, Allon Reich
THE LOBSTER Yorgos Lanthimos, Ceci Dempsey, Ed Guiney, Lee Magiday, Efthimis Filippou
OUTSTANDING DEBUT BY A BRITISH WRITER, DIRECTOR OR PRODUCER
ALEX GARLAND (Director) Ex Machina
DEBBIE TUCKER GREEN (Writer/Director) Second Coming
*NAJI ABU NOWAR (Writer/Director) RUPERT LLOYD (Producer) Theeb
SEAN MCALLISTER (Director/Producer), ELHUM SHAKERIFAR (Producer) A Syrian Love Story
STEPHEN FINGLETON (Writer/Director) The Survivalist
FILM NOT IN THE ENGLISH LANGUAGE
THE ASSASSIN Hou Hsiao-Hsien
FORCE MAJEURE Ruben Östlund
THEEB Naji Abu Nowar
TIMBUKTU Abderrahmane Sissako
*WILD TALES Damián Szifron
DOCUMENTARY
*AMY Asif Kapadia, James Gay-Rees
CARTEL LAND Matthew Heineman, Tom Yellin
HE NAMED ME MALALA Davis Guggenheim, Walter Parkes, Laurie MacDonald
LISTEN TO ME MARLON Stevan Riley, John Battsek, George Chignell, R.J. Cutler
SHERPA Jennifer Peedom, Bridget Ikin, John Smithson
ANIMATED FILM
*INSIDE OUT
Pete Docter
MINIONS Pierre Coffin, Kyle Balda
SHAUN THE SHEEP MOVIE Mark Burton, Richard Starzak
DIRECTOR
THE BIG SHORT Adam McKay
BRIDGE OF SPIES Steven Spielberg
CAROL Todd Haynes
THE MARTIAN Ridley Scott
*THE REVENANT Alejandro G. Iñárritu
ORIGINAL SCREENPLAY
BRIDGE OF SPIES Matthew Charman, Ethan Coen, Joel Coen
EX MACHINA Alex Garland
THE HATEFUL EIGHT Quentin Tarantino
INSIDE OUT Josh Cooley, Pete Docter, Meg LeFauve
*SPOTLIGHT Tom McCarthy, Josh Singer
ADAPTED SCREENPLAY
*THE BIG SHORT Adam McKay, Charles Randolph
BROOKLYN Nick Hornby
CAROL Phyllis Nagy
ROOM Emma Donoghue
STEVE JOBS Aaron Sorkin
LEADING ACTOR
BRYAN CRANSTON Trumbo
EDDIE REDMAYNE The Danish Girl
*LEONARDO DICAPRIO The Revenant
MATT DAMON The Martian
MICHAEL FASSBENDER Steve Jobs
LEADING ACTRESS
ALICIA VIKANDER The Danish Girl
*BRIE LARSON Room
CATE BLANCHETT Carol
MAGGIE SMITH The Lady in the Van
SAOIRSE RONAN Brooklyn
SUPPORTING ACTOR
BENICIO DEL TORO Sicario
CHRISTIAN BALE The Big Short
IDRIS ELBA Beasts of No Nation
MARK RUFFALO Spotlight
*MARK RYLANCE Bridge of Spies
SUPPORTING ACTRESS
ALICIA VIKANDER Ex Machina
JENNIFER JASON LEIGH The Hateful Eight
JULIE WALTERS Brooklyn
*KATE WINSLET Steve Jobs
ROONEY MARA Carol
ORIGINAL MUSIC
BRIDGE OF SPIES Thomas Newman
*THE HATEFUL EIGHT Ennio Morricone
THE REVENANT Ryuichi Sakamoto, Alva Noto
SICARIO Jóhann Jóhannsson
STAR WARS: THE FORCE AWAKENS John Williams
CINEMATOGRAPHY
BRIDGE OF SPIES Janusz Kamiński
CAROL Ed Lachman
MAD MAX: FURY ROAD John Seale
*THE REVENANT Emmanuel Lubezki
SICARIO Roger Deakins
EDITING
THE BIG SHORT Hank Corwin
BRIDGE OF SPIES Michael Kahn
*MAD MAX: FURY ROAD Margaret Sixel
THE MARTIAN Pietro Scalia
THE REVENANT Stephen Mirrione
PRODUCTION DESIGN
BRIDGE OF SPIES Adam Stockhausen, Rena DeAngelo, Bernhard Henrich
CAROL Judy Becker, Heather Loeffler
*MAD MAX: FURY ROAD Colin Gibson, Lisa Thompson
THE MARTIAN Arthur Max, Celia Bobak
STAR WARS: THE FORCE AWAKENS Rick Carter, Darren Gilford, Lee Sandales
COSTUME DESIGN
BROOKLYN Odile Dicks-Mireaux
CAROL Sandy Powell
CINDERELLA Sandy Powell
THE DANISH GIRL Paco Delgado
*MAD MAX: FURY ROAD Jenny Beavan
MAKE UP & HAIR
BROOKLYN Morna Ferguson, Lorraine Glynn
CAROL Jerry DeCarlo, Patricia Regan, Morag Ross
THE DANISH GIRL Jan Sewell
*MAD MAX: FURY ROAD Lesley Vanderwalt, Damian Martin
THE REVENANT Sian Grigg, Duncan Jarman, Robert Pandini
SOUND
BRIDGE OF SPIES Drew Kunin, Richard Hymns, Andy Nelson, Gary Rydstrom
MAD MAX: FURY ROAD Scott Hecker, Chris Jenkins, Mark Mangini, Ben Osmo, Gregg Rudloff, David White
THE MARTIAN Paul Massey, Mac Ruth, Oliver Tarney, Mark Taylor
*THE REVENANT Lon Bender, Chris Duesterdiek, Martin Hernandez, Frank A. Montaño, Jon Taylor, Randy Thom
STAR WARS: THE FORCE AWAKENS David Acord, Andy Nelson, Christopher Scarabosio, Matthew Wood, Stuart Wilson
SPECIAL VISUAL EFFECTS
ANT-MAN Jake Morrison, Greg Steele, Dan Sudick, Alex Wuttke
EX MACHINA Mark Ardington, Sara Bennett, Paul Norris, Andrew Whitehurst
MAD MAX: FURY ROAD Andrew Jackson, Dan Oliver, Tom Wood, Andy Williams
THE MARTIAN Chris Lawrence, Tim Ledbury, Richard Stammers, Steven Warner
*STAR WARS: THE FORCE AWAKENS Chris Corbould, Roger Guyett, Paul Kavanagh, Neal Scanlan
BRITISH SHORT ANIMATION
*EDMOND Nina Gantz, Emilie Jouffroy

MANOMAN Simon Cartwright, Kamilla Kristiane Hodol
PROLOGUE Richard Williams, Imogen Sutton
BRITISH SHORT FILM
ELEPHANT Nick Helm, Alex Moody, Esther Smith
MINING POEMS OR ODES Callum Rice, Jack Cocker
*OPERATOR Caroline Bartleet, Rebecca Morgan
OVER Jörn Threlfall, Jeremy Bannister
SAMUEL-613 Billy Lumby, Cheyenne Conway
THE EE RISING STAR AWARD (voted for by the public)
BEL POWLEY
BRIE LARSON
DAKOTA JOHNSON
*JOHN BOYEGA
TARON EGERTON
Nominations and Winners are correct at the time of going to print. BAFTA reserves the right to make changes to the names listed at any time up until 14 February 2016
14 February 2016
British Academy of Film and Television Arts
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It shows how out of it I was in trying to be in it, acknowledging that I was out of it to myself, and then thinking, “Okay, how do I stop being out of it? Well, I get some legitimate illogical narrative ideas” — some novel, you know?

So I decided on three writers that I might be able to option their material and get some producer, or myself as producer, and then get some writer to do a screenplay on it, and maybe make a movie.

And so the three projects were “Do Androids Dream of Electric Sheep,” “Naked Lunch” and a collection of Bukowski. Which, in 1975, forget it — I mean, that was nuts. Hollywood would not touch any of that, but I was looking for something commercial, and I thought that all of these things were coming.

There would be no Blade Runner if there was no Ray Bradbury. I couldn’t find Philip K. Dick. His agent didn’t even know where he was. And so I gave up.

I was walking down the street and I ran into Bradbury — he directed a play that I was going to do as an actor, so we know each other, but he yelled “hi” — and I’d forgot who he was.

So at my girlfriend Barbara Hershey’s urging — I was with her at that moment — she said, “Talk to him! That guy really wants to talk to you,” and I said “No, fuck him,” and keep walking.

But then I did, and then I realized who it was, and I thought, “Wait, he’s in that realm, maybe he knows Philip K. Dick.” I said, “You know a guy named—” “Yeah, sure — you want his phone number?”

My friend paid my rent for a year while I wrote, because it turned out we couldn’t get a writer. My friends kept on me about, well, if you can’t get a writer, then you write.”
~ Hampton Fancher

“That was the most disappointing thing to me in how this thing was played. Is that I’m on the phone with you now, after all that’s been said, and the fundamental distinction between what James is dealing with in these other cases is not actually brought to the fore. The fundamental difference is that James Franco didn’t seek to use his position to have sex with anyone. There’s not a case of that. He wasn’t using his position or status to try to solicit a sexual favor from anyone. If he had — if that were what the accusation involved — the show would not have gone on. We would have folded up shop and we would have not completed the show. Because then it would have been the same as Harvey Weinstein, or Les Moonves, or any of these cases that are fundamental to this new paradigm. Did you not notice that? Why did you not notice that? Is that not something notable to say, journalistically? Because nobody could find the voice to say it. I’m not just being rhetorical. Why is it that you and the other critics, none of you could find the voice to say, “You know, it’s not this, it’s that”? Because — let me go on and speak further to this. If you go back to the L.A. Times piece, that’s what it lacked. That’s what they were not able to deliver. The one example in the five that involved an issue of a sexual act was between James and a woman he was dating, who he was not working with. There was no professional dynamic in any capacity.

~ David Simon