By Ray Pride Pride@moviecitynews.com

145 Documentary Features Submitted For Oscar

Posted Friday, October 28th, 2016 - Comments Off on 145 Documentary Features Submitted For Oscar
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One hundred forty-five features have been submitted for consideration in the Documentary Feature category for the 89th Academy Awards®.

The submitted films, listed in alphabetical order, are:

“The Abolitionists”
“Abortion: Stories Women Tell”
“All Governments Lie: Truth, Deception, and the Spirit of I.F. Stone”
“Almost Holy”
“Amanda Knox”
“Among the Believers”
“Anne Frank Then and Now”
“The Anthropologist”
“Apparition Hill”
“Art Bastard”
“The Ataxian”
“Audrie & Daisy”
“Author: The JT Leroy Story”
“The Bad Kids”
“Be Here Now (The Andy Whitfield Story)”
“The Beatles: Eight Days a Week – The Touring Years”
“A Beautiful Planet”
“Beauty Bites Beast”
“Becoming Mike Nichols”
“Before the Flood”
“Behind Bayonets and Barbed Wire”
“Behind the Cove – The Quiet Japanese Speak Out!”
“Best and Most Beautiful Things”
“The Best Democracy Money Can Buy: A Tale of Billionaires and Ballot Bandits”
“Best Worst Thing That Ever Could Have Happened”
“A Billion Lives”
“Black Women in Medicine”
“Blood on the Mountain”
“Boy 23: The Forgotten Boys of Brazil”
“The Brainwashing of My Dad”
“Bright Lights: Starring Carrie Fisher and Debbie Reynolds”
“By Sidney Lumet”
“The C Word”
“Cameraperson”
“Citizen Soldier”
“City of Gold”
“Class Divide”
“Colliding Dreams”
“Command and Control”
“Dancer”
“Danny Says”
“Defying the Nazis: The Sharps’ War”
“Disturbing the Peace”
“Do Not Resist”
“Don’t Blink – Robert Frank”
“The Eagle Huntress”
“Eat That Question: Frank Zappa in His Own Words”
“Eating You Alive”
“Equal Means Equal”
“Eva Hesse”
“Everything Is Copy – Nora Ephron: Scripted & Unscripted”
“A Family Affair”
“Finding Babel”
“Fire at Sea”
“The First Monday in May”
“Floyd Norman: An Animated Life”
“Francofonia”
“Generation Startup”
“Gimme Danger”
“Gleason”
“Harry & Snowman”
“Hate Rising with Jorge Ramos”
“Holy Hell”
“Hooligan Sparrow”
“How to Let Go of the World and Love All the Things Climate Can’t Change”
“Huntwatch”
“I Am Not Your Negro”
“Indian Point”
“Into the Inferno”
“Iron Moon”
“Ivory. A Crime Story”
“The Ivory Game”
“Jim: The James Foley Story”
“Kate Plays Christine”
“Keepers of the Game”
“Landfill Harmonic”
“The Last Man on the Moon”
“Life, Animated”
“Lo and Behold: Reveries of the Connected World”
“Look at Us Now, Mother!”
“The Lovers and the Despot”
“Magnus”
“Making a Killing: Guns, Greed, and the NRA”
“Mapplethorpe: Look at the Pictures”
“Marathon: The Patriots Day Bombing”
“Marinoni: The Fire in the Frame”
“Mavis!”
“Maya Angelou: And Still I Rise”
“Mifune: The Last Samurai”
“Miss Sharon Jones!”
“The Music of Strangers: Yo-Yo Ma and the Silk Road Ensemble”
“My Love, Don’t Cross That River”
“National Bird”
“National Parks Adventure”
“Never Surrender”
“Newtown”
“Norman Lear: Just Another Version of You”
“Notes on Blindness”
“Nuts!”
“O.J.: Made in America”
“Off the Rails”
“Older than Ireland”
“Olympic Pride, American Prejudice”
“On the Map”
“100 Years, One Woman’s Fight for Justice”
“Our Last Tango”
“Presenting Princess Shaw”
“The Red Pill”
“Rigged 2016”
“The Rolling Stones Olé Olé Olé!: A Trip across Latin America”
“Rooted in Peace”
“The Ruins of Lifta”
“Seasons”
“The Seventh Fire”
“Shadow World”
“Silicon Cowboys”
“Sky Ladder: The Art of Cai Guo-Qiang”
“Solitary”
“Southwest of Salem: The Story of the San Antonio Four”
“Starving the Beast”
“The Syndrome”
“Thank You for Your Service”
“Theo Who Lived”
“They Will Have to Kill Us First – Malian Music in Exile”
“13th”
“This Is Life”
“Tickled”
“Tony Robbins: I Am Not Your Guru”
“Tower”
“The Trans List”
“Trapped”
“Trezoros: The Lost Jews of Kastoria”
“USS Indianapolis The Legacy”
“The Uncondemned”
“Under the Gun”
“Under the Sun”
“Underfire: The Untold Story of Pfc. Tony Vaccaro”
“Unlocking the Cage”
“Vaxxed: From Cover-Up to Catastrophe”
“Voyage of Time: The IMAX Experience”
“We Are X”
“Weiner”
“When Two Worlds Collide”
“The Witness”
“Zero Days”

Several of the films have not yet had their required Los Angeles and New York qualifying releases.  Submitted features must fulfill the theatrical release requirements and comply with all of the category’s other qualifying rules in order to advance in the voting process.  A shortlist of 15 films will be announced in December.

Films submitted in the Documentary Feature category also may qualify for Academy Awards in other categories, including Best Picture, provided they meet the requirements for those categories.

Nominations for the 89th Oscars® will be announced on Tuesday, January 24, 2017.

The 89th Oscars will be held on Sunday, February 26, 2017, at the Dolby Theatre® at Hollywood & Highland Center®in Hollywood, and will be televised live on the ABC Television Network at 7 p.m. ET/4 p.m. PT.  The Oscars also will be televised live in more than 225 countries and territories worldwide.

# # #

ABOUT THE ACADEMY
The Academy of Motion Picture Arts and Sciences is a global community of more than 7,000 of the most accomplished artists, filmmakers and executives working in film.  In addition to celebrating and recognizing excellence in filmmaking through the Oscars, the Academy supports a wide range of initiatives to promote the art and science of the movies, including public programming, educational outreach and the upcoming Academy Museum of Motion Pictures, which is under construction in Los Angeles.

FOLLOW THE ACADEMY
www.oscars.org
www.facebook.com/TheAcademy
www.youtube.com/Oscars
www.twitter.com/TheAcademy

 

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It shows how out of it I was in trying to be in it, acknowledging that I was out of it to myself, and then thinking, “Okay, how do I stop being out of it? Well, I get some legitimate illogical narrative ideas” — some novel, you know?

So I decided on three writers that I might be able to option their material and get some producer, or myself as producer, and then get some writer to do a screenplay on it, and maybe make a movie.

And so the three projects were “Do Androids Dream of Electric Sheep,” “Naked Lunch” and a collection of Bukowski. Which, in 1975, forget it — I mean, that was nuts. Hollywood would not touch any of that, but I was looking for something commercial, and I thought that all of these things were coming.

There would be no Blade Runner if there was no Ray Bradbury. I couldn’t find Philip K. Dick. His agent didn’t even know where he was. And so I gave up.

I was walking down the street and I ran into Bradbury — he directed a play that I was going to do as an actor, so we know each other, but he yelled “hi” — and I’d forgot who he was.

So at my girlfriend Barbara Hershey’s urging — I was with her at that moment — she said, “Talk to him! That guy really wants to talk to you,” and I said “No, fuck him,” and keep walking.

But then I did, and then I realized who it was, and I thought, “Wait, he’s in that realm, maybe he knows Philip K. Dick.” I said, “You know a guy named—” “Yeah, sure — you want his phone number?”

My friend paid my rent for a year while I wrote, because it turned out we couldn’t get a writer. My friends kept on me about, well, if you can’t get a writer, then you write.”
~ Hampton Fancher

“That was the most disappointing thing to me in how this thing was played. Is that I’m on the phone with you now, after all that’s been said, and the fundamental distinction between what James is dealing with in these other cases is not actually brought to the fore. The fundamental difference is that James Franco didn’t seek to use his position to have sex with anyone. There’s not a case of that. He wasn’t using his position or status to try to solicit a sexual favor from anyone. If he had — if that were what the accusation involved — the show would not have gone on. We would have folded up shop and we would have not completed the show. Because then it would have been the same as Harvey Weinstein, or Les Moonves, or any of these cases that are fundamental to this new paradigm. Did you not notice that? Why did you not notice that? Is that not something notable to say, journalistically? Because nobody could find the voice to say it. I’m not just being rhetorical. Why is it that you and the other critics, none of you could find the voice to say, “You know, it’s not this, it’s that”? Because — let me go on and speak further to this. If you go back to the L.A. Times piece, that’s what it lacked. That’s what they were not able to deliver. The one example in the five that involved an issue of a sexual act was between James and a woman he was dating, who he was not working with. There was no professional dynamic in any capacity.

~ David Simon