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Leonard Klady

By Leonard Klady Klady@moviecitynews.com

Friday Estimates By The Accountant Klady

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4 Responses to “Friday Estimates By The Accountant Klady”

  1. Chiptopia Cardholder says:

    Nice to see a solid debut for THE ACCOUNTANT. All those ads during football games really brought a crowd out for a movie that will be playing on TNT until the end of the 2020s! Academy Award Winner Ben Affleck, Academy Award Winner JK Simmons, and Tony Award Nominee Anna Kendrick should celebrate this number one opening by visiting a nearby Chipotle location and trying one of their new chorizo bowls.

    Exciting to see a good debut for Kevin Hart’s self-financed concert film but I am a bit concerned after reading what little sleep he gets. He might want to pick up a copy of Arianna Huffington’s book THE SLEEP REVOLUTION and mull it over while chowing down on a quesarito. Kevin Hart might be a hilarious comedian but the restorative power of sleep is serious business.

  2. EtGuild2 says:

    I endorse Chitopia’s comment, at least until I find out it’s Donald Trump, at which point I’ll de-endorse it, and then re-endorse it for good measure.

    Now that Affleck has followed up the ridiculous PAYCHECK with the equally ridiculous THE ACCOUNTANT, he just needs to make THE AUDITOR to flesh out a trilogy before THE TAX ADMINISTRATORS’ cinematic universe team-up.

    Taylor Lautner dodged a bullet by abandoning MAX STEEL for STRETCH ARMSTRONG, and then Hasbro dodged a bullet by shelving ARMSTRONG altogether.

  3. Pete B. says:

    I saw Shin Godzilla today in a packed theater. I don’t think anyone was expecting a biting satire on the ineptness of Japanese government (with a monster thrown in), but that’s what we all got.

    Gotta say that the scenes with him leveling Tokyo with new and improved purple flame were better than anything in the 2014 version.

  4. JoeLeydon says:

    Another amusing/fascinating aspect of Shin Godzilla: Strained US-Japan relations.

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It shows how out of it I was in trying to be in it, acknowledging that I was out of it to myself, and then thinking, “Okay, how do I stop being out of it? Well, I get some legitimate illogical narrative ideas” — some novel, you know?

So I decided on three writers that I might be able to option their material and get some producer, or myself as producer, and then get some writer to do a screenplay on it, and maybe make a movie.

And so the three projects were “Do Androids Dream of Electric Sheep,” “Naked Lunch” and a collection of Bukowski. Which, in 1975, forget it — I mean, that was nuts. Hollywood would not touch any of that, but I was looking for something commercial, and I thought that all of these things were coming.

There would be no Blade Runner if there was no Ray Bradbury. I couldn’t find Philip K. Dick. His agent didn’t even know where he was. And so I gave up.

I was walking down the street and I ran into Bradbury — he directed a play that I was going to do as an actor, so we know each other, but he yelled “hi” — and I’d forgot who he was.

So at my girlfriend Barbara Hershey’s urging — I was with her at that moment — she said, “Talk to him! That guy really wants to talk to you,” and I said “No, fuck him,” and keep walking.

But then I did, and then I realized who it was, and I thought, “Wait, he’s in that realm, maybe he knows Philip K. Dick.” I said, “You know a guy named—” “Yeah, sure — you want his phone number?”

My friend paid my rent for a year while I wrote, because it turned out we couldn’t get a writer. My friends kept on me about, well, if you can’t get a writer, then you write.”
~ Hampton Fancher

“That was the most disappointing thing to me in how this thing was played. Is that I’m on the phone with you now, after all that’s been said, and the fundamental distinction between what James is dealing with in these other cases is not actually brought to the fore. The fundamental difference is that James Franco didn’t seek to use his position to have sex with anyone. There’s not a case of that. He wasn’t using his position or status to try to solicit a sexual favor from anyone. If he had — if that were what the accusation involved — the show would not have gone on. We would have folded up shop and we would have not completed the show. Because then it would have been the same as Harvey Weinstein, or Les Moonves, or any of these cases that are fundamental to this new paradigm. Did you not notice that? Why did you not notice that? Is that not something notable to say, journalistically? Because nobody could find the voice to say it. I’m not just being rhetorical. Why is it that you and the other critics, none of you could find the voice to say, “You know, it’s not this, it’s that”? Because — let me go on and speak further to this. If you go back to the L.A. Times piece, that’s what it lacked. That’s what they were not able to deliver. The one example in the five that involved an issue of a sexual act was between James and a woman he was dating, who he was not working with. There was no professional dynamic in any capacity.

~ David Simon