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David Poland

By David Poland poland@moviecitynews.com

BYOB is back…

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8 Responses to “BYOB is back…”

  1. EtGuild2 says:

    I agree with Indiewire: Illumination Entertainment is Satanic.

    SING is the most carefully crafted lard sculpture of cross-promotion I’ve ever seen that isn’t already part of a franchise.

  2. Sideshow Bill says:

    Carrying this over from another thread because I’m so happy about it: I could not be more thrilled that Wes Anderson is doing another stop-motion animated film. I love Fantastic Mr. Fox with all my heart. It was a wonderful experience for me and my daughters. I can’t wait until Isle Of Dogs is released. Gonna be a long wait. Anyone else?

  3. Doug R says:

    Tempted to enter the contest where first prize is a trip to London and a voice on “Isle Of Dogs”.

  4. EtGuild2 says:

    FANTASTIC MR. FOX is one of my favorite animated movies of all-time, and my favorite Wes Anderson, so I’m equally thrilled.

  5. Hcat says:

    One of the things I love about Anderson is each time I see one of his films they get more Wes Andersony. After Life Aquatic I thought he had entirely disappeared into his own mind, but then Fantastic Mr. Fox and Moonlight Kingdom was even more so and then Grand Budapest even more so than that. It is wonderful to have a filmmaker working where each time they release something you think “oh wait, thats his masterpiece” and your favorite film of his is constantly shifting depending on which you have seen most recently.

  6. Sideshow Bill says:

    I agree he’s on a great streak. Mr, Fox, Moonrise and Budapest are among if not at the top of my list. We quote Mr. Fox around here all the time, completely randomly. “he’s rabid, with rabies.” That’s a popular one.

  7. Doug R says:

    “Are you cussing with me?”

  8. Sideshow Bill says:

    ^^^^ Excellent.

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It shows how out of it I was in trying to be in it, acknowledging that I was out of it to myself, and then thinking, “Okay, how do I stop being out of it? Well, I get some legitimate illogical narrative ideas” — some novel, you know?

So I decided on three writers that I might be able to option their material and get some producer, or myself as producer, and then get some writer to do a screenplay on it, and maybe make a movie.

And so the three projects were “Do Androids Dream of Electric Sheep,” “Naked Lunch” and a collection of Bukowski. Which, in 1975, forget it — I mean, that was nuts. Hollywood would not touch any of that, but I was looking for something commercial, and I thought that all of these things were coming.

There would be no Blade Runner if there was no Ray Bradbury. I couldn’t find Philip K. Dick. His agent didn’t even know where he was. And so I gave up.

I was walking down the street and I ran into Bradbury — he directed a play that I was going to do as an actor, so we know each other, but he yelled “hi” — and I’d forgot who he was.

So at my girlfriend Barbara Hershey’s urging — I was with her at that moment — she said, “Talk to him! That guy really wants to talk to you,” and I said “No, fuck him,” and keep walking.

But then I did, and then I realized who it was, and I thought, “Wait, he’s in that realm, maybe he knows Philip K. Dick.” I said, “You know a guy named—” “Yeah, sure — you want his phone number?”

My friend paid my rent for a year while I wrote, because it turned out we couldn’t get a writer. My friends kept on me about, well, if you can’t get a writer, then you write.”
~ Hampton Fancher

“That was the most disappointing thing to me in how this thing was played. Is that I’m on the phone with you now, after all that’s been said, and the fundamental distinction between what James is dealing with in these other cases is not actually brought to the fore. The fundamental difference is that James Franco didn’t seek to use his position to have sex with anyone. There’s not a case of that. He wasn’t using his position or status to try to solicit a sexual favor from anyone. If he had — if that were what the accusation involved — the show would not have gone on. We would have folded up shop and we would have not completed the show. Because then it would have been the same as Harvey Weinstein, or Les Moonves, or any of these cases that are fundamental to this new paradigm. Did you not notice that? Why did you not notice that? Is that not something notable to say, journalistically? Because nobody could find the voice to say it. I’m not just being rhetorical. Why is it that you and the other critics, none of you could find the voice to say, “You know, it’s not this, it’s that”? Because — let me go on and speak further to this. If you go back to the L.A. Times piece, that’s what it lacked. That’s what they were not able to deliver. The one example in the five that involved an issue of a sexual act was between James and a woman he was dating, who he was not working with. There was no professional dynamic in any capacity.

~ David Simon