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David Poland

By David Poland poland@moviecitynews.com

BYOB: Rogue One, etc.

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4 Responses to “BYOB: Rogue One, etc.”

  1. EtGuild2 says:

    I feel like the BYOBs are mixed up, but since we haven’t really talked about awards (The Silence/Arrival/Fences/Jackie snubs at the Globes!), thought I’d mention the Indie Spirit love for A24. 18 nominations across six movies!!!!…and KRISHA and THE LOBSTER were last year.

    Having fiiiinally seen AMERICAN HONEY, I’m happy for the nomination leading upset. Loved it, I didn’t have a problem with the length. A sprawling, massively ambitious, gorgeously shot, almost-miraculously acted, subtle intersectional critique of so many issues at the fore of 2016. It is the movie of now, a snapshot of the insta-gratification anything is possible, eventually exhausting, briefly hopeless and eventually realism lowered life expectations of poor, rural, mostly white kids in our America.

  2. Movieman says:

    Yes, I liked “American Honey” a lot, too, Ethan–even if it felt an awful lot like the longest movie Harmony Korine never directed.

    How about that “Collateral Beauty” train wreck? All through the movie I kept waiting for Gerard Depardieu to turn up and shout, “Bogus!”
    (Obscure Norman Jewison reference if anyone cares, lol.)

  3. SP says:

    I didn’t like Rogue One much. Hoping I like it more on second viewing. I’m bummed that, as with last year, a Star Wars flick came out that got good reviews and lots of people seem to love and I wasn’t into it. For one thing, I’m not sure if it was the theater I was in, but pretty much everything up to the big final battle looked murky and dark. Most of the action took place in the dark or in the rain and didn’t really look all that great. Hey, if anyone here can get into the reshoots and how it all worked with Gilroy and everything, go to town, very curious about that. Edwards seems to be playing ball? He’s cool with this? Very curious to learn more about the reshoots.

  4. Stella's Boy says:

    Incredibly bummed that I didn’t see American Honey when it played here, but Milwaukee only had it for a week. Ethan I share your A24 love. They have had a truly remarkable year.

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It shows how out of it I was in trying to be in it, acknowledging that I was out of it to myself, and then thinking, “Okay, how do I stop being out of it? Well, I get some legitimate illogical narrative ideas” — some novel, you know?

So I decided on three writers that I might be able to option their material and get some producer, or myself as producer, and then get some writer to do a screenplay on it, and maybe make a movie.

And so the three projects were “Do Androids Dream of Electric Sheep,” “Naked Lunch” and a collection of Bukowski. Which, in 1975, forget it — I mean, that was nuts. Hollywood would not touch any of that, but I was looking for something commercial, and I thought that all of these things were coming.

There would be no Blade Runner if there was no Ray Bradbury. I couldn’t find Philip K. Dick. His agent didn’t even know where he was. And so I gave up.

I was walking down the street and I ran into Bradbury — he directed a play that I was going to do as an actor, so we know each other, but he yelled “hi” — and I’d forgot who he was.

So at my girlfriend Barbara Hershey’s urging — I was with her at that moment — she said, “Talk to him! That guy really wants to talk to you,” and I said “No, fuck him,” and keep walking.

But then I did, and then I realized who it was, and I thought, “Wait, he’s in that realm, maybe he knows Philip K. Dick.” I said, “You know a guy named—” “Yeah, sure — you want his phone number?”

My friend paid my rent for a year while I wrote, because it turned out we couldn’t get a writer. My friends kept on me about, well, if you can’t get a writer, then you write.”
~ Hampton Fancher

“That was the most disappointing thing to me in how this thing was played. Is that I’m on the phone with you now, after all that’s been said, and the fundamental distinction between what James is dealing with in these other cases is not actually brought to the fore. The fundamental difference is that James Franco didn’t seek to use his position to have sex with anyone. There’s not a case of that. He wasn’t using his position or status to try to solicit a sexual favor from anyone. If he had — if that were what the accusation involved — the show would not have gone on. We would have folded up shop and we would have not completed the show. Because then it would have been the same as Harvey Weinstein, or Les Moonves, or any of these cases that are fundamental to this new paradigm. Did you not notice that? Why did you not notice that? Is that not something notable to say, journalistically? Because nobody could find the voice to say it. I’m not just being rhetorical. Why is it that you and the other critics, none of you could find the voice to say, “You know, it’s not this, it’s that”? Because — let me go on and speak further to this. If you go back to the L.A. Times piece, that’s what it lacked. That’s what they were not able to deliver. The one example in the five that involved an issue of a sexual act was between James and a woman he was dating, who he was not working with. There was no professional dynamic in any capacity.

~ David Simon