By Ray Pride Pride@moviecitynews.com

Writers Guild West President Howard Rodman On Trump Attack On “Working Men And Women”

 

 

December 8, 2016

Chuck Jones is President of United Steelworkers Local 1999, which represents the workers of the Carrier plants in Indiana. This week he spoke out about the much-publicized deal to keep over a thousand jobs from moving to Mexico, calling it a promise “half-way delivered.” He pointed out a truer set of numbers: that even as Carrier would receive seven million dollars in tax breaks, 550 of his members would lose their livelihoods after all.

In retaliation the President-elect of the United States, Tweeting from his gilded apartment atop the tower that bears his name, lashed out yesterday at the union. He said its dues were too high. He blamed the workers themselves for the loss of jobs. And he attacked Jones by name. As a consequence Jones and his family are now on the receiving end of a torrent of hate. He was told “I better watch out for myself, and they know what kind of car I drive, that I better watch out for my kids.”

Whether we work in Culver City or Indianapolis, in writers rooms or on factory floors, we all of us have the right to fight for a better deal. We stand in solidarity with the members of Local 1999 and with their chosen leadership. And we will not stand in silence as a President-elect, soon a President, uses his vast powers to intimidate the working men and women of our republic.

In Solidarity,

Howard A. Rodman
President, WGAW

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It shows how out of it I was in trying to be in it, acknowledging that I was out of it to myself, and then thinking, “Okay, how do I stop being out of it? Well, I get some legitimate illogical narrative ideas” — some novel, you know?

So I decided on three writers that I might be able to option their material and get some producer, or myself as producer, and then get some writer to do a screenplay on it, and maybe make a movie.

And so the three projects were “Do Androids Dream of Electric Sheep,” “Naked Lunch” and a collection of Bukowski. Which, in 1975, forget it — I mean, that was nuts. Hollywood would not touch any of that, but I was looking for something commercial, and I thought that all of these things were coming.

There would be no Blade Runner if there was no Ray Bradbury. I couldn’t find Philip K. Dick. His agent didn’t even know where he was. And so I gave up.

I was walking down the street and I ran into Bradbury — he directed a play that I was going to do as an actor, so we know each other, but he yelled “hi” — and I’d forgot who he was.

So at my girlfriend Barbara Hershey’s urging — I was with her at that moment — she said, “Talk to him! That guy really wants to talk to you,” and I said “No, fuck him,” and keep walking.

But then I did, and then I realized who it was, and I thought, “Wait, he’s in that realm, maybe he knows Philip K. Dick.” I said, “You know a guy named—” “Yeah, sure — you want his phone number?”

My friend paid my rent for a year while I wrote, because it turned out we couldn’t get a writer. My friends kept on me about, well, if you can’t get a writer, then you write.”
~ Hampton Fancher

“That was the most disappointing thing to me in how this thing was played. Is that I’m on the phone with you now, after all that’s been said, and the fundamental distinction between what James is dealing with in these other cases is not actually brought to the fore. The fundamental difference is that James Franco didn’t seek to use his position to have sex with anyone. There’s not a case of that. He wasn’t using his position or status to try to solicit a sexual favor from anyone. If he had — if that were what the accusation involved — the show would not have gone on. We would have folded up shop and we would have not completed the show. Because then it would have been the same as Harvey Weinstein, or Les Moonves, or any of these cases that are fundamental to this new paradigm. Did you not notice that? Why did you not notice that? Is that not something notable to say, journalistically? Because nobody could find the voice to say it. I’m not just being rhetorical. Why is it that you and the other critics, none of you could find the voice to say, “You know, it’s not this, it’s that”? Because — let me go on and speak further to this. If you go back to the L.A. Times piece, that’s what it lacked. That’s what they were not able to deliver. The one example in the five that involved an issue of a sexual act was between James and a woman he was dating, who he was not working with. There was no professional dynamic in any capacity.

~ David Simon