By Ray Pride Pride@moviecitynews.com

Oscar 90 Reunites Kimmel, De Luca, Todd

THE 90th OSCARS® REUNITES HOST JIMMY KIMMEL AND PRODUCERS MICHAEL DE LUCA AND JENNIFER TODD FOR HOLLYWOOD’S MOST CELEBRATED EVENT OF THE YEAR

LOS ANGELES, CA – For a second consecutive year, late-night talk show favorite Jimmy Kimmel will return to host the Oscars broadcast and Michael De Luca and Jennifer Todd will produce, Academy President Cheryl Boone Isaacs announced today. The 90th Academy Awards will air live on the ABC Television Network and broadcast outlets worldwide on Oscar Sunday, March 4, 2018.

“Jimmy, Mike and Jennifer are truly an Oscar Dream Team,” said Boone Isaacs. “Mike and Jennifer produced a beautiful show that was visually stunning. And Jimmy proved, from his opening monologue all the way through a finale we could never have imagined, that he is one our finest hosts in Oscar history.”

“Hosting the Oscars was a highlight of my career and I am grateful to Cheryl, Dawn and the Academy for asking me to return to work with two of my favorite people, Mike De Luca and Jennifer Todd,” said Kimmel. “If you think we screwed up the ending this year, wait until you see what we have planned for the 90th anniversary show!”

“It’s not often you get two chances to have a once-in-a-lifetime experience and even more rare to be handed the keys to a party 90 years in the making,” said De Luca and Todd. “We always thought the idea that anything can happen on the Oscars was a cliché until we lived it.”

“Our Oscars team this year delivered a show that hit every high note,” said Academy CEO Dawn Hudson. “Jimmy brought back the essence and light touch of the greatest hosts of Oscars’ past. Mike and Jennifer’s love of movies is infectious and touched every aspect of the show. This is the perfect team to lead us into the ninth decade.”

“After just one year, we can’t imagine anyone else hosting The Oscars. Jimmy’s skillful command of the stage is invaluable on a night when anything can happen – and does,” said Channing Dungey, President, ABC Entertainment. “With Mike and Jennifer at the helm, we’re ready for another unforgettable show that will dazzle, delight and, most importantly, honor 90 years of Hollywood’s most prestigious award.”

Kimmel serves as host and executive producer of the Emmy-winning “Jimmy Kimmel Live,” ABC’s late-night talk show. Now in its 15th season, “JKL” has earned six Emmy nominations in the Outstanding Variety Series Talk category, the Writing for a Variety Series category, and the Variety, Music or Comedy Series category.

De Luca earned Best Picture Oscar nominations for producing “Captai” Phillips,” “Moneyball” and “The Social Network.” He is credited on more than 60 films, including the “Fifty Shades of Grey” trilogy, “Blow,” “Magnolia,” “American History X” and “Boogie Nights.” He is a former president of production at Columbia Pictures, DreamWorks and New Line Cinema.

Todd is currently president of Pearl Street Films, the production company founded by Ben Affleck and Matt Damon, where she produced “Live by Night” and executive produced last year’s “Jason Bourne.” Her other credits include such films as “Alice through the Looking Glass,” “Celeste and Jesse Forever,” “Alice in Wonderland,” “Across the Universe,” “Prime,” “Memento,” “Boiler Room” and the “Austin Powers” films. Todd earned an Emmy nomination for her work on the HBO television movie “If These Walls Could Talk 2.”

The 90th Oscars will be held on Sunday, March 4, 2018, at the Dolby Theatre at Hollywood & Highland Center in Hollywood, and will be televised live on the ABC at 7pm ET/4pm PT. The Oscars also will be televised live in more than 225 countries and territories worldwide.

 

# # #

ABOUT THE ACADEMY

The Academy of Motion Picture Arts and Sciences is a global community of more than 7,000 of the most accomplished artists, filmmakers and executives working in film. In addition to celebrating and recognizing excellence in filmmaking through the Oscars, the Academy supports a wide range of initiatives to promote the art and science of the movies, including public programming, educational outreach and the upcoming Academy Museum of Motion Pictures, which is under construction in Los Angeles.

FOLLOW THE ACADEMY
www.oscars.org
www.facebook.com/TheAcademy
www.youtube.com/Oscars
www.twitter.com/TheAcademy

 

Be Sociable, Share!

Comments are closed.

Quote Unquotesee all »

It shows how out of it I was in trying to be in it, acknowledging that I was out of it to myself, and then thinking, “Okay, how do I stop being out of it? Well, I get some legitimate illogical narrative ideas” — some novel, you know?

So I decided on three writers that I might be able to option their material and get some producer, or myself as producer, and then get some writer to do a screenplay on it, and maybe make a movie.

And so the three projects were “Do Androids Dream of Electric Sheep,” “Naked Lunch” and a collection of Bukowski. Which, in 1975, forget it — I mean, that was nuts. Hollywood would not touch any of that, but I was looking for something commercial, and I thought that all of these things were coming.

There would be no Blade Runner if there was no Ray Bradbury. I couldn’t find Philip K. Dick. His agent didn’t even know where he was. And so I gave up.

I was walking down the street and I ran into Bradbury — he directed a play that I was going to do as an actor, so we know each other, but he yelled “hi” — and I’d forgot who he was.

So at my girlfriend Barbara Hershey’s urging — I was with her at that moment — she said, “Talk to him! That guy really wants to talk to you,” and I said “No, fuck him,” and keep walking.

But then I did, and then I realized who it was, and I thought, “Wait, he’s in that realm, maybe he knows Philip K. Dick.” I said, “You know a guy named—” “Yeah, sure — you want his phone number?”

My friend paid my rent for a year while I wrote, because it turned out we couldn’t get a writer. My friends kept on me about, well, if you can’t get a writer, then you write.”
~ Hampton Fancher

“That was the most disappointing thing to me in how this thing was played. Is that I’m on the phone with you now, after all that’s been said, and the fundamental distinction between what James is dealing with in these other cases is not actually brought to the fore. The fundamental difference is that James Franco didn’t seek to use his position to have sex with anyone. There’s not a case of that. He wasn’t using his position or status to try to solicit a sexual favor from anyone. If he had — if that were what the accusation involved — the show would not have gone on. We would have folded up shop and we would have not completed the show. Because then it would have been the same as Harvey Weinstein, or Les Moonves, or any of these cases that are fundamental to this new paradigm. Did you not notice that? Why did you not notice that? Is that not something notable to say, journalistically? Because nobody could find the voice to say it. I’m not just being rhetorical. Why is it that you and the other critics, none of you could find the voice to say, “You know, it’s not this, it’s that”? Because — let me go on and speak further to this. If you go back to the L.A. Times piece, that’s what it lacked. That’s what they were not able to deliver. The one example in the five that involved an issue of a sexual act was between James and a woman he was dating, who he was not working with. There was no professional dynamic in any capacity.

~ David Simon