By Ray Pride Pride@moviecitynews.com

New Ryan Gosling-Ken Kao Shingle To Co-Produce Lanthimos’ Latest

RYAN GOSLING AND KEN KAO PARTNER TO FORM PRODUCTION COMPANY ARCANA

The company announces its first collaboration on The Favourite from director Yorgos Lanthimos

June 14, 2017 (Los Angeles, CA) – Golden Globe winner and Academy Award-nominated actor Ryan Gosling (La La Land) and producer Ken Kao (The Nice Guys) have joined forces to form Arcana. The production company will focus on finding and developing a wide range of unique and diverse material for film and television.

Arcana’s first official project is director Yorgos Lanthimos’ upcoming film The Favourite. The Favourite, which stars Emma Stone, Rachel Weisz and Olivia Colman, just wrapped principal photography in the UK. The story is based on a Deborah Davis and Tony McNamara script that follows the clandestine personal and political machinations of the reign of Queen Anne, the last monarch of the House of Stuarts. Lanthimos just won best screenplay in Cannes for The Killing of a Sacred Deer and received a Best Screenplay Oscar nomination for The Lobster. Arcana has partnered with producers Ceci Dempsey for Scarlet Films and Ed Guiney and Lee Magiday for Element Pictures, together with Film4 and Fox Searchlight.

Gosling and Kao’s partnership follows their recent collaborations on Shane Black’s detective thriller, The Nice Guys and Terrence Malick’s Song to Song. The pair also previously announced the acquisition of Jeff Lemire’s acclaimed graphic novel The Underwater Welder, which they are developing for screen alongside Anonymous Content.

Gosling most recently earned an Oscar nomination for Best Actor for his performance in Damien Chazelle’s highly decorated La La Land and is set to star in Chazelle’s upcoming First Man for Universal Pictures. Gosling will next be seen alongside Harrison Ford in Denis Villeneuve’s Blade Runner 2049 due out in theaters in October. He wrote, produced and directed his first feature film Lost River, which premiered at the Cannes Film Festival. He received an Academy Award nomination for Best Actor for his role in Half Nelson and earned two Golden Globe nominations in 2012 for The Ides of March and Crazy, Stupid, Love. He was also nominated for a Golden Globe for his performances in Blue Valentine and Lars and the Real Girl.

In addition to Arcana, Kao will continue to run his Waypoint Entertainment production banner and BLOOM with partner Alex Walton. Kao’s production slate includes: Scott Cooper’s Hostiles starring Christian Bale and Rosamund Pike; Martin Zandvliet’s The Outsider starring Jared Leto; Destin Daniel Cretton’s The Glass Castle starring Woody Harrelson, Brie Larson, and Naomi Watts; and Woody Harrelson’s Lost in London, the first feature film ever broadcast live, starring Harrelson and Owen Wilson. Waypoint Entertainment recently acquired the rights to bestselling and award-winning author Jeff Lemire and illustrator Emi Lenox’s comic series Plutona as well as Mark Millar properties, American Jesus and Supercrooks.

Gosling is represented by LBI Entertainment, CAA, and Anonymous Content. Kao is represented by WME.

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It shows how out of it I was in trying to be in it, acknowledging that I was out of it to myself, and then thinking, “Okay, how do I stop being out of it? Well, I get some legitimate illogical narrative ideas” — some novel, you know?

So I decided on three writers that I might be able to option their material and get some producer, or myself as producer, and then get some writer to do a screenplay on it, and maybe make a movie.

And so the three projects were “Do Androids Dream of Electric Sheep,” “Naked Lunch” and a collection of Bukowski. Which, in 1975, forget it — I mean, that was nuts. Hollywood would not touch any of that, but I was looking for something commercial, and I thought that all of these things were coming.

There would be no Blade Runner if there was no Ray Bradbury. I couldn’t find Philip K. Dick. His agent didn’t even know where he was. And so I gave up.

I was walking down the street and I ran into Bradbury — he directed a play that I was going to do as an actor, so we know each other, but he yelled “hi” — and I’d forgot who he was.

So at my girlfriend Barbara Hershey’s urging — I was with her at that moment — she said, “Talk to him! That guy really wants to talk to you,” and I said “No, fuck him,” and keep walking.

But then I did, and then I realized who it was, and I thought, “Wait, he’s in that realm, maybe he knows Philip K. Dick.” I said, “You know a guy named—” “Yeah, sure — you want his phone number?”

My friend paid my rent for a year while I wrote, because it turned out we couldn’t get a writer. My friends kept on me about, well, if you can’t get a writer, then you write.”
~ Hampton Fancher

“That was the most disappointing thing to me in how this thing was played. Is that I’m on the phone with you now, after all that’s been said, and the fundamental distinction between what James is dealing with in these other cases is not actually brought to the fore. The fundamental difference is that James Franco didn’t seek to use his position to have sex with anyone. There’s not a case of that. He wasn’t using his position or status to try to solicit a sexual favor from anyone. If he had — if that were what the accusation involved — the show would not have gone on. We would have folded up shop and we would have not completed the show. Because then it would have been the same as Harvey Weinstein, or Les Moonves, or any of these cases that are fundamental to this new paradigm. Did you not notice that? Why did you not notice that? Is that not something notable to say, journalistically? Because nobody could find the voice to say it. I’m not just being rhetorical. Why is it that you and the other critics, none of you could find the voice to say, “You know, it’s not this, it’s that”? Because — let me go on and speak further to this. If you go back to the L.A. Times piece, that’s what it lacked. That’s what they were not able to deliver. The one example in the five that involved an issue of a sexual act was between James and a woman he was dating, who he was not working with. There was no professional dynamic in any capacity.

~ David Simon