By Leonard Klady Klady@moviecitynews.com
The Weekend Report
Despicable Me 3 led holiday moviegoing with an estimated $75.4 million. There was also good news for counterprogrammer Baby Driver, which vroomed into second place with its $20.3 million opening.
The session also saw significant expansions for Southern gothic The Beguiled and the cross-cultural rom-com The Big Sick. Beguiled went medium-wide to an upbeat $3.2 million. Sick, still limited, maintained a sturdy $23,660 average and $1.7 million tally. Also holding its own in slow roll out was The Hero, with takings of $890,000. Exclusive newcomers were dull apart from comedy The Little Hours that grossed $59,600 from two screens for debuting alternative distributor Gunpowder and Sky.
While initial buzz for chase-and-robbers musical Baby Driver was strong, the sleeper title was guesstimated at a $16- $18 million bow by industry trackers. Its Wednesday launch racked up $9 million in two days and pushed up weekend expectations that it fulfilled. Its audience skewed 55% male with 61% aged 25 and older.
International day-and-date Yalghaar, from Pakistan, opened to $21,300.
Revenues for the run up to Independence Day hovered around $175 million for a 23% uptick from last weekend. It was nonetheless a 9% decline from the 2016 holiday span when the third weekend of Finding Dory staved off a trio of newcomers with a $41.8 million weekend. On its dorsal fins were debs The Legend of Tarzan with $38.5 million and The Purge: Election Day grossing $31.5 million.
The good will toward all manner of Minion stoked expectations of a $90 million launch for Despicable Me 3. But as opening day neared, and preview revenues trickled in prognosticators tamped down expectations to the low $80 millions.
This season’s sequel or franchise titles have underperformed. That list includes the incarnations of Aliens, Smurfs and Pirates of the Caribbean. But saying “fatigue” aloud, next weekend’s launch of Spider-Man: Homecoming is likely to reverse the tide.
Despicable Me 3 boasted the best opening for an animated feature in the past calendar year. Studio exit polls says the audience was equally divided among the sexes with 50% of the audience aged 13 old or younger. Viewers identifying as families accounted for 69% of the opening crowd.
The threequel opened two weeks ago in a handful of international territories and amassed about $21 million going into the current weekend. Its third overseas week saw the addition of 46 foreign markets and an estimated $95 million. Top grossing nations included the UK with $14.7 million, Mexico grossing $13.5 million and Russian buddies adding $9.2 million.
Weekend (estimates) June 30 – July 2, 2017 | |||||
Title | Distributor | Gross (avg) | % chng | Thtrs | Cume |
Despicable Me 3 | Uni | 75.4 (16,640) | NEW | 4529 | 75.4 |
Baby Driver | Sony | 20.3 (6,300) | NEW | 3226 | 29.4 |
Transformers: The Last Knight | Par | 17.2 (4,170) | -61% | 4132 | 102.3 |
Wonder Woman | WB | 15.9 (4,670) | -36% | 3404 | 346.4 |
Cars 3 | BV | 9.7 (2,700) | -60% | 3576 | 120.9 |
The House | WB | 8.8 (2,820) | NEW | 3134 | 8.8 |
47 Meters Down | Entertainment/VVS | 4.6 (2,060) | -35% | 2250 | 32.5 |
The Beguiled | Focus | 3.2 (4,810) | 1315% | 674 | 3.6 |
The Mummy | Uni | 2.8 (1,570) | -54% | 1760 | 74.5 |
Pirates of the Caribbean: Dead Men Tell No Tales | BV | 2.5 (1,480) | -54% | 1674 | 166.4 |
All Eyez on Me | Lionsgate/VVS | 1.9 (1,490) | -68% | 1258 | 42.7 |
The Big Sick | Lionsgate | 1.7 (23,660) | 298% | 71 | 2.2 |
Guardians of the Galaxy Vol. 2 | BV | 1.5 (1,540) | -51% | 966 | 383.3 |
Rough Night | Sony | 1.3 (790) | -72% | 1657 | 20.4 |
Captain Underpants: The First Epic Movie | Fox | 1.2 (830) | -72% | 1452 | 69.3 |
Beatriz at Dinner | Roadside Attractions | 1.1 (1,580) | -39% | 683 | 4.7 |
The Hero | Orchard | .89 (2,220) | 199% | 401 | 1.6 |
Megan Leavey | Bleecker/Elevation | .44 (1,020) | -64% | 433 | 11.8 |
The Book of Henry | Focus | .27 (740) | -71% | 363 | 3.9 |
Paris Can Wait | Sony Classics | .26 (1,230) | -54% | 214 | 4.7 |
Bon Cop Bad Cop 2 | Seville | .25 (4,860) | 81% | 51 | 4.8 |
The Boss Baby | Fox | .23 (1,060) | -31% | 215 | 173.5 |
Baywatch | Par | .22 (1,130) | -70% | 196 | 57.2 |
Alien: Covenant | Fox | .17 (800) | -50% | 213 | 73.6 |
Tubelight | Yash Raj | .16 (970) | -83% | 166 | 1.5 |
It Comes at Night | A24/Mongrel | .16 (910) | -80% | 174 | 13.5 |
Weekend Total ($500,000+ Films) | 170 | ||||
% Change (Last Year) | -9% | ||||
% Change (Last Week) | 23% | ||||
Also debuting/expanding | |||||
Maudie | Mongrel/Sony Classics | 94,800 (2,870) | 7% | 33 | 2.5 |
The Exception | A24 | 93,900 (1,960) | -27% | 48 | 0.38 |
Un Sac de billes | Seville | 77,400 (4,070) | 37% | 19 | 0.3 |
The Little Hours | Gunpowder & Sky | 59,600 (29,800) | 2 | 0.06 | |
Reset | Well Go | 49,200 (2,460) | 20 | 0.05 | |
The Bad Batch | Neon | 26,500 (580) | -71% | 46 | 0.15 |
Yalghaar | VP Films | 21,300 (660) | 32 | 0.02 | |
De Plus belle | MK2 | 18,800 (3,130) | 6 | 0.02 | |
Marie Curie | Big World | 14,700 (2,940) | 5 | 0.01 | |
13 Minutes | Sony Classics | 11,800 (3,930) | 3 | 0.01 | |
The Great Sardaar | VP Films | 9,500 (500) | 19 | 0.01 | |
Le Trou (reissue) | Rialto | 6,500 (6,500) | 1 | 0.01 | |
Inconceivable | Lionsgate | 6,300 (480) | 13 | 0.01 | |
Pop Aye | Kino | 3,400 (2300) | 1 | 0.01 | |
Domestic Market Share (January 2 – June 29, 2017) | |||||
Distributor (releases) | Box Office | Market Share | |||
Buena Vista (8) | 1322.7 | 23.90% | |||
Universal (11) | 943.8 | 17.10% | |||
Warner Bros. (16) | 881.9 | 15.90% | |||
20th Century Fox (17) | 831.2 | 15.00% | |||
Lionsgate (14) | 442.7 | 8.00% | |||
Paramount (12) | 337.5 | 6.10% | |||
Sony (10) | 202.4 | 3.70% | |||
Weinstein Co. (4) | 63.1 | 1.10% | |||
STX (5) | 50.6 | 0.90% | |||
Focus (11) | 47.8 | 0.85% | |||
Fox Searchlight (6) | 42.2 | 0.75% | |||
Open Road (5) | 41.4 | 0.75% | |||
A24 (6) | 35.8 | 0.65% | |||
CBS (3) | 32.9 | 0.60% | |||
Entertainment (2) | 31.3 | 0.55% | |||
Roadside Attractions (6) | 24.8 | 0.45% | |||
Other * (176) | 203.9 | 3.70% | |||
5314.2 | 100% | ||||
* none greater than 0.4% | |||||
Top Global Grossers (January 2 – June 29, 2017) | |||||
Title | Distributor | Box Office | |||
Beauty and the Beast | BV | 1,257,724,904 | |||
The Fate of the Furious | Uni | 1,234,439,966 | |||
Guardians of the Galaxy Vol. 2 | BV | 853,307,059 | |||
Pirates of the Caribbean: Dead Men Tell No Tales | BV | 685,696,858 | |||
Wonder Woman | WB | 674,125,678 | |||
Logan | Fox | 618,072,308 | |||
Kong: Skull Island | WB | 564,405,892 | |||
The Boss Baby | Fox; DmWks | 494,020,499 | |||
La La Land * | Lionsgate | 384,146,717 | |||
Fifty Shades Darker | Uni | 380,112,652 | |||
Sing * | Uni | 369,492,462 | |||
The Mummy | Uni | 356,308,935 | |||
Transformers: The Last Knight | Par | 351,930,587 | |||
xXx: Return of Xander Cage | Par | 344,515,124 | |||
The Great Wall | Uni; China Film | 334,162,010 | |||
The Lego Batman Movie | WB | 313,953,501 | |||
Resident Evil: The Final Chapter | Sony; Constantin | 313,832,890 | |||
Split | Uni | 277,895,892 | |||
Kung Fu Yoga | Well Go; Golden Network | 274,332,509 | |||
Rogue One * | BV | 270,018,934 | |||
Get Out | Uni | 252,107,124 | |||
Journey to the West: The Demons Strike Back | Alibaba; Sony | 251,521,078 | |||
Moana * | BV | 237,247,005 | |||
Hidden Figures * | Fox | 227,441,377 | |||
Dangal * | UTV | 215,645,122 | |||
* does not include 2016 box office |