By Ray Pride Pride@moviecitynews.com

Clooney Foundation for Justice Grants $1 Million To SPLC To Counter Hate Groups 

Posted Tuesday, August 22nd, 2017 - Comments Off on Clooney Foundation for Justice Grants $1 Million To SPLC To Counter Hate Groups 
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MONTGOMERY, Ala. – In the wake of the deadly violence at a white nationalist gathering in Charlottesville, Virginia, the Southern Poverty Law Center (SPLC) is partnering with the Clooney Foundation for Justice to increase the capacity of the SPLC to combat hate groups in the United States.

Through the generous support of George & Amal Clooney, the initiative announced today is made possible by a $1 million grant from the Clooney Foundation for Justice.

The Clooney Foundation for Justice was established in 2016 to advance justice in courtrooms, classrooms and communities around the world. It was co-founded by George and Amal Clooney, who serve as the foundation’s presidents.

The SPLC is the premier U.S. nonprofit organization monitoring the activities of domestic hate groups and other extremists. It currently tracks more than 1,600 extremist groups operating across the country, and has used litigation to win crushing court judgments against 10 major white supremacist organizations and 50 individuals who led them or participated in violent acts.

“We are proud to support the Southern Poverty Law Center in its efforts to prevent violent extremism in the United States. What happened in Charlottesville, and what is happening in communities across our country, demands our collective engagement to stand up to hate,” said George and Amal Clooney.

“Like George and Amal Clooney, we were shocked by the size, ugliness, and ferocity of the white supremacist gathering in Charlottesville,” said SPLC President Richard Cohen. “It was a reflection of just how much Trump’s incendiary campaign and presidency has energized the radical right. We are deeply grateful to the Clooney Foundation for standing with us at this critical moment in our country’s fight against hate.”

The Southern Poverty Law Center, based in Alabama with offices in Florida, Georgia, Louisiana and Mississippi, is a nonprofit civil rights organization dedicated to fighting hate and bigotry, and to seeking justice for the most vulnerable members of society. For more information, see www.splcenter.org.

The Clooney Foundation for Justice was established in late 2016 by George and Amal Clooney to advance justice in courtrooms, communities, and classrooms around the world. For more information on the Foundation and its work, please visit www.cfj.org.

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It shows how out of it I was in trying to be in it, acknowledging that I was out of it to myself, and then thinking, “Okay, how do I stop being out of it? Well, I get some legitimate illogical narrative ideas” — some novel, you know?

So I decided on three writers that I might be able to option their material and get some producer, or myself as producer, and then get some writer to do a screenplay on it, and maybe make a movie.

And so the three projects were “Do Androids Dream of Electric Sheep,” “Naked Lunch” and a collection of Bukowski. Which, in 1975, forget it — I mean, that was nuts. Hollywood would not touch any of that, but I was looking for something commercial, and I thought that all of these things were coming.

There would be no Blade Runner if there was no Ray Bradbury. I couldn’t find Philip K. Dick. His agent didn’t even know where he was. And so I gave up.

I was walking down the street and I ran into Bradbury — he directed a play that I was going to do as an actor, so we know each other, but he yelled “hi” — and I’d forgot who he was.

So at my girlfriend Barbara Hershey’s urging — I was with her at that moment — she said, “Talk to him! That guy really wants to talk to you,” and I said “No, fuck him,” and keep walking.

But then I did, and then I realized who it was, and I thought, “Wait, he’s in that realm, maybe he knows Philip K. Dick.” I said, “You know a guy named—” “Yeah, sure — you want his phone number?”

My friend paid my rent for a year while I wrote, because it turned out we couldn’t get a writer. My friends kept on me about, well, if you can’t get a writer, then you write.”
~ Hampton Fancher

“That was the most disappointing thing to me in how this thing was played. Is that I’m on the phone with you now, after all that’s been said, and the fundamental distinction between what James is dealing with in these other cases is not actually brought to the fore. The fundamental difference is that James Franco didn’t seek to use his position to have sex with anyone. There’s not a case of that. He wasn’t using his position or status to try to solicit a sexual favor from anyone. If he had — if that were what the accusation involved — the show would not have gone on. We would have folded up shop and we would have not completed the show. Because then it would have been the same as Harvey Weinstein, or Les Moonves, or any of these cases that are fundamental to this new paradigm. Did you not notice that? Why did you not notice that? Is that not something notable to say, journalistically? Because nobody could find the voice to say it. I’m not just being rhetorical. Why is it that you and the other critics, none of you could find the voice to say, “You know, it’s not this, it’s that”? Because — let me go on and speak further to this. If you go back to the L.A. Times piece, that’s what it lacked. That’s what they were not able to deliver. The one example in the five that involved an issue of a sexual act was between James and a woman he was dating, who he was not working with. There was no professional dynamic in any capacity.

~ David Simon