By Ray Pride Pride@moviecitynews.com

Focus Features Live-Streaming Three Older Features On Facebook Live On Friday

Posted Thursday, August 24th, 2017 - Comments Off on Focus Features Live-Streaming Three Older Features On Facebook Live On Friday
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[PR] A trio of film favorites from Focus Features will be streamed on Facebook Live over the next three Friday nights in August and September. #FocusFridays will take place each Friday night on the Focus Features Facebook Page, beginning 6:00 PM PT.

The lineup of movies:
Friday, August 25: The Motorcycle Diaries (2004) won the Academy Award for Best Original Song (“Al Otro Lado del Río”). Following an inspiring journey of self-discovery and tracing the youthful origins of a revolutionary heart, the Latin American continent is unveiled in all its glory as two friends experience life at its fullest.

Friday, September 1: The Constant Gardener (2005) sweeps audiences along one man’s emotional and global journey to uncover the truth behind a personal loss and a worldwide conspiracy. For her performance opposite Ralph Fiennes, Rachel Weisz won the Screen Actors Guild, Golden Globe, and Academy Award.

Friday, September 8: Eternal Sunshine of the Spotless Mind (2004) earned Golden Globe Award nominations for its stars Jim Carrey and Kate Winslet, in an unforgettable love story, a tumultuous relationship seen through a maze of memories. Winner of the Academy Award for Best Original Screenplay.

#FocusFridays is the latest celebration part of Focus 15 (www.focusfifteen.com), the initiative commemorating the founding 15 years ago of worldwide film company Focus Features, whose films have garnered 105 Academy Award nominations and won 21 Oscars. Film buffs and movie fans can sign up at Focus Insider for invites to retrospective screenings, limited-edition soundtracks and posters giveaways, and all Focus 15 updates through www.focusfeatures.com/subscribe.

Focus Features (www.focusfeatures.com) acquires and produces specialty films for the global market, and holds a library of iconic movies from fearless filmmakers. Current and upcoming domestic releases from Focus include Sofia Coppola’s The Beguiled, winner of the Best Director award at the 2017 Cannes International Film Festival; the breakneck action-thriller Atomic Blonde, directed by David Leitch and starring Charlize Theron and James McAvoy; Victoria & Abdul, directed by Stephen Frears and starring Judi Dench as Queen Victoria;Darkest Hour, directed by Joe Wright and starring Gary Oldman as Winston Churchill; the untitled Entebbe project, a gripping political thriller directed by José Padilha and starring Rosamund Pike and Daniel Brühl; Jason Reitman’s new comedy Tully, starring Charlize Theron and written by Diablo Cody; and the untitled new film from Paul Thomas Anderson starring Daniel Day-Lewis.

Focus Features is part of NBCUniversal, one of the world’s leading media and entertainment companies in the development, production, and marketing of entertainment, news, and information to a global audience. NBCUniversal owns and operates a valuable portfolio of news and entertainment television networks, a premier motion picture company, significant television production operations, a leading television stations group, and world-renowned theme parks. NBCUniversal is a subsidiary of Comcast Corporation.

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It shows how out of it I was in trying to be in it, acknowledging that I was out of it to myself, and then thinking, “Okay, how do I stop being out of it? Well, I get some legitimate illogical narrative ideas” — some novel, you know?

So I decided on three writers that I might be able to option their material and get some producer, or myself as producer, and then get some writer to do a screenplay on it, and maybe make a movie.

And so the three projects were “Do Androids Dream of Electric Sheep,” “Naked Lunch” and a collection of Bukowski. Which, in 1975, forget it — I mean, that was nuts. Hollywood would not touch any of that, but I was looking for something commercial, and I thought that all of these things were coming.

There would be no Blade Runner if there was no Ray Bradbury. I couldn’t find Philip K. Dick. His agent didn’t even know where he was. And so I gave up.

I was walking down the street and I ran into Bradbury — he directed a play that I was going to do as an actor, so we know each other, but he yelled “hi” — and I’d forgot who he was.

So at my girlfriend Barbara Hershey’s urging — I was with her at that moment — she said, “Talk to him! That guy really wants to talk to you,” and I said “No, fuck him,” and keep walking.

But then I did, and then I realized who it was, and I thought, “Wait, he’s in that realm, maybe he knows Philip K. Dick.” I said, “You know a guy named—” “Yeah, sure — you want his phone number?”

My friend paid my rent for a year while I wrote, because it turned out we couldn’t get a writer. My friends kept on me about, well, if you can’t get a writer, then you write.”
~ Hampton Fancher

“That was the most disappointing thing to me in how this thing was played. Is that I’m on the phone with you now, after all that’s been said, and the fundamental distinction between what James is dealing with in these other cases is not actually brought to the fore. The fundamental difference is that James Franco didn’t seek to use his position to have sex with anyone. There’s not a case of that. He wasn’t using his position or status to try to solicit a sexual favor from anyone. If he had — if that were what the accusation involved — the show would not have gone on. We would have folded up shop and we would have not completed the show. Because then it would have been the same as Harvey Weinstein, or Les Moonves, or any of these cases that are fundamental to this new paradigm. Did you not notice that? Why did you not notice that? Is that not something notable to say, journalistically? Because nobody could find the voice to say it. I’m not just being rhetorical. Why is it that you and the other critics, none of you could find the voice to say, “You know, it’s not this, it’s that”? Because — let me go on and speak further to this. If you go back to the L.A. Times piece, that’s what it lacked. That’s what they were not able to deliver. The one example in the five that involved an issue of a sexual act was between James and a woman he was dating, who he was not working with. There was no professional dynamic in any capacity.

~ David Simon