By Ray Pride Pride@moviecitynews.com

One-Hundred-Seventy Documentary Features Submitted For Oscar

Posted Friday, October 27th, 2017 - Comments Off on One-Hundred-Seventy Documentary Features Submitted For Oscar
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One hundred seventy features have been submitted for consideration in the Documentary Feature category for the 90th Academy Awards.

The submitted features, in alphabetical order:

“Abacus: Small Enough to Jail”
“Aida’s Secrets”
“Al Di Qua”
“All the Rage”
“All These Sleepless Nights”
“AlphaGo”
“The American Media and the Second Assassination of President John F. Kennedy”
“And the Winner Isn’t”
“Angels Within”
“Architects of Denial”
“Arthur Miller: Writer”
“Atomic Homefront”
“The B-Side: Elsa Dorfman’s Portrait Photography”
“Bang! The Bert Berns Story”
“Bending the Arc”
“Big Sonia”
“Bill Nye: Science Guy”
“Birthright: A War Story”
“Bobbi Jene”
“Bombshell: The Hedy Lamarr Story”
“Born in China”
“Born to Lead: The Sal Aunese Story”
“Boston”
“Brimstone & Glory”
“Bronx Gothic”
“Burden”
“California Typewriter”
“Can’t Stop, Won’t Stop: A Bad Boy Story”
“Casting JonBenet”
“Chasing Coral”
“Chasing Trane”
“Chavela”
“Citizen Jane: Battle for the City”
“City of Ghosts”
“Clive Davis: The Soundtrack of Our Lives”
“Cries from Syria”
“Cruel & Unusual”
“Cuba and the Cameraman”
“Dawson City: Frozen Time”
“Dealt”
“The Death and Life of Marsha P. Johnson”
“Destination Unknown”
“Dina”
“Dolores”
“Dream Big: Engineering Our World”
“A Dying King: The Shah of Iran”
“Eagles of Death Metal: Nos Amis (Our Friends)”
“Earth: One Amazing Day”
“11/8/16”
“Elian”
“Embargo”
“Eric Clapton: Life in 12 Bars”
“Escapes”
“Everybody Knows… Elizabeth Murray”
“Ex Libris – The New York Public Library”
“Extraordinary Ordinary People”
“Faces Places”
“The Farthest”
“The Final Year”
“Finding Oscar”
“500 Years”
“Food Evolution”
“For Ahkeem”
“The Force”
“The Freedom to Marry”
“From the Ashes”
“Gaga: Five Foot Two”
“A German Life”
“Get Me Roger Stone”
“Gilbert”
“God Knows Where I Am”
“Good Fortune”
“A Gray State”
“Hare Krishna! The Mantra, the Movement and the Swami Who Started It All”
“Harold and Lillian: A Hollywood Love Story”
“Hearing Is Believing”
“Hell on Earth: The Fall of Syria and the Rise of ISIS”
“Human Flow”
“I Am Another You”
“I Am Evidence”
“I Am Jane Doe”
“I Called Him Morgan”
“Icarus”
“If You’re Not in the Obit, Eat Breakfast”
“The Incomparable Rose Hartman”
“An Inconvenient Sequel: Truth to Power”
“Intent to Destroy”
“Jane”
“Jeremiah Tower The Last Magnificent”
“Jim & Andy: The Great Beyond – Featuring a Very Special, Contractually Obligated Mention of Tony Clifton”
“Joan Didion: The Center Will Not Hold”
“Joshua: Teenager vs. Superpower”
“Karl Marx City”
“Kedi”
“Keep Quiet”
“Kiki”
“LA 92”
“The Last Dalai Lama?”
“The Last Laugh”
“Last Men in Aleppo”
“Legion of Brothers”
“Let It Fall: Los Angeles 1982 – 1992”
“Let’s Play Two”
“Letters from Baghdad”
“Long Strange Trip”
“Look & See”
“Machines”
“Man in Red Bandana”
“Mr. Gaga: A True Story of Love and Dance”
“Motherland”
“Mully”
“My Scientology Movie”
“Naples ’44”
“Neary’s – The Dream at the End of the Rainbow”
“Night School”
“No Greater Love”
“No Stone Unturned”
“Nobody Speak: Trials of the Free Press”
“Nowhere to Hide”
“Obit”
“Oklahoma City”
“One of Us”
“The Paris Opera”
“The Pathological Optimist”
“Prosperity”
“The Pulitzer at 100”
“Quest”
“Rancher, Farmer, Fisherman”
“The Rape of Recy Taylor”
“The Reagan Show”
“Restless Creature: Wendy Whelan”
“Risk”
“A River Below”
“Rocky Ros Muc”
“Rumble: The Indians Who Rocked the World”
“Santoalla”
“School Life”
“Score: A Film Music Documentary”
“Served Like a Girl”
“The Settlers”
“78/52”
“Shadowman”
“Shot! The Psycho Spiritual Mantra of Rock”
“Sidemen: Long Road to Glory”
“The Skyjacker’s Tale”
“Sled Dogs”
“Soufra”
“Spettacolo”
“Step”
“Stopping Traffic: The Movement to End Sex-Trafficking”
“Strong Island”
“Surviving Peace”
“Swim Team”
“Take Every Wave: The Life of Laird Hamilton”
“Take My Nose… Please!”
“They Call Us Monsters”
“32 Pills: My Sister’s Suicide”
“This Is Everything: Gigi Gorgeous”
“Tickling Giants”
“Trophy”
“Twenty Two”
“Unrest”
“Vince Giordano – There’s a Future in the Past”
“Voyeur”
“Wait for Your Laugh”
“Wasted! The Story of Food Waste”
“Water & Power: A California Heist”
“Whitney. “Can I Be Me””
“Whose Streets?”
“The Work”

Several of the films have not yet had their required Los Angeles and New York qualifying releases. Submitted features must fulfill the theatrical release requirements and comply with all of the category’s other qualifying rules in order to advance in the voting process. A shortlist of 15 films will be announced in December.

Films submitted in the Documentary Feature category may also qualify for Academy Awards in other categories, including Best Picture, provided they meet the requirements for those categories.

Nominations for the 90th Academy Awards will be announced on Tuesday, January 23, 2018.

The 90th Oscars® will be held on Sunday, March 4, 2018, at the Dolby Theatre® at Hollywood & Highland Center® in Hollywood, and will be televised live on the ABC Television Network. The Oscars also will be televised live in more than 225 countries and territories worldwide.

# # #

ABOUT THE ACADEMY
The Academy of Motion Picture Arts and Sciences is a global community of more than 8,000 of the most accomplished artists, filmmakers and executives working in film. In addition to celebrating and recognizing excellence in filmmaking through the Oscars, the Academy supports a wide range of initiatives to promote the art and science of the movies, including public programming, educational outreach and the upcoming Academy Museum of Motion Pictures, which is under construction in Los Angeles.

FOLLOW THE ACADEMY
www.oscars.org
www.facebook.com/TheAcademy
www.youtube.com/Oscars
www.twitter.com/TheAcademy

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It shows how out of it I was in trying to be in it, acknowledging that I was out of it to myself, and then thinking, “Okay, how do I stop being out of it? Well, I get some legitimate illogical narrative ideas” — some novel, you know?

So I decided on three writers that I might be able to option their material and get some producer, or myself as producer, and then get some writer to do a screenplay on it, and maybe make a movie.

And so the three projects were “Do Androids Dream of Electric Sheep,” “Naked Lunch” and a collection of Bukowski. Which, in 1975, forget it — I mean, that was nuts. Hollywood would not touch any of that, but I was looking for something commercial, and I thought that all of these things were coming.

There would be no Blade Runner if there was no Ray Bradbury. I couldn’t find Philip K. Dick. His agent didn’t even know where he was. And so I gave up.

I was walking down the street and I ran into Bradbury — he directed a play that I was going to do as an actor, so we know each other, but he yelled “hi” — and I’d forgot who he was.

So at my girlfriend Barbara Hershey’s urging — I was with her at that moment — she said, “Talk to him! That guy really wants to talk to you,” and I said “No, fuck him,” and keep walking.

But then I did, and then I realized who it was, and I thought, “Wait, he’s in that realm, maybe he knows Philip K. Dick.” I said, “You know a guy named—” “Yeah, sure — you want his phone number?”

My friend paid my rent for a year while I wrote, because it turned out we couldn’t get a writer. My friends kept on me about, well, if you can’t get a writer, then you write.”
~ Hampton Fancher

“That was the most disappointing thing to me in how this thing was played. Is that I’m on the phone with you now, after all that’s been said, and the fundamental distinction between what James is dealing with in these other cases is not actually brought to the fore. The fundamental difference is that James Franco didn’t seek to use his position to have sex with anyone. There’s not a case of that. He wasn’t using his position or status to try to solicit a sexual favor from anyone. If he had — if that were what the accusation involved — the show would not have gone on. We would have folded up shop and we would have not completed the show. Because then it would have been the same as Harvey Weinstein, or Les Moonves, or any of these cases that are fundamental to this new paradigm. Did you not notice that? Why did you not notice that? Is that not something notable to say, journalistically? Because nobody could find the voice to say it. I’m not just being rhetorical. Why is it that you and the other critics, none of you could find the voice to say, “You know, it’s not this, it’s that”? Because — let me go on and speak further to this. If you go back to the L.A. Times piece, that’s what it lacked. That’s what they were not able to deliver. The one example in the five that involved an issue of a sexual act was between James and a woman he was dating, who he was not working with. There was no professional dynamic in any capacity.

~ David Simon