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Ray Pride

By Ray Pride Pride@moviecitynews.com

Trailering PHANTOM THREAD

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8 Responses to “Trailering PHANTOM THREAD”

  1. PTA Fluffer says:

    This is one of the best trailers I’ve ever seen. PTA Fluffer predicts major noms in all categories.

  2. Geoff says:

    “You can sew almost anything into the canvas of a coat. When I was a boy, I started to hide things in the linings of the garments. Things that only I knew were there. Secrets.”

    So I’m thinking he could be a closeted homosexual. Or not.

  3. Stella's Boy says:

    Bums me out that this is it for Day-Lewis. It’s all I can think about when I see or read about the trailer. Just feel sad.

  4. Eric says:

    I love everyone involved in this movie but the trailer does nothing for me.

  5. Mike says:

    This trailer makes me want to see this movie less.

  6. Bulldog68 says:

    Is this the point where Chucky chimes in about all the Oscar bait that is contained in this trailer. I’d totally agree. Costumes? Check. White People Angst? Check. Subtle hints at an even subtler plot? Check. The words “Period Drama” in the synopsis? Check. Level of my interest? Looks like a snooze.

  7. spassky says:

    it looks absolutely gorgeous. that score — my god. a sharp u-turn back to the territory of ‘the master’. can’t wait to see manville and ddl’s work as well as krieps. can’t wait for the psychosexual simmer. bring this the fuck on.

  8. Sideshow Bill says:

    I have absolutely no interest in the subject matter but it’s PTA so i will be there with bells on. I felt the same way after the TWBB trailer and it’s become one of my all-time favorite films.

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It shows how out of it I was in trying to be in it, acknowledging that I was out of it to myself, and then thinking, “Okay, how do I stop being out of it? Well, I get some legitimate illogical narrative ideas” — some novel, you know?

So I decided on three writers that I might be able to option their material and get some producer, or myself as producer, and then get some writer to do a screenplay on it, and maybe make a movie.

And so the three projects were “Do Androids Dream of Electric Sheep,” “Naked Lunch” and a collection of Bukowski. Which, in 1975, forget it — I mean, that was nuts. Hollywood would not touch any of that, but I was looking for something commercial, and I thought that all of these things were coming.

There would be no Blade Runner if there was no Ray Bradbury. I couldn’t find Philip K. Dick. His agent didn’t even know where he was. And so I gave up.

I was walking down the street and I ran into Bradbury — he directed a play that I was going to do as an actor, so we know each other, but he yelled “hi” — and I’d forgot who he was.

So at my girlfriend Barbara Hershey’s urging — I was with her at that moment — she said, “Talk to him! That guy really wants to talk to you,” and I said “No, fuck him,” and keep walking.

But then I did, and then I realized who it was, and I thought, “Wait, he’s in that realm, maybe he knows Philip K. Dick.” I said, “You know a guy named—” “Yeah, sure — you want his phone number?”

My friend paid my rent for a year while I wrote, because it turned out we couldn’t get a writer. My friends kept on me about, well, if you can’t get a writer, then you write.”
~ Hampton Fancher

“That was the most disappointing thing to me in how this thing was played. Is that I’m on the phone with you now, after all that’s been said, and the fundamental distinction between what James is dealing with in these other cases is not actually brought to the fore. The fundamental difference is that James Franco didn’t seek to use his position to have sex with anyone. There’s not a case of that. He wasn’t using his position or status to try to solicit a sexual favor from anyone. If he had — if that were what the accusation involved — the show would not have gone on. We would have folded up shop and we would have not completed the show. Because then it would have been the same as Harvey Weinstein, or Les Moonves, or any of these cases that are fundamental to this new paradigm. Did you not notice that? Why did you not notice that? Is that not something notable to say, journalistically? Because nobody could find the voice to say it. I’m not just being rhetorical. Why is it that you and the other critics, none of you could find the voice to say, “You know, it’s not this, it’s that”? Because — let me go on and speak further to this. If you go back to the L.A. Times piece, that’s what it lacked. That’s what they were not able to deliver. The one example in the five that involved an issue of a sexual act was between James and a woman he was dating, who he was not working with. There was no professional dynamic in any capacity.

~ David Simon