By Ray Pride Pride@moviecitynews.com

2018 Sundance Film Festival: Latest Additions Announced, Including Eight Features, Virtual Reality Work, Hosted Retrospectives

Posted Tuesday, December 19th, 2017 - Comments Off on 2018 Sundance Film Festival: Latest Additions Announced, Including Eight Features, Virtual Reality Work, Hosted Retrospectives
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Park City, UT — Sundance Institute completes the slate of bold independent work set for the 2018 Sundance Film Festival, with eight feature films, a VR experience, the NEXT Innovator’s Award juror and hosted retrospectives joining the lineup today. Screenings will take place in Park City, Salt Lake City and at Sundance Mountain Resort January 18–28.

RuPaul will convene a retrospective of VH1’s Emmy-winning “RuPaul’s Drag Race” on the heels of its 10th season, and host a panel with executive producers and Sundance Film Festival veterans Randy Barbato and Fenton Bailey, along with Tom Campbell and Pamela Post, senior vice president of Original Programming for MTV, VH1 and Logo. RuPaul will also serve as the Festival’s inaugural and sole NEXT Innovator Award juror, and will present the NEXT Innovator Award to his favorite film in that category, which showcases pure, bold works distinguished by innovative, forward-thinking approaches to storytelling.

Other additions to the program include features Akicita: The Battle of Standing Rock, Hereditary, Lords of Chaos, The Long Dumb Road, Private Life, You Were Never Really Here and Sweet Country and New Frontier work Isle of Dogs Behind the Scenes (in Virtual Reality). Hearts Beat Loud, a feature announced earlier in the Premieres section, is now confirmed as a Closing Night Film.

These latest additions are joined by archive film Smoke Signals, which premiered at the Sundance Film Festival in 1998, and a selection of early work by filmmaker Todd Haynes, whose feature film directorial debut Poison won the Grand Jury Prize at the 1991 Sundance Film Festival. The archive films are selections from the Sundance Institute Collection at UCLA, a partnership between UCLA Film & Television Archive and Sundance Institute. Established in 1997, the Collection is devoted to the preservation of independent documentaries, narratives, and short films supported by Sundance Institute.  The Collection has grown to over 4,000 holdings representing nearly 2,300 titles and preservation efforts have brought renewed attention to films such as Hoop Dreams, Desert Hearts, Reservoir Dogs, River of Grass, Walking and Talking, Paris is Burning, El Mariachi and Paris, Texas. Titles are generously donated by individual filmmakers, distributors and studios.

For the 2018 Festival, 121 feature-length films were selected, representing 29 countries and 53 first-time filmmakers, including 30 in competition. These films were selected from 13,468 submissions including 3,901 feature-length films and  8,740 short films. Of the feature film submissions, 1,799 were from the U.S. and 2,102 were international. One hundred and eight feature films at the Festival will be world premieres. In 2017, the Festival drew 71,638 attendees, generated $151.5 million in economic activity for the state of Utah and supported 2,778 local jobs.

The latest additions to the 2018 Sundance Film Festival Program are:

FROM THE COLLECTION

An Evening with Todd Haynes / In the thirty years since he burst onto the indie scene, Todd Haynes has established himself as one of most distinctive voices in American cinema. A special conversation with Haynes and longtime collaborator, producer Christine Vachon, explores Haynes’ early work, including clips from notable, recently restored gems.

Smoke Signals / U.S.A. (Director: Chris Eyre, Screenwriter: Sherman Alexie, Producers: Larry Estes, Scott Rosenfelt) — When Victor’s estranged father Arnold dies in Arizona, he must leave his home on an Idaho reservation to retrieve Arnold’s ashes. Victor’s friend Thomas offers to fund the trip, but only if he can accompany Victor. Together they undertake a journey filled with discovery about their personal and cultural identities. Cast: Adam Beach, Evan Adams, Irene Bedard, Gary Farmer, Tantoo Cardinal.

DOCUMENTARY PREMIERES

Akicita: The Battle of Standing Rock / U.S.A. (Director: Cody Lucich, Producers: Heather Rae, Gingger Shankar, Ben-Alex Dupris) — Standing Rock, 2016: the largest Native American occupation since Wounded Knee. Thousands of activists, environmentalists and militarized police descend on the Dakota Access Pipeline in a standoff between oil corporations and a new generation of Native Warriors. This chronicle captures the sweeping struggle, spirit and havoc of a People’s uprising. World Premiere. THE NEW CLIMATE

MIDNIGHT

Hereditary / U.S.A. (Director and screenwriter: Ari Aster, Producers: Kevin Frakes, Lars Knudsen, Buddy Patrick) — After their reclusive grandmother passes away, the Graham family tries to escape the dark fate they’ve inherited. Cast: Toni Collette, Gabriel Byrne, Alex Wolff, Ann Dowd, Milly Shapiro. World Premiere

Lords of Chaos / U.S.A. (Director: Jonas Åkerlund, Screenwriters: Jonas Åkerlund, Dennis Magnusson, Producers: Kwesi Dickson, Danny Gabai, Jim Czarnecki, Erik Gordon, Jack Arbuthnott, Ko Mori) — Based on truth (and lies), Lords of Chaos is a dark drama about a precocious teenager, Euronymous, who wants to spread evil, chaos, and true Norwegian black metal. When Euronymous invites a mysterious loner, Varg, to join his “Black Circle,” a rivalry sparks, leading to unexpected consequences. Cast: Rory Culkin, Emory Cohen, Sky Ferreira, Jack Kilmer, Valter Skarsgård. World Premiere 

NEW FRONTIER

Isle of Dogs Behind the Scenes (in Virtual Reality) / (Lead Artists: A collaboration between Felix Lajeunesse & Paul Raphael and the Isle of Dogs production team)  — This virtual reality experience places the viewer inside the miniature world of Wes Anderson’s upcoming stop-motion animated film, face to face with the cast of dogs as they are interviewed on set, while the crew of the film works around you to create the animation you are seeing. Cast: A selection of actors from the cast of Isle of Dogs.

PREMIERES

The Long Dumb Road / U.S.A. (Director: Hannah Fidell, Screenwriters: Hannah Fidell, Carson Mell, Producers: Hannah Fidell, Jacqueline “JJ” Ingram, Jonathan Duffy, Kelly Williams) — Two very different men, at personal crossroads, meet serendipitously and take an unpredictable journey through the American Southwest.  Cast: Tony Revolori, Jason Mantzoukas, Taissa Farmiga, Grace Gummer, Ron Livingston, Casey Wilson, Ciara Bravo. World Premiere

Private Life / U.S.A. (Director and screenwriter: Tamara Jenkins, Producers: Anthony Bregman, Stefanie Azpiazu) — A couple in the throes of infertility try to maintain their marriage as they descend deeper into the weird world of assisted reproduction and domestic adoption. When their doctor suggests third-party reproduction, they bristle. But when Sadie, a recent college dropout, re-enters their life, they reconsider. Cast: Kathryn Hahn, Paul Giamatti, Molly Shannon, John Carroll Lynch, Kayli Carter. World Premiere

SPECIAL EVENTS

“RuPaul’s Drag Race:” A Retrospective of the Cultural Phenomenon / U.S.A. (Lead Artist: RuPaul Charles) — A retrospective of VH1’s Emmy-winning “RuPaul’s Drag Race” on the heels of its10th season, and a panel hosted by RuPaul with executive producers Randy Barbato and Fenton Bailey, along with Tom Campbell and Pamela Post, senior vice president of Original Programming for MTV, VH1 and Logo. Cast: RuPaul Charles, Michelle Visage, Carson Kressley, Ross Mathews. World Premiere

SPOTLIGHT

You Were Never Really Here / U.S.A. (Director and screenwriter: Lynne Ramsay, Producers: Pascal Caucheteux, Rosa Attab, James Wilson, Rebecca O’Brien, Lynne Ramsay) — A traumatized veteran, unafraid of violence, tracks down missing girls for a living. When a job spins out of control, Joe’s nightmares overtake him as a conspiracy is uncovered leading to what may be his death trip or his awakening. Cast: Joaquin Phoenix, Alessandro Nivola, Judith Roberts, Ekaterina Samsonov, John Doman, Alex Manette. North American Premiere

Sweet Country / Australia (Director and screenwriter: Warwick Thornton, Producers: David Jowsey, Greer Simpkin) — In 1920s Australia, a middle-aged Aboriginal man’s comfortable life is upended by a newcomer’s arrival. Wanted for murder in the bloody aftermath of a violent shootout, he must flee into the dangerous outback with his wife. Cast: Bryan Brown, Sam Neill, Hamilton Morris, Ewen Leslie, Thomas M. Wright, Matt Day. Utah Premiere

Sundance Institute
Founded in 1981 by Robert Redford, Sundance Institute is a nonprofit organization that provides and preserves the space for artists in film, theatre, and new media to create and thrive. The Institute’s signature Labs, granting, and mentorship programs , dedicated to developing new work, take place throughout the year in the U.S. and internationally. The Sundance Film Festival and other public programs connect audiences to artists in igniting new ideas, discovering original voices, and building a community dedicated to independent storytelling. Sundance Institute has supported such projects as Boyhood, Swiss Army Man, Manchester By the Sea, Brooklyn, Little Miss Sunshine, Life, Animated, Sonita, 20 Feet From Stardom, Beasts of the Southern Wild, Fruitvale Station, Sin Nombre, Spring Awakening, A Gentleman’s Guide to Love and Murder and Fun Home. Join Sundance Institute on Facebook,Instagram, Twitter and YouTube.

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It shows how out of it I was in trying to be in it, acknowledging that I was out of it to myself, and then thinking, “Okay, how do I stop being out of it? Well, I get some legitimate illogical narrative ideas” — some novel, you know?

So I decided on three writers that I might be able to option their material and get some producer, or myself as producer, and then get some writer to do a screenplay on it, and maybe make a movie.

And so the three projects were “Do Androids Dream of Electric Sheep,” “Naked Lunch” and a collection of Bukowski. Which, in 1975, forget it — I mean, that was nuts. Hollywood would not touch any of that, but I was looking for something commercial, and I thought that all of these things were coming.

There would be no Blade Runner if there was no Ray Bradbury. I couldn’t find Philip K. Dick. His agent didn’t even know where he was. And so I gave up.

I was walking down the street and I ran into Bradbury — he directed a play that I was going to do as an actor, so we know each other, but he yelled “hi” — and I’d forgot who he was.

So at my girlfriend Barbara Hershey’s urging — I was with her at that moment — she said, “Talk to him! That guy really wants to talk to you,” and I said “No, fuck him,” and keep walking.

But then I did, and then I realized who it was, and I thought, “Wait, he’s in that realm, maybe he knows Philip K. Dick.” I said, “You know a guy named—” “Yeah, sure — you want his phone number?”

My friend paid my rent for a year while I wrote, because it turned out we couldn’t get a writer. My friends kept on me about, well, if you can’t get a writer, then you write.”
~ Hampton Fancher

“That was the most disappointing thing to me in how this thing was played. Is that I’m on the phone with you now, after all that’s been said, and the fundamental distinction between what James is dealing with in these other cases is not actually brought to the fore. The fundamental difference is that James Franco didn’t seek to use his position to have sex with anyone. There’s not a case of that. He wasn’t using his position or status to try to solicit a sexual favor from anyone. If he had — if that were what the accusation involved — the show would not have gone on. We would have folded up shop and we would have not completed the show. Because then it would have been the same as Harvey Weinstein, or Les Moonves, or any of these cases that are fundamental to this new paradigm. Did you not notice that? Why did you not notice that? Is that not something notable to say, journalistically? Because nobody could find the voice to say it. I’m not just being rhetorical. Why is it that you and the other critics, none of you could find the voice to say, “You know, it’s not this, it’s that”? Because — let me go on and speak further to this. If you go back to the L.A. Times piece, that’s what it lacked. That’s what they were not able to deliver. The one example in the five that involved an issue of a sexual act was between James and a woman he was dating, who he was not working with. There was no professional dynamic in any capacity.

~ David Simon