By Ray Pride Pride@moviecitynews.com

LAFCA 2017

Posted Sunday, December 3rd, 2017 - Comments Off on LAFCA 2017
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“Call Me by Your Name” won for Best Picture of the Year, it was announced today by Claudia Puig, President of the Los Angeles Film Critics Association (LAFCA).

“I am so pleased to be honoring such a wide breadth of films and filmmakers this year. The winners come from several countries around the world and reflect a diversity that should be the norm during the awards season. We’re so excited to celebrate this year’s extraordinary group of winners,” said Puig, on this year’s awards.

The 43rd annual Los Angeles Film Critics Association awards ceremony will be held Saturday, January 13 at the InterContinental, Los Angeles. As previously announced, Max von Sydow will receive the 2017 Career Achievement Award.

Award winners are:
PICTURE: “Call Me by Your Name”
Runner-up: “The Florida Project”

DIRECTOR: Guillermo del Toro, “The Shape of Water” and Luca Guadagnino, “Call Me by Your Name” (tie)

ACTOR: Timothée Chalamet, “Call Me by Your Name”
Runner-up: James Franco, “The Disaster Artist”

ACTRESS: Sally Hawkins, “The Shape Of Water”
Runner-up: Frances McDormand, “Three Billboards Outside Ebbing, Missouri”

SUPPORTING ACTOR: Willem Dafoe, “The Florida Project”
Runner-up: Sam Rockwell, “Three Billboards Outside Ebbing, Missouri”

SUPPORTING ACTRESS: Laurie Metcalf, “Lady Bird”
Runner-up: Mary J. Blige, “Mudbound”

SCREENPLAY: Jordan Peele, “Get Out”
Runner-up: Martin McDonagh, “Three Billboards Outside Ebbing, Missouri”

ANIMATION: “The Breadwinner”
Runner-up: “Coco”

FOREIGN LANGUAGE FILM: “BPM” (Beats Per Minute) and “Loveless” (tie)

DOCUMENTARY / NON-FICTION FILM: “Faces Places”
Runner-up: “Jane”

NEW GENERATION: Greta Gerwig

FILM EDITING: Lee Smith, “Dunkirk”
Runner-up: Tatiana S. Riegel, “I, Tonya”

CINEMATOGRAPHY: Dan Laustsen, “The Shape of Water”
Runner-up: Roger Deakins, “Blade Runner 2049”

PRODUCTION DESIGN: Dennis Gassner, “Blade Runner 2049”
Runner-up: Paul D. Austerberry, “The Shape of Water”

MUSIC/SCORE: Jonny Greenwood, “Phantom Thread”
Runner-up: Alexandre Desplat, “The Shape of Water”

DOUGLAS E. EDWARDS INDEPENDENT/EXPERIMENTAL FILM/VIDEO: “Purge This Land” from director Lee Anne Schmitt

CAREER ACHIEVEMENT: Max von Sydow

Founded in 1975, The Los Angeles Film Critics Association (LAFCA) is comprised of Los Angeles-based, professional film critics working in the Los Angeles print and electronic media.  Each December, LAFCA members vote on the year’s Achievement Awards, honoring screen excellence on both sides of the camera. Plaques of recognition are then presented to winners during LAFCA’s annual awards ceremony, held in mid-January.

Aside from honoring each year’s outstanding cinematic achievements, LAFCA has also made it a point to look back and pay tribute to distinguished industry veterans with its annual Career Achievement Award, which is announced in October, as well as to look forward by spotlighting fresh, promising talent with its annual New Generation Award.  In addition, over the past three decades, LAFCA has sponsored and hosted numerous film panels and events and donated funds to various Los Angeles film organizations, especially where film preservation was concerned.  LAFCA members have also collectively been vocal about taking up causes they have felt passionate about, from drafting formal protests against censorship and colorization to lending their support to controversial films.

Membership list here.

 

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It shows how out of it I was in trying to be in it, acknowledging that I was out of it to myself, and then thinking, “Okay, how do I stop being out of it? Well, I get some legitimate illogical narrative ideas” — some novel, you know?

So I decided on three writers that I might be able to option their material and get some producer, or myself as producer, and then get some writer to do a screenplay on it, and maybe make a movie.

And so the three projects were “Do Androids Dream of Electric Sheep,” “Naked Lunch” and a collection of Bukowski. Which, in 1975, forget it — I mean, that was nuts. Hollywood would not touch any of that, but I was looking for something commercial, and I thought that all of these things were coming.

There would be no Blade Runner if there was no Ray Bradbury. I couldn’t find Philip K. Dick. His agent didn’t even know where he was. And so I gave up.

I was walking down the street and I ran into Bradbury — he directed a play that I was going to do as an actor, so we know each other, but he yelled “hi” — and I’d forgot who he was.

So at my girlfriend Barbara Hershey’s urging — I was with her at that moment — she said, “Talk to him! That guy really wants to talk to you,” and I said “No, fuck him,” and keep walking.

But then I did, and then I realized who it was, and I thought, “Wait, he’s in that realm, maybe he knows Philip K. Dick.” I said, “You know a guy named—” “Yeah, sure — you want his phone number?”

My friend paid my rent for a year while I wrote, because it turned out we couldn’t get a writer. My friends kept on me about, well, if you can’t get a writer, then you write.”
~ Hampton Fancher

“That was the most disappointing thing to me in how this thing was played. Is that I’m on the phone with you now, after all that’s been said, and the fundamental distinction between what James is dealing with in these other cases is not actually brought to the fore. The fundamental difference is that James Franco didn’t seek to use his position to have sex with anyone. There’s not a case of that. He wasn’t using his position or status to try to solicit a sexual favor from anyone. If he had — if that were what the accusation involved — the show would not have gone on. We would have folded up shop and we would have not completed the show. Because then it would have been the same as Harvey Weinstein, or Les Moonves, or any of these cases that are fundamental to this new paradigm. Did you not notice that? Why did you not notice that? Is that not something notable to say, journalistically? Because nobody could find the voice to say it. I’m not just being rhetorical. Why is it that you and the other critics, none of you could find the voice to say, “You know, it’s not this, it’s that”? Because — let me go on and speak further to this. If you go back to the L.A. Times piece, that’s what it lacked. That’s what they were not able to deliver. The one example in the five that involved an issue of a sexual act was between James and a woman he was dating, who he was not working with. There was no professional dynamic in any capacity.

~ David Simon