By Ray Pride Pride@moviecitynews.com

Nat’l Hispanic Media Coalition Targets Oscar

[pr] ACADEMY AWARDS TO BE TARGETED BY NATIONAL HISPANIC MEDIA COALITION ACTION NETWORK
Feb. 5 and March 3 demonstrations launch nationwide campaign
protesting “institutionalized racism” against Latinos by major movie studios
PASADENA, CALIF., Jan. 23, 2018 – The National Hispanic Media Coalition (NHMC) Action Network today announced it will hold two demonstrations targeting the 2018 Academy Awards® that will launch a national campaign protesting the chronic underrepresentation of Latinos in on-screen and behind-the-camera roles in motion pictures.
The 20-member NHMC Action Network represents independent writers, producers, and actors and casting, production and entertainment marketing companies.
During a news conference held at its Pasadena, Calif. headquarters, the organization disclosed that:
  • Its first demonstration will be held on Monday, February 5, at the Academy of Motion Pictures Arts and Sciences’ honorees luncheon, which will be held at a time and location to be announced.
  • A second demonstration is scheduled for Saturday, March 3, also at a time and location to be announced.
“Institutionalized Racism”
“Hollywood continues to be challenged by gender and ethnic diversity,” said Alex Nogales, NHMC president and chief executive officer. “Our upcoming demonstrations are only the first of what will become increasingly aggressive wake-up calls to Hollywood studios to end institutionalized racism against Latinos. By targeting the Academy Awards, we’re serving notice to the motion picture industry that we’re not asking for equity anymore. We’re demanding it.”
“For years the success of the major film studios has been won on the backs of U.S. Latinos who represent 23 percent of all movie ticket buyers and 18 percent of the U.S. population,” said Nogales. “Yet, on- and off-screen and in the narratives Hollywood’s movies tell, Latinos remain the most underrepresented minority in the industry. Enough is enough. It’s time to end the whitewashing and put Latinos in front of and behind the camera.”
According to studies conducted by the USC Annenberg School for Communications and Journalism, from 2007 to 2016:
  • Only 3.1% Hispanics appeared in films from 2007 – 2016;
  • From 2007 – 2016, 900 films were produced. Hispanics directed only one of those films; and
  • Of the top 100 films in 2016, 72 had no Latinas.
Former Los Angeles County Supervisor Gloria Molina, who participated in the news conference, said, “Demographics show that Latinos make up 56 million plus in the country, yet films in this country fail to represent the true composition of the U.S.,”

said former Los Angeles County Supervisor Gloria Molina. “And then when you do have Latina roles their character tends to be overly sexualized.”
For interviews, please contact Clarissa Corona, at communications@nhmc.org or at 213.718.0732.
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The National Hispanic Media Coalition (NHMC) is  

the media watchdog for the Latino community, ensuring that we are fairly and consistently represented in news and entertainment and that our voices are heard over the airwaves and on the internet.
We exist to challenge executives and influencers throughout the entertainment and news industry to eliminate barriers for Latinos to express themselves and be heard through every type of medium. NHMC works to bring decision-makers to the table to open new opportunities for Latinos to create, contribute and consume programming that is inclusive, free from bias and hate rhetoric, affordable and culturally relevant.
 
Receive real-time updates on FacebookTwitter @NHMC and Instagram @NHMC_org.
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It shows how out of it I was in trying to be in it, acknowledging that I was out of it to myself, and then thinking, “Okay, how do I stop being out of it? Well, I get some legitimate illogical narrative ideas” — some novel, you know?

So I decided on three writers that I might be able to option their material and get some producer, or myself as producer, and then get some writer to do a screenplay on it, and maybe make a movie.

And so the three projects were “Do Androids Dream of Electric Sheep,” “Naked Lunch” and a collection of Bukowski. Which, in 1975, forget it — I mean, that was nuts. Hollywood would not touch any of that, but I was looking for something commercial, and I thought that all of these things were coming.

There would be no Blade Runner if there was no Ray Bradbury. I couldn’t find Philip K. Dick. His agent didn’t even know where he was. And so I gave up.

I was walking down the street and I ran into Bradbury — he directed a play that I was going to do as an actor, so we know each other, but he yelled “hi” — and I’d forgot who he was.

So at my girlfriend Barbara Hershey’s urging — I was with her at that moment — she said, “Talk to him! That guy really wants to talk to you,” and I said “No, fuck him,” and keep walking.

But then I did, and then I realized who it was, and I thought, “Wait, he’s in that realm, maybe he knows Philip K. Dick.” I said, “You know a guy named—” “Yeah, sure — you want his phone number?”

My friend paid my rent for a year while I wrote, because it turned out we couldn’t get a writer. My friends kept on me about, well, if you can’t get a writer, then you write.”
~ Hampton Fancher

“That was the most disappointing thing to me in how this thing was played. Is that I’m on the phone with you now, after all that’s been said, and the fundamental distinction between what James is dealing with in these other cases is not actually brought to the fore. The fundamental difference is that James Franco didn’t seek to use his position to have sex with anyone. There’s not a case of that. He wasn’t using his position or status to try to solicit a sexual favor from anyone. If he had — if that were what the accusation involved — the show would not have gone on. We would have folded up shop and we would have not completed the show. Because then it would have been the same as Harvey Weinstein, or Les Moonves, or any of these cases that are fundamental to this new paradigm. Did you not notice that? Why did you not notice that? Is that not something notable to say, journalistically? Because nobody could find the voice to say it. I’m not just being rhetorical. Why is it that you and the other critics, none of you could find the voice to say, “You know, it’s not this, it’s that”? Because — let me go on and speak further to this. If you go back to the L.A. Times piece, that’s what it lacked. That’s what they were not able to deliver. The one example in the five that involved an issue of a sexual act was between James and a woman he was dating, who he was not working with. There was no professional dynamic in any capacity.

~ David Simon