Gurus o’ Gold: Oscars For The Ages
Rank | Last Chart | best Picture | Adams | Ellwood | Howell | Karger | Olsen | Poland | Pond | NathanielR | Stone | Thompson | Wloszczyna | Whipp | Yamato | Votes | Total | ||
---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
1 | 1 |
Dunkirk |
2 | 1 | 1 | 1 | 3 | 1 | 1 | 1 | 8 | 77 | |||||||
2 | 2 |
The Shape of Water |
3 | 3 | 2 | 2 | 4 | 2 | 3 | 2 | 8 | 67 | |||||||
3 | 3 |
Three Billboards Outside Ebbing, Missouri |
1 | 2 | 3 | 7 | 1 | 3 | 4 | 4 | 8 | 63 | |||||||
4 | t5 |
The Post |
4 | 5 | 4 | 4 | 8 | 4 | 3 | 7 | 45 | ||||||||
5 | 4 |
Darkest Hour |
9 | 8 | 8 | 3 | 2 | 6 | 2 | 6 | 8 | 44 | |||||||
6 | 9 |
Lady Bird |
8 | 4 | 9 | 6 | 5 | 7 | 6 | 5 | 8 | 38 | |||||||
7 | t5 |
Call Me By Your Name |
5 | 7 | 6 | 9 | 9 | 5 | 7 | 7 | 29 | ||||||||
8 | 7 |
Get Out |
7 | 9 | 10 | 5 | 8 | 7 | 8 | 7 | 23 | ||||||||
9 | 10 |
The Florida Project |
6 | 6 | 8 | 5 | 10 | 9 | 6 | 22 | |||||||||
10 | 8 |
The BIg Sick |
10 | 10 | 7 | 9 | 4 | 8 | |||||||||||
Mudbound |
9 | 10 | 8 | 10 | 4 | 7 | |||||||||||||
One Vote Wonders | |||||||||||||||||||
Phantom Thread |
5 | 1 | 6 | ||||||||||||||||
Downsizing |
7 | 1 | 4 | ||||||||||||||||
Victoria & Abdul |
10 | 1 | 1 | ||||||||||||||||
All The Money In The World |
10 | 1 | 1 |
The Gurus look at what they feel are the primary audience for the contending movies is by age…
Voters Under 50
Call Me By Your Name
The Florida Project
Get Out
Lady Bird
Voters 50-70
Blade Runner 2009
Downsizing
Dunkirk
I, Tonya
Mudbound
Phantom Thread
The Shape of Water
Three Billboards
Voters Over 70
Darkest Hour
Last Flag Flying
The Post
Victoria & Abdul
Split
The Big Sick
Rank | Last Chart | Voters Under 50 | Adams | Ellwood | Howell | Karger | Olsen | Poland | Pond | NathanielR | Stone | Thompson | Wloszczyna | Whipp | Yamato | Votes | Total | ||
---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
Get Out |
* | * | * | * | * | * | 6 | 6 | |||||||||||
Call Me By Your Name |
* | * | * | * | 4 | 4 | |||||||||||||
The Florida Project |
* | * | * | * | 4 | 4 | |||||||||||||
Lady Bird |
* | * | * | * | 4 | 4 | |||||||||||||
The BIg Sick |
* | * | * | 3 | 3 | ||||||||||||||
Three Billboards |
* | * | 2 | 2 | |||||||||||||||
One Vote Wonders | |||||||||||||||||||
Downsizing |
* | 1 | 1 | ||||||||||||||||
Mudbound |
* | 1 | 1 | ||||||||||||||||
The Shape Of Water |
* | 1 | 1 | ||||||||||||||||
I, Tonya |
* | 1 | 1 |
Rank | Last Chart | Voters 50-70 | Adams | Ellwood | Howell | Karger | Olsen | Poland | Pond | NathanielR | Stone | Thompson | Wloszczyna | Whipp | Yamato | Votes | Total | ||
---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
Blade Runner 2049 |
* | * | * | * | * | * | 6 | 6 | |||||||||||
Downsizing |
* | * | * | * | * | 5 | 5 | ||||||||||||
The Shape Of Water |
* | * | * | * | * | 5 | 5 | ||||||||||||
I Tonya |
* | * | * | * | * | 5 | 5 | ||||||||||||
Mudbound |
* | * | * | * | * | 5 | 5 | ||||||||||||
Three Billboards |
* | * | * | * | 4 | 4 | |||||||||||||
Phantom Thread |
* | * | * | * | 4 | 4 | |||||||||||||
The Big Sick |
* | * | * | 3 | 3 | ||||||||||||||
Dunkirk |
* | * | * | 3 | 3 | ||||||||||||||
Lady Bird |
* | * | 2 | 2 | |||||||||||||||
The Florida Project |
* | * | 2 | 2 | |||||||||||||||
Darkest Hour |
* | * | 2 | 2 | |||||||||||||||
Last Flag Flying |
* | * | 2 | 2 | |||||||||||||||
One Vote Wonders | |||||||||||||||||||
Call Me By Your Name |
* | 1 | 1 | ||||||||||||||||
The Post |
* | 1 | 1 |
Rank | Last Chart | Voters Over 70 | Adams | Ellwood | Howell | Karger | Olsen | Poland | Pond | NathanielR | Stone | Thompson | Wloszczyna | Whipp | Yamato | Votes | Total | ||
---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
Victoria & Abdul |
* | * | * | * | * | 5 | 5 | ||||||||||||
The Post |
* | * | * | * | 4 | 4 | |||||||||||||
Darkest Hour |
* | * | * | 3 | 3 | ||||||||||||||
Last Flag Flying |
* | * | * | 3 | 3 | ||||||||||||||
One Vote Wonders | |||||||||||||||||||
Phantom Thread |
* | 1 | 1 | ||||||||||||||||
Dunkirk |
* | 1 | 1 |
It would have been more interesting to see AMPAS voting analysis by gender, race and nationality (USA, UK and rest of world). I would think these factors would be at least as determinative (and perhaps moreso) of film preferences as age.
But these charts are nonetheless quite fascinating.
It seems off that Dunkirk fares so poorly among the oldest members and not that well in the middle group.