Awards Watch Archive for January, 2006

American Society of Cinematographers

Nominations Wally Pfister BATMAN BEGINS Warner Bros. Directed by Christopher Nolan. Starring: Christian Bale, Michael Caine, Liam Neeson, Katie Holmes, Gary Oldman Rodrigo Prieto BROKEBACK MOUNTAIN Focus Features s Directed by Ang Lee. Starring: Jake Gyllenhaal, Heath Ledger, Michelle Williams Robert Elswit GOOD NIGHT, AND GOOD LUCK. Warner Independent Pictures Directed by George Clooney. Starring:…

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Washington, D.C. Area Film Critics Association

Nominations: December 9, 2005 Awards: December 12, 2005 Best Actor Phillip Seymor Hoffman  Capote Best Actress Reese Witherspoon Walk the Line Best Supporting Actor Paul Giamatti – Cinderella Man Best Supporting Actress Amy Adams – Junebug Best Director Steven Spielberg  Munich Best Original Screenplay Paul Haggis and Bobby Moresco  – Crash Best Adapted Screenplay Dan Futterman – Capote…

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Utah Film Critics

Awards: December 22, 2005 BEST FILM Brokeback Mountain Runner-up: Me and You and Everyone We Know BEST DIRECTOR Ang Lee, Brokeback Mountain Runner-up: Woody Allen, Match Point BEST SCREENPLAY (tie) Shane Black – Kiss Kiss, Bang Bang and Miranda July – Me and You and Everyone We Know BEST ACTOR Philip Seymour Hoffman – Capote…

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Toronto Film Critics

Awards: December 21, 200 Best Picture A History of Violence Best Director David Cronenberg, A History of Violence Best Actor Philip Seymour Hoffman, Capote Best Actress Laura Linney, The Squid & the Whale Best Supporting Actor Paul Giamatti, Cinderella Man Best Supporting Actress Catherine Keener, Capote Best Screenplay Noah Baumbach , The Squid & the…

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St. Louis Film Critics Association

Awards: January 8, 2006 Best Picture Brokeback Mountain Best Director Ang Lee – Brokeback Mountain Best Actor Heath Ledger – Brokeback Mountain Best Actress Judi Dench – Mrs. Henderson Presents Best Supporting Actor George Clooney – Syriana Best Supporting Actress Rachel Weisz – The Constant Gardener Best Cinematography King Kong Best Screenplay Brokeback Mountain Best…

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The Southeastern Film Critics Association

Awards: December 19, 2005 BEST DOCUMENTARY March of the Penguins Runner-up – Grizzly Man BEST ANIMATED FILM Wallace and Gromit: The Curse of the Were-Rabbit Runner-up – Tim Burton’s Corpse Bride BEST FOREIGN LANGUAGE FILM Caché Runner-up – Kung-fu Hustle BEST DIRECTOR Ang Lee, Brokeback Mountain Runner-up – George Clooney, Good Night, and Good Luck….

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Screen Actors Guild

Nominations: January 5, 2006 Awards: January 29, 2006 THEATRICAL MOTION PICTURES Outstanding Performance by a Cast in a Motion Picture Crash Outstanding Performance by a Male Actor in a Leading Role Philip Seymour Hoffman – Capote Outstanding Performance by a Female Actor in a Leading Role Reese Witherspoon – Walk the Line Outstanding Performance by…

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Costume Designers Guild

Excellence in Costume Design for Film – Period WINNER Memoirs of a Geisha: Colleen Atwood NOMINEES Capote: Kasia Walicka-Maimone Good Night, and Good Luck.: Louise Frogley Rent: Aggie Guerard Rodgers Walk the Line: Arianne Phillips Excellence in Costume Design for Film – Fantasy WINNER The Chronicles of Narnia: The Lion, the Witch and the Wardrobe:…

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Golden Satellite Awards

Awards: December 17, 2005 Actress in a Motion Picture, Drama Felicity Huffman — Transamerica Actor in a Motion Picture, Drama Philip Seymour Hoffman — Capote Actress in a Motion Picture, Comedy or Musical Reese Witherspoon — Walk the Line Actor in a Motion Picture, Comedy or Musical Terrence Howard — Hustle & Flow Actress in…

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San Francisco Film Critics

Awards: December 13, 2005 Best Picture Brokeback Mountain Best Director Ang Lee for Brokeback Mountain Best Screenplay Good Night, And Good Luck, by George Clooney and Grant Heslov Best Actor Heath Ledger for Brokeback Mountain Best Actress Reese Witherspoon for Walk the Line Best Supporting Actor Kevin Costner for The Upside of Anger Best Supporting…

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San Diego Film Critics

Awards: December 20, 2005 Best Picture King Kong Best Director Bennett Miller, Capote Best Actor Philip Seymour Hoffman, Capote Best Actress Joan Allen, The Upside of Anger Best Supporting Actor Jeffrey Wright, Broken Flowers Best Supporting Actress Rachel Weisz, The Constant Gardener Best Original Screenplay Kiss Kiss Bang Bang Best Adapted Screenplay Capote Best Documentary…

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Producer’s Guild

Nominations: January 4, 2006 Awards: January 22, 2006 Darryl F. Zanuck Producer of the Year Award Theatrical Motion Pictures Diana Ossana James Schamus BROKEBACK MOUNTAIN Focus Features Producer of the Year Award Animated Film Claire Jennings Nick Park WALLACE & GROMIT: CURSE OF THE WERE-RABBIT Dreamworks SKG Nominations Darryl F. Zanuck Producer of the Year…

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Phoenix Film Critics

Awards: December 20, 2005 Best Picture Cinderella Man Best Director George Clooney – Good Night and Good Luck Best Performance by an Actor in a Leading Role Heath Ledger – Brokeback Mountain Best Performance by an Actress in a Leading Role Felicity Huffman – Transamerica Best Performance by an Actor in a Supporting Role Jake…

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Online Film Critics Awards

Nominations: January 10, 2006 Winners: January 16, 2006 Best Picture A History of Violence Best Director David Cronenberg, A History of Violence Best Actor Philip Seymour Hoffman, Capote Best Actress Reese Witherspoon, Walk the Line Best Supporting Actor Mickey Rourke, Sin City Best Supporting Actress Maria Bello, A History of Violence Best Original Screenplay George…

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New York Film Critics Online

Awards: December 11, 2005 Best Picture The Squid and the Whale Best Actor Philip Seymour Hoffman (Capote) Best Actress Keira Knightley (Pride and Prejudice) Best Director Fernando Meirelles (Constant Gardener) Best Supporting Actor Oliver Platt (Casanova) Best Supporting Actress Amy Adams (Junebug) Best Breakthrough Performer Terrence Howard (Hustle and Flow, Crash, Get Rich or Die…

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New York Film Critics’ Circle

New York, December 12, 2006:  BROKEBACK MOUNTAIN was named Best Picture of 2006 while director ANG LEE was named Best Director for the same film in voting Monday by the New York Film Critics Circle. The 30 member group voted for its 71st annual awards for excellence in cinema today at the Algonquin Hotel in…

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National Board of Review

Awards: December 12, 2005 Best Film Good Night, And Good Luck Best Foreign Language Film Paradise Now Best Documentary March of the Penguins Best Animated Feature Tim Burton’s Corpse Bride Best Director Ang Lee, Brokeback Mountain Best Actor Philip Seymour Hoffman, Capote Best Actress Felicity Huffman, TransAmerica Best Supporting Actor Jake Gyllenhaal, Brokeback Mountain Best…

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Las Vegas Film Critics

Awards: December 20, 2005 Best Picture Brokeback Mountain Best Director Ang Lee, Brokeback Mountain Best Actor Heath Ledger, Brokeback Mountain Best Actress Reese Witherspoon, Walk the Line Best Supporting Actor Matt Dillon, Crash Best Supporting Actress Frances McDormand, North Country Best Screenplay Crash Best Documentary March of the Penguins Best Foreign Language Film Kung Fu…

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Kansas City Film Critics

Awards: January 3, 2006 Best Picture Munich Best Director Steven Spielberg, Munich Best Actor Philip Seymour Hoffman, Capote Best Actress Reese Witherspoon, Walk the Line Best Supporting Actor Paul Giamatti, Cinderella Man Best Supporting Actress Maria Bello, A History of Violence Best Original Screenplay George Clooney and Grant Heslov, Good Night, and Good Luck Best…

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Iowa Film Critics

Awards: January 10, 2005 Best Picture Brokeback Mountain Best Director Ang Lee (Brokeback Mountain) Best Actor Philip Seymour Hoffman (Capote) Best Actress Joan Allen (Upside of Anger) Best Supporting Actor Paul Giamatti (Cinderella Man) Best Supporting Actress Rachel Weisz (The Constant Gardener) The Best Movie Yet to Open in Iowa Match Point

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Awards Watch

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It shows how out of it I was in trying to be in it, acknowledging that I was out of it to myself, and then thinking, “Okay, how do I stop being out of it? Well, I get some legitimate illogical narrative ideas” — some novel, you know?

So I decided on three writers that I might be able to option their material and get some producer, or myself as producer, and then get some writer to do a screenplay on it, and maybe make a movie.

And so the three projects were “Do Androids Dream of Electric Sheep,” “Naked Lunch” and a collection of Bukowski. Which, in 1975, forget it — I mean, that was nuts. Hollywood would not touch any of that, but I was looking for something commercial, and I thought that all of these things were coming.

There would be no Blade Runner if there was no Ray Bradbury. I couldn’t find Philip K. Dick. His agent didn’t even know where he was. And so I gave up.

I was walking down the street and I ran into Bradbury — he directed a play that I was going to do as an actor, so we know each other, but he yelled “hi” — and I’d forgot who he was.

So at my girlfriend Barbara Hershey’s urging — I was with her at that moment — she said, “Talk to him! That guy really wants to talk to you,” and I said “No, fuck him,” and keep walking.

But then I did, and then I realized who it was, and I thought, “Wait, he’s in that realm, maybe he knows Philip K. Dick.” I said, “You know a guy named—” “Yeah, sure — you want his phone number?”

My friend paid my rent for a year while I wrote, because it turned out we couldn’t get a writer. My friends kept on me about, well, if you can’t get a writer, then you write.”
~ Hampton Fancher

“That was the most disappointing thing to me in how this thing was played. Is that I’m on the phone with you now, after all that’s been said, and the fundamental distinction between what James is dealing with in these other cases is not actually brought to the fore. The fundamental difference is that James Franco didn’t seek to use his position to have sex with anyone. There’s not a case of that. He wasn’t using his position or status to try to solicit a sexual favor from anyone. If he had — if that were what the accusation involved — the show would not have gone on. We would have folded up shop and we would have not completed the show. Because then it would have been the same as Harvey Weinstein, or Les Moonves, or any of these cases that are fundamental to this new paradigm. Did you not notice that? Why did you not notice that? Is that not something notable to say, journalistically? Because nobody could find the voice to say it. I’m not just being rhetorical. Why is it that you and the other critics, none of you could find the voice to say, “You know, it’s not this, it’s that”? Because — let me go on and speak further to this. If you go back to the L.A. Times piece, that’s what it lacked. That’s what they were not able to deliver. The one example in the five that involved an issue of a sexual act was between James and a woman he was dating, who he was not working with. There was no professional dynamic in any capacity.

~ David Simon