Awards Watch Archive for October, 2007

19 Weeks To Go Cash And Carrion

A big part of negotiating the season each year is the placement of The Product. When will the film be ready to be seen?  When should it be shown? Festivals or no festivals? And most importantly than anything else, how to release the film into theaters? The Los Angeles Times did a piece on Thursday…

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Best Screenplay Chart

BEST ORIGINAL SCREENPLAY Writer(s) – Film Comment Michael Clayton Lars & The Real Girl Juno The Savages Before The Devil Knows You’re Dead Knocked Up The Diving Bell & The Butterfly Margot At The Wedding Crossing Over In The Valley Of Elah Things We Lost In The Fire The Lucky Ones Lust, Caution I’m Not…

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Best Actress Chart

BEST ACTRESS Actress – Film Comment Marion Cotillard – La Vie En Rose Laura Linney – The Savages Keira Knightley – Atonement Julie Christie – Away From Her Helena Bonham Carter – Sweeney Todd Halle Berry – Things We Lost in the Fire Ellen Page – Juno Cate Blanchett – Elizabeth Angelina Jolie – A…

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Best Actor Chart

BEST ACTOR Actor – Film Comment Johnny Depp – Sweeney Todd Daniel Day Lewis – There Will Be Blood George Clooney – Michael Clayton Tom Hanks – Charlie Wilson’s War Jack Nicholson – The Bucket List Denzel Washington – American Gangster James McAvoy – Atonement Emile Hirsch – Into The Wild Ryan Gosling – Lars…

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Best Actor Chart

BEST ACTOR Actor – Film Comment Johnny Depp – Sweeney Todd Daniel Day Lewis – There Will Be Blood George Clooney – Michael Clayton Tom Hanks – Charlie Wilson’s War Jack Nicholson – The Bucket List Denzel Washington – American Gangster James McAvoy – Atonement Emile Hirsch – Into The Wild Ryan Gosling – Lars…

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Best Director Chart

BEST DIRECTOR Director – Film Comment The Coen Bros – No Country For Old Men Tony Gilroy – Michael Clayton Mike Nichols – Charlie Wilson’s War Sidney Lumet – Before The Devil Knows You’re Dead Julian Schnabel – The Diving Bell & The Butterfly Sean Penn – Into The Wild Tim Burton – Sweeney Todd…

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Best Picture Chart

BEST PICTURE Release Date Picture Studio Comment Oct 5 Michael Clayton WB There is a movement to attack this film for alleged box office problems, but look for the trouble to be shrugged off as the film keeps staying in the top five, espcially md-week, when adults rule the multiplexes. Dec 21 Charlie Wilson’s War…

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20 Weeks To Go “Round And Round They Go…”

Ass, cash, or grass… everyone pays. Somehow, that sentiment strikes me as the theme of this year’s Oscar race.  We are already deep into the race 20 weeks out.  Last year at this time – the first 20 Weeks column – all five of the films that would be nominated were already represented in the…

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Best Screenplay Chart

BEST ORIGINAL SCREENPLAY Writer(s) – Film Comment Michael Clayton Lars & The Real Girl Juno The Savages Before The Devil Knows You’re Dead Knocked Up The Diving Bell & The Butterfly Margot At The Wedding Crossing Over In The Valley Of Elah Things We Lost In The Fire The Lucky Ones Lust, Caution I’m Not…

Read the full article »

Best Actress Chart

BEST ACTRESS Actress – Film Comment Marion Cotillard – La Vie En Rose Helena Bonham Carter – Sweeney Todd Laura Linney – The Savages Keira Knightley – Atonement Halle Berry – Things We Lost in the Fire Julie Christie – Away From Her Cate Blanchett – Elizabeth Ellen Page – Juno Angelina Jolie – A…

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Best Actor Chart

BEST ACTOR Actor – Film Comment Johnny Depp – Sweeney Todd Daniel Day Lewis – There Will Be Blood George Clooney – Michael Clayton Tom Hanks – Charlie Wilson’s War Ryan Gosling – Lars & The Real Girl James McAvoy – Atonement Emile Hirsch – Into The Wild Phillip Seymour Hoffman – The Savages/Before The…

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Best Director Chart

BEST DIRECTOR Director – Film Comment Tony Gilroy – Michael Clayton The Coen Bros – No Country For Old Men Mike Nichols – Charlie Wilson’s War Sean Penn – Into The Wild Julian Schnabel – The Diving Bell & The Butterfly Tim Burton – Sweeney Todd Sidney Lumet – Before The Devil Knows You’re Dead…

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Best Picture Chart

BEST PICTURE Release Date Picture Studio Comment Oct 5 Michael Clayton WB A soft front-runner, but a great little film Dec 21 Charlie Wilson’s War U The 800 lb gorilla over the hill Nov 9 No Country For Old Men Mir/ ParVan Just plain strong… very challenging Dec 7 Atonement Focus Costume drama… not a…

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63 Countries Seeking Foreign Language Film Oscar®

Beverly Hills, CA — A record 63 countries, including new entrants Azerbaijan and Ireland, have submitted films for consideration in the Foreign Language Film category for the 80th Academy Awards®, Academy President Sid Ganis announced today. The 2007 submissions are: Argentina, “XXY,” Lucia Puenzo, director; Australia, “The Home Song Stories,” Tony Ayres, director; Austria, “The…

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Awards Watch

Quote Unquotesee all »

It shows how out of it I was in trying to be in it, acknowledging that I was out of it to myself, and then thinking, “Okay, how do I stop being out of it? Well, I get some legitimate illogical narrative ideas” — some novel, you know?

So I decided on three writers that I might be able to option their material and get some producer, or myself as producer, and then get some writer to do a screenplay on it, and maybe make a movie.

And so the three projects were “Do Androids Dream of Electric Sheep,” “Naked Lunch” and a collection of Bukowski. Which, in 1975, forget it — I mean, that was nuts. Hollywood would not touch any of that, but I was looking for something commercial, and I thought that all of these things were coming.

There would be no Blade Runner if there was no Ray Bradbury. I couldn’t find Philip K. Dick. His agent didn’t even know where he was. And so I gave up.

I was walking down the street and I ran into Bradbury — he directed a play that I was going to do as an actor, so we know each other, but he yelled “hi” — and I’d forgot who he was.

So at my girlfriend Barbara Hershey’s urging — I was with her at that moment — she said, “Talk to him! That guy really wants to talk to you,” and I said “No, fuck him,” and keep walking.

But then I did, and then I realized who it was, and I thought, “Wait, he’s in that realm, maybe he knows Philip K. Dick.” I said, “You know a guy named—” “Yeah, sure — you want his phone number?”

My friend paid my rent for a year while I wrote, because it turned out we couldn’t get a writer. My friends kept on me about, well, if you can’t get a writer, then you write.”
~ Hampton Fancher

“That was the most disappointing thing to me in how this thing was played. Is that I’m on the phone with you now, after all that’s been said, and the fundamental distinction between what James is dealing with in these other cases is not actually brought to the fore. The fundamental difference is that James Franco didn’t seek to use his position to have sex with anyone. There’s not a case of that. He wasn’t using his position or status to try to solicit a sexual favor from anyone. If he had — if that were what the accusation involved — the show would not have gone on. We would have folded up shop and we would have not completed the show. Because then it would have been the same as Harvey Weinstein, or Les Moonves, or any of these cases that are fundamental to this new paradigm. Did you not notice that? Why did you not notice that? Is that not something notable to say, journalistically? Because nobody could find the voice to say it. I’m not just being rhetorical. Why is it that you and the other critics, none of you could find the voice to say, “You know, it’s not this, it’s that”? Because — let me go on and speak further to this. If you go back to the L.A. Times piece, that’s what it lacked. That’s what they were not able to deliver. The one example in the five that involved an issue of a sexual act was between James and a woman he was dating, who he was not working with. There was no professional dynamic in any capacity.

~ David Simon