Awards Watch Archive for January, 2010

Page 11

Chas Andrews Louisville Mojo 1 Star Trek 2 The Hangover 3 District 9 4 Inglourious Basterds 5 Capitalism: A Love Story 6 Paranormal Activity 7 The Blind Side 8 Me & Orson Welles 9 Avatar 10 Mick LaSalle SF Chronicle 1 Inglourious Basterds 2 The Hurt Locker 3 Up in the Air 4 Two Lovers…

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Page 10

Joshua Rothkopf Time Out New York 1 A Serious Man 2 Still Walking 3 Two Lovers 4 Star Trek 5 The Hurt Locker 6 Anvil! The Story of Anvil 7 Summer Hours 8 The House of the Devil 9 Somers Town 10 Funny People Keith Uhlich Time Out New York 1 The Limits of Control…

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Page 9

Scott Foundas LA Weekly 1 The White Ribbon 2 Inglourious Basterds | Police, Adjective 3 The Hurt Locker 4 Public Enemies 5 Avatar 6 District 9 | Invictus 7 24 City | Up in the Air 8 Fantastic Mr. Fox | Where the Wild Things Are 9 The Headless Woman 10 Beaches of Agnes |…

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Page 8

Matthew Lucas The Dispatch 1 Antichrist 2 Still Walking 3 Munyurangabo 4 Goodbye Solo 5 35 Shots of Rum 6 The White Ribbon 7 Tokyo Sonata 8 Revanche 9 Summer Hours 10 Fantastic Mr. Fox Scott Tobias The AV Club 1 35 Shots of Rum 2 Duplicity 3 Humpday 4 Collapse 5 Julia 6 Afterschool…

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Page 7

Bob Strauss LA Daily News 1 Inglorious Basterds 2 Antichirst 3 Thirst 4 The Secret of the Grain | 35 Shots of Rum 5 The White Ribbon 6 In the Loop 7 The Hurt Locker | The Messenger 8 Visual Acoustics 9 Up in the Air 10 Funny People Peter Howell Toronto Star 1 The…

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Page 6

Kent Tentschert Webster-Kirkwood Times 1 (500) Days of Summer 2 Avatar 3 Crazy Heart 4 Inglourious Basterds 5 The Lovely Bones 6 The Messenger 7 Precious 8 The Road 9 Sherlock Holmes 10 Up/Up in the Air Roger Ebert Chicago Sun 1 Bad Lieutenant 2 Crazy Heart 3 An Education 4 The Hurt Locker 5…

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Page 5

Ray Bennett The Hollywood Reporter 1 Up in the Air 2 The Hurt Locker 3 Tulpan 4 Bright Star 5 Moon 6 Summer Hours 7 Up 8 Star Trek 9 Broken Embraces 10 Avatar Michael Rechtshaffen The Hollywood Reporter 1 Up in the Air 2 The Hurt Locker 3 Up 4 An Education 5 Everlasting…

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Page 4

AFI | John Anderson | Jackie Cooper | Dallas Ft. Worth Film Critics | Houston Film Critics | Drew McWeeny | Joe Morgenstern | Stephen Schaefer | Betsy Sharkey | Dana Stevens John Anderson IndieWIRE 1 Fantastic Mr. Fox 2 Precious 3 Food Inc 4 Star Trek 5 Anvil! The Story of Anvil 6 The…

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Page 3

Kathleen Murphy MSN 1 The Hurt Locker 2 Inglourious Basterds 3 A Serious Man 4 Liverpool 5 Bright Star 6 35 Rhums 7 Summer Hours 8 Still Walking 9 Up in the Air 10 Bad Lieutenant Mary Pols MSN 1 The Hurt Locker 2 The White Ribbon 3 Up in the Air | Adventureland 4…

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Page 2

Richard T. Jameson MSN 1 A Serious Man 2 The Hurt Locker 3 Taking Woodstock 4 35 Shots of Rum 5 Bright Star 6 Liverpool 7 Up in the Air 8 Inglourious Basterds | Public Enemies 9 (500) Days of Summer 10 Bad Lieutenant Don Kaye MSN 1 The Hurt Locker 2 A Serious Man…

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Page 1

Phil Villarreal OK! Magazine 1 (500) Days of Summer 2 Inglourious Basterds 3 Precious 4 Crazy Heart 5 A Serious Man 6 Me & Orson Welles 7 Princess & the Frog 8 Were the World Mine 9 Up 10 Up in the Air Kristopher Tapley In Contention 1 A Serious Man 2 Up in the…

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The Top Ten Chart for January 21, 2010

225 Critics. 239 Films.

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9 Foreign Language Films Advance in Oscar® Race

Beverly Hills, CA (January 20, 2010) — Nine films will advance to the next round of voting in the Foreign Language Film category for the 82nd Academy Awards®. Sixty-five films had originally qualified in the category. The films, listed in alphabetical order by country, are: Argentina, “El Secreto de Sus Ojos,” Juan Jose Campanella, director;…

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January 14

Gurus go a Globe-in’, betting heavy on Big Blue for Best Drama, but looking at a very tight race for Comedy/Drama.

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Best Actress Chart

BEST ACTRESS Actress – Film Comment Meryl Streep – Julie and Julia Carey Mulligan – An Education Helen Mirren – The Last Station Sandra Bullock – The Blind Side Marion Cotillard – Nine Gabourey Sidibe – Precious Zoe Saldana – Avatar Emily Blunt – The Young Victoria BEST SUPPORTING ACTRESS Actress – Film Comment Mo’Nique…

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Best Actor Chart

BEST ACTOR Actor – Film Comment Jeff Bridges – Crazy Heart George Clooney – Up in the Air Morgan Freeman – Invictus Colin Firth – A Single Man Jeremy Renner – The Hurt Locker Viggo Mortensen – The Road Peter Sarsgaard – An Education Tobey Maguire – Brothers Christopher Plummer – The Last Station His…

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Best Director Chart

BEST DIRECTOR Director Picture Comment The Frontrunners For Nomination James Cameron Avatar Kathryn Bigelow The Hurt Locker Jason Reitman Up In The Air Quentin Tarantino Inglourious Basterds Lone Scherfig An Education Clint Eastwood Invictus Lee Daniels Precious Rob Marshall Nine Pete Docter Bob Petersen Up The Coen Bros. A Serious Man

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Best Picture Chart

BEST PICTURE – – Picture Studio Director Stars Comment The Frontrunners For Nomination 1 1 Avatar Fox Cameron Saldana Weaver 2 2 The Hurt Locker Sum Bigelow Renner Mackie 3 3 Up In The Air Par Reitman Clooney 4 8 Inglourious Basterds TWC Tarantino Waltz 5 4 An Education SPC Scherfig Mulligan Sarsgaard 6 5…

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9 Weeks To Go, The Blurry Season

If you are wondering why Avatar has become a prohibitive front-runner in the Best Picture race, you are right at the crux of what this season is all about. There was a lot of really excellent work this year. But there are virtually no “that’s The ONE!” movies, performances, or even below-the-line efforts that scream…

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The Top Ten Chart for January 12, 2010

225 Critics. 239 Films.

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Awards Watch

Quote Unquotesee all »

It shows how out of it I was in trying to be in it, acknowledging that I was out of it to myself, and then thinking, “Okay, how do I stop being out of it? Well, I get some legitimate illogical narrative ideas” — some novel, you know?

So I decided on three writers that I might be able to option their material and get some producer, or myself as producer, and then get some writer to do a screenplay on it, and maybe make a movie.

And so the three projects were “Do Androids Dream of Electric Sheep,” “Naked Lunch” and a collection of Bukowski. Which, in 1975, forget it — I mean, that was nuts. Hollywood would not touch any of that, but I was looking for something commercial, and I thought that all of these things were coming.

There would be no Blade Runner if there was no Ray Bradbury. I couldn’t find Philip K. Dick. His agent didn’t even know where he was. And so I gave up.

I was walking down the street and I ran into Bradbury — he directed a play that I was going to do as an actor, so we know each other, but he yelled “hi” — and I’d forgot who he was.

So at my girlfriend Barbara Hershey’s urging — I was with her at that moment — she said, “Talk to him! That guy really wants to talk to you,” and I said “No, fuck him,” and keep walking.

But then I did, and then I realized who it was, and I thought, “Wait, he’s in that realm, maybe he knows Philip K. Dick.” I said, “You know a guy named—” “Yeah, sure — you want his phone number?”

My friend paid my rent for a year while I wrote, because it turned out we couldn’t get a writer. My friends kept on me about, well, if you can’t get a writer, then you write.”
~ Hampton Fancher

“That was the most disappointing thing to me in how this thing was played. Is that I’m on the phone with you now, after all that’s been said, and the fundamental distinction between what James is dealing with in these other cases is not actually brought to the fore. The fundamental difference is that James Franco didn’t seek to use his position to have sex with anyone. There’s not a case of that. He wasn’t using his position or status to try to solicit a sexual favor from anyone. If he had — if that were what the accusation involved — the show would not have gone on. We would have folded up shop and we would have not completed the show. Because then it would have been the same as Harvey Weinstein, or Les Moonves, or any of these cases that are fundamental to this new paradigm. Did you not notice that? Why did you not notice that? Is that not something notable to say, journalistically? Because nobody could find the voice to say it. I’m not just being rhetorical. Why is it that you and the other critics, none of you could find the voice to say, “You know, it’s not this, it’s that”? Because — let me go on and speak further to this. If you go back to the L.A. Times piece, that’s what it lacked. That’s what they were not able to deliver. The one example in the five that involved an issue of a sexual act was between James and a woman he was dating, who he was not working with. There was no professional dynamic in any capacity.

~ David Simon