Awards Watch Archive for September, 2010

22 Weeks To Oscar: The Year Of Good Being Good Enough

This is a very competitive race for a dozen or so movies looking to fit into a few slots. GREAT is not necessary. In fact, GREAT may be a problem for some of these films. This is the Oscar season of Really Good.
(New Charts This Week, Including Acting Races)

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Best Actress/Supporting Actress

BEST ACTRESS Actress – Film Comment Natalie Portman – Black Swan Carey Mulligan – Never Let Me Go Helen Mirren – The Debt/The Tempest Reese Witherspoon – How Do You Know Jennifer Lawrence – Winter’s Bone Anne Hathaway – Love & Other Drugs Anette Bening – The Kids Are All Right Lesley Manville – Another…

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Best Actor/ Supporting Actor

BEST ACTOR Actor – Film Comment Colin Firth – The King’s Speech James Franco – 127 Hours Jesse Eisenberg – The Social Network Jeff Bridges – True Grit Javier Bardem – Biutiful Jack Nicholson – How Do You Know Robert Duvall – Get Low Mark Wahlberg – The Fighter Ryan Gosling – Blue Valentine Leo…

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Best Picture Chart – 9/30/10

BEST PICTURE Picture Studio Director Stars Comment The Films Most Likely (by release date) June 18 Toy Story 3 Disney Unkrich – July 16 Inception WB Nolan DiCaprio Oct 1 The Social Network Sony Fincher Eisenberg Nov 5 127 Hours FxSch Boyle Franco Nov 24 The King’s Speech TWC Marshall Firth Dec 1 Black Swan…

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Denmark Thinks Of Better World For Oscar

Denmark Thinks Of Better World For Oscar

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Angel Flies For Norway’s Oscar

Angel Flies For Norway’s Oscar While – Bosnia And Herzegovina Go To Danis Tanović’s Cirkus Columbia

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Slovakia Crosses The Border For Oscar

Slovakia Crosses The Border For Oscar

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When We Leave Germany’s Oscar Ticket

When We Leave Germany’s Oscar Ticket

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Bulgaria Makes Eastern Plays For Oscar

Bulgaria Makes Eastern Plays For Oscar

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Never Let Me Go – MCN Exclusive Clip

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Gosling Says He Felt Real Love Shooting Blue Valentine

Gosling Says He Felt Real Love Shooting Blue Valentine

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Belgian Oscar Entry Is Illegal

Belgian Oscar Entry Is Illegal

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King’s Speech Ekes Aud Nod At T.O.

King’s Speech Ekes Aud Nod At T.O.

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Never Let Me Go, screenwriter Alex Garland & novelist Kazuo Ishiguro

DP/30 – A chat with the two wordsmiths behind Never Let Me Go, screenwriter Alex Garland & novelist Kazuo Ishiguro

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The Further Adventures Of Colored Girls’ Ntozake Shange

The Further Adventures Of Colored Girls‘ Ntozake Shange

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France Goes Of Gods And Men For Oscar

France Goes Of Gods And Men For Oscar

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Fincher Sez The Social Network Is The “Citizen Kane Of John Hughes Movies”

“It’s also something uniquely Sorkinian: an earnest, unsparing feature-length exploration of the question “What exactly does it mean to be an a–hole?” Fincher Sez The Social Network Is The “Citizen Kane Of John Hughes Movies”

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How Likely Is It That Oscar Would “Like” The Social Network?

How Likely Is It That Oscar Would “Like” The Social Network?

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Levy Lets The Predictions Begin

“We enlist these movies based on our informed insights, instincts and feelings, and previously accumulated knowledge.” Levy Lets The Predictions Begin

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Dutch Count Tirza For Oscar

Dutch Count Tirza For Oscar

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Awards Watch

Quote Unquotesee all »

It shows how out of it I was in trying to be in it, acknowledging that I was out of it to myself, and then thinking, “Okay, how do I stop being out of it? Well, I get some legitimate illogical narrative ideas” — some novel, you know?

So I decided on three writers that I might be able to option their material and get some producer, or myself as producer, and then get some writer to do a screenplay on it, and maybe make a movie.

And so the three projects were “Do Androids Dream of Electric Sheep,” “Naked Lunch” and a collection of Bukowski. Which, in 1975, forget it — I mean, that was nuts. Hollywood would not touch any of that, but I was looking for something commercial, and I thought that all of these things were coming.

There would be no Blade Runner if there was no Ray Bradbury. I couldn’t find Philip K. Dick. His agent didn’t even know where he was. And so I gave up.

I was walking down the street and I ran into Bradbury — he directed a play that I was going to do as an actor, so we know each other, but he yelled “hi” — and I’d forgot who he was.

So at my girlfriend Barbara Hershey’s urging — I was with her at that moment — she said, “Talk to him! That guy really wants to talk to you,” and I said “No, fuck him,” and keep walking.

But then I did, and then I realized who it was, and I thought, “Wait, he’s in that realm, maybe he knows Philip K. Dick.” I said, “You know a guy named—” “Yeah, sure — you want his phone number?”

My friend paid my rent for a year while I wrote, because it turned out we couldn’t get a writer. My friends kept on me about, well, if you can’t get a writer, then you write.”
~ Hampton Fancher

“That was the most disappointing thing to me in how this thing was played. Is that I’m on the phone with you now, after all that’s been said, and the fundamental distinction between what James is dealing with in these other cases is not actually brought to the fore. The fundamental difference is that James Franco didn’t seek to use his position to have sex with anyone. There’s not a case of that. He wasn’t using his position or status to try to solicit a sexual favor from anyone. If he had — if that were what the accusation involved — the show would not have gone on. We would have folded up shop and we would have not completed the show. Because then it would have been the same as Harvey Weinstein, or Les Moonves, or any of these cases that are fundamental to this new paradigm. Did you not notice that? Why did you not notice that? Is that not something notable to say, journalistically? Because nobody could find the voice to say it. I’m not just being rhetorical. Why is it that you and the other critics, none of you could find the voice to say, “You know, it’s not this, it’s that”? Because — let me go on and speak further to this. If you go back to the L.A. Times piece, that’s what it lacked. That’s what they were not able to deliver. The one example in the five that involved an issue of a sexual act was between James and a woman he was dating, who he was not working with. There was no professional dynamic in any capacity.

~ David Simon