Awards Watch Archive for December, 2010

Top Tens: December 31, 2010

There were a couple of technical glitches as the new system settles in – but the lists are starting to add up now. Yes, Social Network stays on top, but Inception and The King’s Speech are moving up the charts.

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Critics Top Ten List 2010: Shawn Levy

Shawn Levy The Oregonian Babies Black Swan The FIghter The Ghost Writer The Illusionist Inception The King’s Speech The Social Network A Town Called Panic Winter’s Bone

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Critics Top Ten List 2010: Duane Dudek

Duane Dudek Milwaukee Journal-Sentinel The Social Network Exit Through the Gift Shop Inception Mesrine: Killer Instinct/Carlos Mid-August Lunch Winter’s Bone Another Year The Fighter Black Swan True Grit

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Critics Top Ten List 2010: Rick Bentley

Rick Bentley McClatchy Newspapers Inception Winter’s Bone Tangled The King’s Speech Love and Other Drugs Black Swan Easy A Toy Story 3 The Girl With The Dragon Tattoo The Town

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Critics Top Ten List 2010: Ken Eisner

Ken Eisner Georgia Straight (Vancouver) The Social Network True Grit The King’s Speech The Secret in Their Eyes Please Give Toy Story 3 The Kids Are All Right Exit Through the Gift Shop Our Beloved

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Critics Top Ten List 2010: Chris Vognar

Chris Vognar Dallas Morning News 127 Hours A Prophet Winter’s Bone The Social Network Exit Through the Gift Shop Toy Story 3 Red Riding Trilogy Inception True Grit The Fighter

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Critics Top Ten List 2010: Charles Ealy

Charles Ealy Austin 350 Inception Black Swan Winter’s Bone Inside Job Another Year 127 Hours The Kids Are All Right The King’s Speech Four Lions The Social Network

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Critics Top Ten List 2010: Michael Compton

Michael Compton The Daily News Winter’s Bone The Social Network Inception The King’s Speech Red Riding Trilogy Toy Story 3 Exit Through the Gift Shop The Fighter 127 Hours Get Low

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Critics Top Ten List 2010: Sean Means

Sean Means Salt Lake Tribune 127 Hours Exit Through the Gift Shop Scott Pilgrim vs. The World Inception The Social Network Another Year Catfish Winter’s Bone Toy Story 3 Joan Rivers: A Piece of Work

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Critics Top Ten List 2010: Nathan Rose

Nathan Rose FlickDirect Inception Harry Potter and the Deathly Hallows Pt. 1 Tangled Expendables True Grit Wall Street: Money Never Sleeps Predators A Nightmare on Elm Street Alice in Wonderland Salt

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Critics Top Ten List 2010: Dann Gire

Dann Gire Chicago Daily Herald Toy Story 3 Inception The Social Network The King’s Speech Winter’s Bone The Kids Are All Right True Grit Rabbit Hole Shutter Island Black Swan

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Critics Top Ten List 2010: Gary Wolcott

Gary Wolcott Tri-City Herald The King’s Speech The Kids are All Right The Social Network Toy Story 3 How to Train Your Dragon Waiting for Superman Red 127 Hours The FIghter True Grit

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9 Weeks To Oscar: Let The Narratives Begin!

Here we are… ballots are out… Phase One will be over in a couple of weeks… and the battle for The Big Win has begun. The primary weapon is in the process of changing from the movies themselves (central to The Great Settling™… c/o Mr Condon) to The Narratives. The Narratives are the big perspective…

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Has Buried’s Screenwriter Broken Rules With A Letter To The Academy?

Has Buried‘s Screenwriter Broken Rules With A Letter To The Academy?

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“The Steak Eater Theory [on the Oscars] is beautiful, but it has its detractors.”

“The Steak Eater Theory [on the Oscars] is beautiful, but it has its detractors.”

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Skolimowski Sez Polish Oscar Entry Essential Killing Does Not Glorify Taliban

Skolimowski Sez Polish Oscar Entry Essential Killing Does Not Glorify Taliban

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Stanley Fish Sez True Grit Is The Rare “Religious Movie”

Stanley Fish Sez True Grit Is The Rare “Religious Movie”

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WGA Blue-Pencils Non-Sig Scripts

WGA Blue-Pencils Non-Sig Scripts King’s Speech, Blue Valentine, Winter’s Bone, Another Year, Toy Story 3 & A Buncha Others

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Anne-T Offers Theory Kids Are All Right Might Get Dissed

“Oscar campaigners call them the Steak Eaters. The Academy is full of them—they’re red-blooded males (not just American—Brits and Aussies too)… They vote for big movies that make big money, good solid moviemaking” Anne-T Offers Theory Kids Are All Right Might Get Dissed By Manly Men

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Anne-T Catches Up With Ever-Prolific Producer Scott Rudin

Anne-T Catches Up With Ever-Prolific Producer Scott Rudin

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Awards Watch

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It shows how out of it I was in trying to be in it, acknowledging that I was out of it to myself, and then thinking, “Okay, how do I stop being out of it? Well, I get some legitimate illogical narrative ideas” — some novel, you know?

So I decided on three writers that I might be able to option their material and get some producer, or myself as producer, and then get some writer to do a screenplay on it, and maybe make a movie.

And so the three projects were “Do Androids Dream of Electric Sheep,” “Naked Lunch” and a collection of Bukowski. Which, in 1975, forget it — I mean, that was nuts. Hollywood would not touch any of that, but I was looking for something commercial, and I thought that all of these things were coming.

There would be no Blade Runner if there was no Ray Bradbury. I couldn’t find Philip K. Dick. His agent didn’t even know where he was. And so I gave up.

I was walking down the street and I ran into Bradbury — he directed a play that I was going to do as an actor, so we know each other, but he yelled “hi” — and I’d forgot who he was.

So at my girlfriend Barbara Hershey’s urging — I was with her at that moment — she said, “Talk to him! That guy really wants to talk to you,” and I said “No, fuck him,” and keep walking.

But then I did, and then I realized who it was, and I thought, “Wait, he’s in that realm, maybe he knows Philip K. Dick.” I said, “You know a guy named—” “Yeah, sure — you want his phone number?”

My friend paid my rent for a year while I wrote, because it turned out we couldn’t get a writer. My friends kept on me about, well, if you can’t get a writer, then you write.”
~ Hampton Fancher

“That was the most disappointing thing to me in how this thing was played. Is that I’m on the phone with you now, after all that’s been said, and the fundamental distinction between what James is dealing with in these other cases is not actually brought to the fore. The fundamental difference is that James Franco didn’t seek to use his position to have sex with anyone. There’s not a case of that. He wasn’t using his position or status to try to solicit a sexual favor from anyone. If he had — if that were what the accusation involved — the show would not have gone on. We would have folded up shop and we would have not completed the show. Because then it would have been the same as Harvey Weinstein, or Les Moonves, or any of these cases that are fundamental to this new paradigm. Did you not notice that? Why did you not notice that? Is that not something notable to say, journalistically? Because nobody could find the voice to say it. I’m not just being rhetorical. Why is it that you and the other critics, none of you could find the voice to say, “You know, it’s not this, it’s that”? Because — let me go on and speak further to this. If you go back to the L.A. Times piece, that’s what it lacked. That’s what they were not able to deliver. The one example in the five that involved an issue of a sexual act was between James and a woman he was dating, who he was not working with. There was no professional dynamic in any capacity.

~ David Simon