Awards Watch Archive for December, 2010

10 Weeks To Oscar: Let The Great Settling Begin!

The field has been narrowed, but there is still no clear front-runner. Things should start to settle in, as they do with Oscar every year, in the DVD players over the next 10 days of holiday hanging out. The Voters can influenced by what they see and what they hear from their kids, grandkids, and friends. Ho ho ho!

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The Women Film Critics Circle Include Awards For Helen Mirren And The Girls Of Despicable Me

The Women Film Critics Circle Include Awards For Helen Mirren And The Girls Of Despicable Me

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Black Film Critics Circle 2010 Inaugural Awards, Starting With The Social Network

Black Film Critics Circle 2010 Inaugural Awards, Starting With  The Social Network

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The Women Film Critics Circle 2010 Awards

BEST MOVIE ABOUT WOMEN Mother And Child BEST MOVIE BY A WOMAN Winter’s Bone BEST WOMAN STORYTELLER [Screenwriting Award] The Kids Are All Right BEST ACTRESS Annette Bening/The Kids Are All Right BEST ACTOR Colin Firth/The King’s Speech BEST YOUNG ACTRESS Jennifer Lawrence/Winter’s Bone BEST COMEDIC ACTRESS Annette Bening/The Kids Are All Right BEST FOREIGN…

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Black Film Critics Circle 2010 Inaugural Awards

Best Picture The Social Network Best Director Darren Aronofsky – Black Swan Best Actor Colin Firth – The King’s Speech (tie) James Franco – 127 Hours Best Actress Natalie Portman – Black Swan Best Supporting Actor Christian Bale – The Fighter Best Supporting Actress Melissa Leo – The Fighter Best Independent Film Night Catches Us…

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Austin Film Critics Give It Up For Black Swan

Austin Film Critics Give It Up For Black Swan

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Austin Film Critics 2010 Awards

Best Movie Black Swan Best Director Darren Aronofsky Best Actor Colin Firth Best Actress Natalie Portman Best Supporting Actor Christian Bale Best Supporting Actress Hailee Steinfeld Best Adapted Screenplay Aaron Sorkin, The Social Network Best Original Score Daft Punk, Tron Legacy Best Foreign Film A Prophet [Un Prophete], France Best Documentary Exit Through the Gift…

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Critics Top Ten List 2010: Peter Hartlaub

Peter Hartlaub San Francisco Chronicle Winter’s Bone Toy Story 3 The Social Network Blue Valentine The Town True Grit Mother The Tillman Story The Fighter Inception

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Critics Top Ten List 2010: Katherine Monk

Katherine Monk Vancouver Sun The Social Network Black Swan 127 Hours The Kids Are All Right Exit Through the Gift Shop Inside Job True Grit The King’s Speech Kick-Ass Somewhere

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Critics Top Ten List 2010: Kim Voynar

Kim Voynar Movie City News 1. Biutiful 2. Another Year 3. Black Swan 4. 127 Hours 5. True Grit 6. Winter’s Bone 7. Rabbit Hole 8. Inception 9. Blue Valentine 10. Dogtooth

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The Top Tens: December 22, 2010

No surprises so far – The Social Network still dominates the top of the list with Winter’s Bone a strong second. The King’s Speech and 127 Hours are back into the top ten and Toy Story is moving up slow and steady.

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Critics Top Ten List 2010: Tom DiChiara

Inception The Town Toy Story 3 Harry Potter and the Deathly Hallows – Part 1 Black Swan The Social Network’s The Kids Are All Right The King’s Speech The Fighter True Grit

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Critics Top Ten List 2010: Stephanie Zacharek

The Ghost Writer The Social Network The King’s Speech I Am Love Despicable Me and My Dog Tulip Vincere Carlos Vengeance The American and The Tourist

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Critics Top Ten List 2010: Joana Langfield

The Social Network The King’s Speech 127 Hours Winter’s Bone True Grit Toy Story 3 A Prophet Inside Job Company Men Ghost Writer

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Critics Top Ten List 2010: Todd McCarthy

Todd McCarthy 1. Carlos 2. The Social Network 3. Wild Grass 4. A Prophet 5. Sweetgrass 6. Inside Job 7. Toy Story 3 8. Animal Kingdom 9. The Kids Are All Right 10. Unstoppable

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Critics Top Ten List 2010: Kirk Honeycutt

The Hollywood Reporter’s Kirk Honeycutt: 1. Inception 2. The Social Network 3. The King’s Speech 4. 127 Hours 5. True Grit 6. Carlos 7. A Prophet 8. The Kids Are All Right 9. Winter’s Bone 10. The Way Back

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Critics Top Ten List 2010: Tim Lammers

Tim Lammers 1. “Inception” 2. “The Social Network” 3. “The Fighter” 4. “127 Hours” 5. “True Grit” 6. “The King’s Speech” 7. “Kick-Ass” 8. “Toy Story 3” 9. “Black Swan” 10. “Tangled”

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Critics Top Ten List 2010: Marshall Fine

Marshall Fine Greenberg Somewhere The American Biutiful Winter’s Bone Blue Valentine Another Year Mother A Prophet Tiny Furniture

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Critics Top Ten List 2010: Amy Taubin

Amy Taubin Film Comment 1. Wild Grass 2. The Social Network 3. White Material 4. And Everything Is Going Fine 5. Guy and Madeline on a Park Bench 6. Inside Job 7. The Strange Case of Angelica 8. Another Year 9. Bluebeard 10. Wah Do Dem

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Critics Top Ten List 2010: J. Hoberman

J. Hoberman San Francisco Weekly The Strange Case of Angelica Carlos The Ghost Writer Lebanon White Material Inferno The Autobiography of Nicolae Ceausescu The Juche System Guy and Madeline on a Park Bench Inception

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Awards Watch

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It shows how out of it I was in trying to be in it, acknowledging that I was out of it to myself, and then thinking, “Okay, how do I stop being out of it? Well, I get some legitimate illogical narrative ideas” — some novel, you know?

So I decided on three writers that I might be able to option their material and get some producer, or myself as producer, and then get some writer to do a screenplay on it, and maybe make a movie.

And so the three projects were “Do Androids Dream of Electric Sheep,” “Naked Lunch” and a collection of Bukowski. Which, in 1975, forget it — I mean, that was nuts. Hollywood would not touch any of that, but I was looking for something commercial, and I thought that all of these things were coming.

There would be no Blade Runner if there was no Ray Bradbury. I couldn’t find Philip K. Dick. His agent didn’t even know where he was. And so I gave up.

I was walking down the street and I ran into Bradbury — he directed a play that I was going to do as an actor, so we know each other, but he yelled “hi” — and I’d forgot who he was.

So at my girlfriend Barbara Hershey’s urging — I was with her at that moment — she said, “Talk to him! That guy really wants to talk to you,” and I said “No, fuck him,” and keep walking.

But then I did, and then I realized who it was, and I thought, “Wait, he’s in that realm, maybe he knows Philip K. Dick.” I said, “You know a guy named—” “Yeah, sure — you want his phone number?”

My friend paid my rent for a year while I wrote, because it turned out we couldn’t get a writer. My friends kept on me about, well, if you can’t get a writer, then you write.”
~ Hampton Fancher

“That was the most disappointing thing to me in how this thing was played. Is that I’m on the phone with you now, after all that’s been said, and the fundamental distinction between what James is dealing with in these other cases is not actually brought to the fore. The fundamental difference is that James Franco didn’t seek to use his position to have sex with anyone. There’s not a case of that. He wasn’t using his position or status to try to solicit a sexual favor from anyone. If he had — if that were what the accusation involved — the show would not have gone on. We would have folded up shop and we would have not completed the show. Because then it would have been the same as Harvey Weinstein, or Les Moonves, or any of these cases that are fundamental to this new paradigm. Did you not notice that? Why did you not notice that? Is that not something notable to say, journalistically? Because nobody could find the voice to say it. I’m not just being rhetorical. Why is it that you and the other critics, none of you could find the voice to say, “You know, it’s not this, it’s that”? Because — let me go on and speak further to this. If you go back to the L.A. Times piece, that’s what it lacked. That’s what they were not able to deliver. The one example in the five that involved an issue of a sexual act was between James and a woman he was dating, who he was not working with. There was no professional dynamic in any capacity.

~ David Simon