Awards Watch Archive for December, 2011

Critics Top Ten List 2011: Dennis Hartley

Dennis Hartley Digby’s Hullabaloo (alphabetical) Another Earth Certified Copy The Descendants 3 (Drei) Drive The First Grader Midnight in Paris Summer Wars Tinker Tailor Soldier Spy The Trip

Read the full article »

Critics Top Ten List 2011: Reverse Shot

Reverse Shot “We know this stuff is beyond silly—list-making, ranking, turning art into a form of competition—but if we’re going to do it, we have to set some sort of stable parameters, as these endeavors do create an idea of the state of the art, however superficially.” 1. The Tree of Life 2. Uncle Boonmee…

Read the full article »

Critics Top Ten List 2011: Robert Horton

Robert Horton Everett Herald “2011: Year of mystery? Sometimes it felt like it at the movies.” 1. Tinker Tailor Soldier Spy 2. Certified Copy 3. Melancholia 4. A Dangerous Method 5. Meek’s Cutoff 6. Drive 7. Uncle Boonmee Who Can Recall His Past Lives. 8. Poetry 9. Into Eternity 10. The Descendants /Le Havre

Read the full article »

Critics Top Ten List 2011: Don R. Lewis

Don R. Lewis Film Threat “I suuuuck at year end “Best Of” lists. Why? Because I take them so seriously. I could sit here and debate with myself for hours and trust me, I do.” Take Shelter We Need to Talk About Kevin Moneyball Drive Warrior I Saw the Devil Young Adult Martha Marcy May…

Read the full article »

Critics Top Ten List 2011: Andy Klein

Andy Klein Glendale News Press “There are numerous inherent flaws and absurdities in the process of compiling Top 10s and Best ofs; nonetheless, here are my favorite films released in Los Angeles in the calendar year 2011.” 1. Melancholia 2. The Artist 3. The Tree of Life 4. The Trip 5. Hugo 6. The Girl…

Read the full article » 2 Comments »

Critics Top Ten List 2011: John M. Urbancich

John M. Urbancich Sun News The Artist The Descendants Take Shelter The Tree of Life Drive Moneyball Harry Potter and the Deathly Hallows: Part 2 The Girl with the Dragon Tattoo Midnight in Paris Win Win

Read the full article »

It’s Cieply’s Turn To Surmise How The Academy’s Going To Push Paper This Year

It’s Cieply‘s Turn To Surmise How The Academy’s Going To Push Paper This Year

Read the full article »

Holden Eyeballs A Separation

Holden Eyeballs A Separation

Read the full article »

Thatcher’s Style Legacy

Thatcher’s Style Legacy

Read the full article »

Critics Top Ten List 2011: Eric Eisenberg

Eric Eisenberg Cinema Blend 1. Drive 2. 50/50 3. The Descendants 4. Shame 5. The Muppets 6. Moneyball 7. Take Shelter 8. The Guard 9. Rango 10. Conan O’Brien Can’t Stop

Read the full article »

Critics Top Ten List 2011: Patty Jones

Patty Jones Georgia Straight The Tree Of Life Melancholia Midnight In Paris Tinker Tailor Soldier Spy Bridesmaids Drive Le Havre Young Adult Hanna The Artist

Read the full article »

Critics Top Ten List 2011: Janet Smith

Janet Smith Georgia Straight Melancholia Martha Marcy May Marlene The Tree Of Life The Artist Circumstance Bridesmaids Hanna The Butcher, The Chef, and The Swordsman Hell and Back Again Beginners

Read the full article »

Critics Top Ten List 2011: Mark Harris

Mark Harris Georgia Straight Certified Copy Melancholia In a Better World Incendies Armadillo Another Year Shame Le Havre Winter in Wartime The Bang Bang Club

Read the full article »

Critics Top Ten List 2011: Steve Prokopy

Steve Prokopy Gapers Block 1. Drive 2. Martha Marcy May Marlene 3. Melancholia 4. 13 Assassins 5. Warrior 6. The Tree of Life 7. Moneyball 8. Midnight In Paris 9. The Artist 10. Young Adult

Read the full article »

Critics Top Ten List 2011: Jeremy Kirk

“The absolute best 2011 has to offer. It’s indicative of how well this year in movies has been that it was so difficult to get this list down to 10. There was a noticeable pain that came from having to cut some of those movies down to an honorable mentions list, but they are all works of cinema that are absolutely worth your time and effort.”

Read the full article »

Critics Top Ten List 2011: Matt Goldberg

” The movies on my Top Ten list became better on repeat viewings and I look forward to watching them again and again over the years.”

Read the full article »

Critics Top Ten List 2011: Josh Tyler

“To me it never matters what kind of movie it is, I’ll love it if it’s good. This list has the soul of a hero.”

Read the full article »

Dante Ferretti On Hugo

“The only thing I didn’t build was my pencil.” Dante Ferretti On Hugo

Read the full article »

Critics Top Ten List 2011: Kevin Jagernauth

Kevin Jagernauth The Playlist 1. Le Havre 2. The Artist 3. Take Shelter 4. Jane Eyre 5. The Interrupters 6. Drive 7. The Kid With A Bike 8. Shame 9. Beginners 10. The Tree Of Life

Read the full article »

Alan Rickman Looks Back On A Harry Potter Decade

Alan Rickman Looks Back On A Harry Potter Decade

Read the full article »

Awards Watch

Quote Unquotesee all »

It shows how out of it I was in trying to be in it, acknowledging that I was out of it to myself, and then thinking, “Okay, how do I stop being out of it? Well, I get some legitimate illogical narrative ideas” — some novel, you know?

So I decided on three writers that I might be able to option their material and get some producer, or myself as producer, and then get some writer to do a screenplay on it, and maybe make a movie.

And so the three projects were “Do Androids Dream of Electric Sheep,” “Naked Lunch” and a collection of Bukowski. Which, in 1975, forget it — I mean, that was nuts. Hollywood would not touch any of that, but I was looking for something commercial, and I thought that all of these things were coming.

There would be no Blade Runner if there was no Ray Bradbury. I couldn’t find Philip K. Dick. His agent didn’t even know where he was. And so I gave up.

I was walking down the street and I ran into Bradbury — he directed a play that I was going to do as an actor, so we know each other, but he yelled “hi” — and I’d forgot who he was.

So at my girlfriend Barbara Hershey’s urging — I was with her at that moment — she said, “Talk to him! That guy really wants to talk to you,” and I said “No, fuck him,” and keep walking.

But then I did, and then I realized who it was, and I thought, “Wait, he’s in that realm, maybe he knows Philip K. Dick.” I said, “You know a guy named—” “Yeah, sure — you want his phone number?”

My friend paid my rent for a year while I wrote, because it turned out we couldn’t get a writer. My friends kept on me about, well, if you can’t get a writer, then you write.”
~ Hampton Fancher

“That was the most disappointing thing to me in how this thing was played. Is that I’m on the phone with you now, after all that’s been said, and the fundamental distinction between what James is dealing with in these other cases is not actually brought to the fore. The fundamental difference is that James Franco didn’t seek to use his position to have sex with anyone. There’s not a case of that. He wasn’t using his position or status to try to solicit a sexual favor from anyone. If he had — if that were what the accusation involved — the show would not have gone on. We would have folded up shop and we would have not completed the show. Because then it would have been the same as Harvey Weinstein, or Les Moonves, or any of these cases that are fundamental to this new paradigm. Did you not notice that? Why did you not notice that? Is that not something notable to say, journalistically? Because nobody could find the voice to say it. I’m not just being rhetorical. Why is it that you and the other critics, none of you could find the voice to say, “You know, it’s not this, it’s that”? Because — let me go on and speak further to this. If you go back to the L.A. Times piece, that’s what it lacked. That’s what they were not able to deliver. The one example in the five that involved an issue of a sexual act was between James and a woman he was dating, who he was not working with. There was no professional dynamic in any capacity.

~ David Simon