Awards Watch Archive for December, 2011

Critics Top Ten List 2011: Bilge Ebiri

Bilge Ebiri 1. The Tree of Life 2. Melancholia 3. A Separation 4. Margaret 5. Psychohydrography 6. Certified Copy 7. Poetry 8. The Adventures of Tintin 9. General Orders No. 9 10. We Need to Talk about Kevin

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Thinking About Streep And The Silent Thatcher

Thinking About Streep And The Silent Thatcher

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Terry Curtis Fox Misses Contagion

Terry Curtis Fox Misses Contagion

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The Top Tens: Updated December 30

164 lists, 220 films, and The Tree of Life continues to sit on the top of the
scoreboard. As new lists come in, The Artist is closing in on the The Descendants and Tinker Tailor Soldier Spy is making a play for the top ten .. stay tuned.

See the individual Top Ten lists here.

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Critics Top Ten List 2011: Michael Compton

“Sure, there were some treasures to be found among the waves of inferior product, but it required a lot of looking and a lot of patience. “

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Critics Top Ten List 2011: James Ward

“2011 proved to be a solid year at the movies, with 14 films getting four-star reviews and 20 films getting three-and-a-half-star reviews from Diversions.”

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Critics Top Ten List 2011: Mike Giuliano

“The very best movies of the past year went back to the earliest years of cinema for their subject matter, but 100 or so years amount to just a few film frames when you consider that some of the other movies in this 10-best list went back to the dawn of time for their stories.”

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Critics Top Ten List 2011: Kevin Thomas

Kevin Thomas The Citizen X-Men: First Class Rise of the Planet of the Apes Souce Code 50/50 Water for Elephants Twilight: Breaking Dawn Part I The Muppets Soul Surfer The Lincoln Lawyer The Ides of March

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Critics Top Ten List 2011: Rene Rodriguez

“Overall, 2011 will be remembered as a mediocre year for cinema. But the bright spots burned really, really bright.”

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Critics Top Ten List 2011: Richard von Busack

“I’ll restate the obvious: Seeing a film in a plaster paradise of a grand old theater is a boutique experience vs. the live-tweeted mass viewing in a hundred spread-out households: one eye on the TV, half an eye on the smartphone.”

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Critics Top Ten List 2011: Anita Katz

Anita Katz San Francisco Examiner 1. “City of Life and Death” 2. “Hugo” 3. “Nostalgia for the Light” 4. “Bill Cunningham New York” 5. “Into the Abyss” 6. “The Tree of Life” 7. “The Cave of Forgotten Dreams” 8. “Tinker, Tailor, Soldier, Spy” 9. “The Guard” 10. “Drive”

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Critics Top Ten List 2011: Janos Gereben

Janos Gereben San Francisco Examiner 1. “A Separation” 2. “Tinker, Tailor, Soldier, Spy” 3. “The Flowers of War” 4. “Midnight in Paris” 5. “Carnage” 6. “The Mill and the Cross” 7. “Beginners” 8. “We Have a Pope” 9. “Hugo” 10. “The Adventures of Tintin”

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Critics Top Ten List 2011: Rossiter Drake

Number One: War Horse

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Critics Top Ten List 2011: Jeffrey M. Anderson

Number One: The Tree of Life

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Critics Top Ten List 2011: Duane Dudek

“In a year when the global revolution/s was/were televised, movies about movies and about the art of making art were like attempts to explore, explain or to understand the world from inside out. Certain other films tackled unconventional themes in surprising ways or told stories in voices rarely heard.”

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Critics Top Ten List 2011: Scott Feinberg

“It’s hard to believe that a black-and-white silent movie was even made in 2011; that it also turned out to be the best film of the year is simply amazing.”

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Critics Top Ten List 2011: Bob Strauss

“2011 was loaded with terrific performances, directorial high points, breathtaking sights, astute and angsty reflections of our tenuous circumstances, genre goodies and just plain good times.”

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Critics Top Ten List 2011: Andrea Gronvall

Andrea Gronvall Freelance 1.   THE INTERRUPTERS 2.   A SEPARATION 3.   INCENDIES 4.   TINKER TAILOR SOLDIER SPY 5.   A DANGEROUS METHOD 6.   CERTIFIED COPY 7.   TERRI 8.   THE KID WITH A BIKE 9.   13 ASSASSINS 10. NOSTALGIA FOR THE LIGHT

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Critics Top Ten List 2011: Tom Charity

Tom Charity CNN.com 1. Hugo 2. Margaret 3. The Descendants 4. Source Code 5. Drive 6. Melancholia 7. Nostalgia for the Light 8. Take Shelter 9. Poetry 10. Bridesmaids

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Critics Top Ten List 2011: Kiko Martinez

Kiko Martinez San Antonio Current 1. Moneyball 2. The Artist 3. The Descendants 4. The Girl with the Dragon Tattoo 5. Hugo 6. A Separation 7. Tyrannosaur 8. Martha Marcy May Marlene 9. The Tree of Life 10. Being Elmo: A Puppeteer’s Journey

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Awards Watch

Quote Unquotesee all »

It shows how out of it I was in trying to be in it, acknowledging that I was out of it to myself, and then thinking, “Okay, how do I stop being out of it? Well, I get some legitimate illogical narrative ideas” — some novel, you know?

So I decided on three writers that I might be able to option their material and get some producer, or myself as producer, and then get some writer to do a screenplay on it, and maybe make a movie.

And so the three projects were “Do Androids Dream of Electric Sheep,” “Naked Lunch” and a collection of Bukowski. Which, in 1975, forget it — I mean, that was nuts. Hollywood would not touch any of that, but I was looking for something commercial, and I thought that all of these things were coming.

There would be no Blade Runner if there was no Ray Bradbury. I couldn’t find Philip K. Dick. His agent didn’t even know where he was. And so I gave up.

I was walking down the street and I ran into Bradbury — he directed a play that I was going to do as an actor, so we know each other, but he yelled “hi” — and I’d forgot who he was.

So at my girlfriend Barbara Hershey’s urging — I was with her at that moment — she said, “Talk to him! That guy really wants to talk to you,” and I said “No, fuck him,” and keep walking.

But then I did, and then I realized who it was, and I thought, “Wait, he’s in that realm, maybe he knows Philip K. Dick.” I said, “You know a guy named—” “Yeah, sure — you want his phone number?”

My friend paid my rent for a year while I wrote, because it turned out we couldn’t get a writer. My friends kept on me about, well, if you can’t get a writer, then you write.”
~ Hampton Fancher

“That was the most disappointing thing to me in how this thing was played. Is that I’m on the phone with you now, after all that’s been said, and the fundamental distinction between what James is dealing with in these other cases is not actually brought to the fore. The fundamental difference is that James Franco didn’t seek to use his position to have sex with anyone. There’s not a case of that. He wasn’t using his position or status to try to solicit a sexual favor from anyone. If he had — if that were what the accusation involved — the show would not have gone on. We would have folded up shop and we would have not completed the show. Because then it would have been the same as Harvey Weinstein, or Les Moonves, or any of these cases that are fundamental to this new paradigm. Did you not notice that? Why did you not notice that? Is that not something notable to say, journalistically? Because nobody could find the voice to say it. I’m not just being rhetorical. Why is it that you and the other critics, none of you could find the voice to say, “You know, it’s not this, it’s that”? Because — let me go on and speak further to this. If you go back to the L.A. Times piece, that’s what it lacked. That’s what they were not able to deliver. The one example in the five that involved an issue of a sexual act was between James and a woman he was dating, who he was not working with. There was no professional dynamic in any capacity.

~ David Simon