Awards Watch Archive for January, 2013

Critics Top Ten List 2012: Cameron McAllister, Reel Georgia

1. Beasts of the Southern Wild
2. Silver Linings Playbook
3. Rust and Bone
4. Amour
5. Lincoln
6. Restoration
7. Zero Dark Thirty
8. Killing Them Softly
9. Moonrise Kingdom
10. Sound of My Voice

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Gurus o’ Gold: 8 Days Before Final Oscar Voting Begins

Lincoln still leads the Best Picture race according to The Gurus, with only one Guru voting Lincoln or Argo as anything other than #1 or #2 in the race.

Otherwise, the races haven’t changed much at all since we last saw you. The biggest move is Tarantino’s screenplay for Django Unchained up from #4 to #2 in that race.

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20W2O: 27 Days To Oscar – The Racial Thing

The movie about slavery has no Black nominees. The movie about the abolition of slavery has no Black nominees. The movie about Gulf coasters devastated by Katrina has a little girl as its only nominee. And the movie about a young Indian man has 1 Indian nominee, who happened to write lyrics for a song.

I have never felt like racial politics and The Academy Awards go together well. But I also don’t see any step forward in this year’s nominations from any other year.

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20W2O: 4 Weeks To Go – Quid Pro Quo, Clarice

I would argue – and have forever – that these groups are following the same bouncing ball as everyone else during the award season. There are years when consensus winners are quite close to undeniable. But there are usually 2 to 3 contenders who would not really be shocking winners of awards. Except for the issue of every award as a stepping stone to the next.

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2012 Guild Awards: PGA

For Theatrical Motion Pictures The Darryl F. Zanuck Award for Outstanding Producer of Theatrical Motion Pictures Argo (Warner Bros.) Producers: Ben Affleck, George Clooney, Grant Heslov The Award for Outstanding Producer of Animated Theatrical Motion Pictures Wreck-It Ralph (Walt Disney Studios Motion Pictures) Producer: Clark Spencer The Award for Outstanding Producer of Documentary Theatrical Motion…

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Mark Boal And Black Hawk Down’s Bowden Talk CIA And Zero Dark Thirty With Diane Sawyer

Mark Boal And Black Hawk Down‘s Bowden Talk CIA And Zero Dark Thirty With Diane Sawyer

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2012 Guild Awards: SAG-AFTRA

  THEATRICAL MOTION PICTURES Outstanding Performance by a Male Actor in a Leading Role DANIEL DAY-LEWIS / Abraham Lincoln – “LINCOLN” (Touchstone Pictures) Outstanding Performance by a Female Actor in a Leading Role JENNIFER LAWRENCE / Tiffany – “SILVER LININGS PLAYBOOK” (The Weinstein Company) Outstanding Performance by a Male Actor in a Supporting Role TOMMY LEE JONES /…

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Illegal Copies Of Zero Dark Thirty Popular In Pakistan

Illegal Copies Of Zero Dark Thirty Popular In Pakistan vid

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PGA Queues Up Argo

“It’s about producers.” Producers Guild Picks Argo, Sugar Man

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Gurus o’ Gold: A Month To Go

These votes have been sitting around for almost a week… but here we go with the latest Gurus votes for Picture and Director. Argo is the big mover.

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O’Hehir And Haneke Make Sweet Amour

O’Hehir And Haneke Make Sweet Amour

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Critics Top Ten List 2012: Edward Douglas, Coming Soon

1. Life of Pi
2. Searching for Sugar Man
3. The Intouchables
4. The Impossible
5. Chico and Rita
6. The Perks of Being a Wallflower
7. Skyfall
8. Samsara
9. Les Miserables
10. The Cabin in the Woods
1. Life of Pi
2. Searching for Sugar Man
3. The Intouchables
4. The Impossible
5. Chico and Rita
6. The Perks of Being a Wallflower
7. Skyfall
8. Samsara
9. Les Miserables
10. The Cabin in the Woods

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A Keen Take On The Experience Of Watching Zero Dark Thirty

“I can’t recall a big, or biggish, budget suspense film so doggedly experiential, so resistant to telling you ‘what it’s about.’” A Keen Take On The Experience Of Watching Zero Dark Thirty

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Critics Top Ten List 2012: Jeffrey Wells, Hollywood Elsewhere

1. Silver Linings Playbook/Zero Dark Thirty
3. Anna Karenina
4. Holy Motors
5. The Master
6. Amour
7. The Dark Knight Rises
8. Argo
9. Arbitrage
10. Beasts of the Southern Wild

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Mel Brooks Says Django May Shotgun Interest In Blazing Saddles Musical

Mel Brooks Says Django May Shotgun Interest In Blazing Saddles Musical

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ThiNkinNg ON DjaNgo’s LaNguage

“Not everyone accepts that overexposure is sufficient to destroy evil: some argue that “——” is too robust to be so easily disposed of.” ThiNkiNg ON DjaNgo‘s LaNguage

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Quentin’s Spit-Take Highlights Early Globes Animated GIF Litanies

Quentin’s Spit-Take Highlights Early Globes Animated GIF Litanies

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The 2012 Golden Globes

Best Motion Picture – Drama Argo Best Motion Picture – Comedy Or Musical Les Misérables Best Performance by an Actress in a Motion Picture – Drama Jessica Chastain – Zero Dark Thirty Best Performance by an Actor in a Motion Picture – Drama Daniel Day-Lewis – Lincoln Best Performance by an Actress in a Motion…

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Globes Gold For Argo, Les Mis; Speeches Highlight Night, Including Day-Lewis And Jodie Foster

“Trust me, 47 years in the film business is a long time. But tonight, I feel like the prom queen.” Globes Gold For Argo, Les Mis; Speeches Highlight Night, Including Day-Lewis And Jodie Foster

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Awards Watch

Quote Unquotesee all »

It shows how out of it I was in trying to be in it, acknowledging that I was out of it to myself, and then thinking, “Okay, how do I stop being out of it? Well, I get some legitimate illogical narrative ideas” — some novel, you know?

So I decided on three writers that I might be able to option their material and get some producer, or myself as producer, and then get some writer to do a screenplay on it, and maybe make a movie.

And so the three projects were “Do Androids Dream of Electric Sheep,” “Naked Lunch” and a collection of Bukowski. Which, in 1975, forget it — I mean, that was nuts. Hollywood would not touch any of that, but I was looking for something commercial, and I thought that all of these things were coming.

There would be no Blade Runner if there was no Ray Bradbury. I couldn’t find Philip K. Dick. His agent didn’t even know where he was. And so I gave up.

I was walking down the street and I ran into Bradbury — he directed a play that I was going to do as an actor, so we know each other, but he yelled “hi” — and I’d forgot who he was.

So at my girlfriend Barbara Hershey’s urging — I was with her at that moment — she said, “Talk to him! That guy really wants to talk to you,” and I said “No, fuck him,” and keep walking.

But then I did, and then I realized who it was, and I thought, “Wait, he’s in that realm, maybe he knows Philip K. Dick.” I said, “You know a guy named—” “Yeah, sure — you want his phone number?”

My friend paid my rent for a year while I wrote, because it turned out we couldn’t get a writer. My friends kept on me about, well, if you can’t get a writer, then you write.”
~ Hampton Fancher

“That was the most disappointing thing to me in how this thing was played. Is that I’m on the phone with you now, after all that’s been said, and the fundamental distinction between what James is dealing with in these other cases is not actually brought to the fore. The fundamental difference is that James Franco didn’t seek to use his position to have sex with anyone. There’s not a case of that. He wasn’t using his position or status to try to solicit a sexual favor from anyone. If he had — if that were what the accusation involved — the show would not have gone on. We would have folded up shop and we would have not completed the show. Because then it would have been the same as Harvey Weinstein, or Les Moonves, or any of these cases that are fundamental to this new paradigm. Did you not notice that? Why did you not notice that? Is that not something notable to say, journalistically? Because nobody could find the voice to say it. I’m not just being rhetorical. Why is it that you and the other critics, none of you could find the voice to say, “You know, it’s not this, it’s that”? Because — let me go on and speak further to this. If you go back to the L.A. Times piece, that’s what it lacked. That’s what they were not able to deliver. The one example in the five that involved an issue of a sexual act was between James and a woman he was dating, who he was not working with. There was no professional dynamic in any capacity.

~ David Simon