Awards Watch Archive for November, 2013

Critics Top Ten List 2013: Sight & Soun

Sight & Sound Contributors 1. The Act Of Killing 2. Gravity 3. Blue Is the Warmest Colour 4. The Great Beauty 5. Frances Ha 6. A Touch Of Sin 6. Upstream Color 8. The Selfish Giant 8. Norte, the End of History 10. Stranger By The Lake

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OFFICIAL SCREEN CREDITS FORMS DUE DECEMBER 2 FOR 2013 OSCARS

For a feature film to be considered for the 2013 Awards, the film’s distributor or producer must deliver an OSC form and legal billing to the Academy’s 8949 Wilshire Boulevard office by 5 p.m. PT on December 2. I

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Critics Top Ten List 2013: J. Hoberman, ARTFORUM

1. Gravity 2. “Hannah Arendt,” as embodied by Barbara Sukowa 3. Imaginary Double Projection: The Bling Ring/Computer Chess 4. Le Pont Do Nord 5. Portrait Of Jason 6. Sensory Ethnography Lab (Leviathan/People’s Park/Manakamana) 7. Triscuits, Amy Sillman 8. “Video” column, NYTimes, by Dave Kehr 9. Watching Crime and Punishment (Omirbaev’s Student/Diaz’s Norte, The End Of…

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Critics Top Ten List 2013: Erika Balsom, ARTFORUM

1. Luther Price, Oberhausen 2. A Spell To Ward Off The Darkness 3. Imitation Of Life (Poledna) 4. The Essay Film 5. Narcisa Hirsh and Michael Snow In Conversation 6. Provenance 7. Norte: The End of History 8. Out 1: Noli Me Tangere 9. A Touch Of Sin 10. They Grew Up On The Outside…

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Critics Top Ten List 2013: Amy Taubin, ARTFORUM

1. “Jean-Luc Godard: The Spirit Of The Forms” 2. A Touch Of Sin 3. Spring Breakers 4. Computer Chess 5. Outtakes From The Life Of A Happy Man 6. Only Lovers Left Alive 7. Top Of The Lake 8. The Grandmaster 9. Bastards 10. Le Joli Mai

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Critics Top Ten List 2013: John Waters, ARTFORUM

John Waters, ARTFORUM 1. Spring Breakers 2. Camile Claudel 1915 3. Abuse Of Weakness 4. Hors Satan 5. After Tiller 6. Hannah Arendt 7. Beyond The Hills 8. Blue Jasmine 9. Blackfish 10. I’m So Excited Waters’ list, is, as every year, a sweet read. In the December-January ARTFORUM!

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Gurus o’ Gold: We Would Be Thankful For…

It’s time to give thanks and to offer what we would be thankful for. The Gurus offer up their personal choices of who and what they would be thankful for in acting (male and female) and in any category they like. There are many great choices offered up here, whether they got lots of votes or few, making The Gurus especially thankful of having so many great films and performances from which to choose.

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Critics Top Ten List 2013: Cahiers du Cinema

1. Stranger by the Lake 2. Spring Breakers 3. Blue Is the Warmest Color 4. Gravity 5. A Touch of Sin 6. Lincoln 7. Jealousy 8. Nobody’s Daughter Haewon 9. Les rencontres d’après minuit 10. La bataille de Solférino

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THE 29th ANNUAL FILM INDEPENDENT SPIRIT AWARDS NOMINATIONS ANNOUNCED

 – $75,000 in grants to be awarded to filmmakers – LOS ANGELES (November 26, 2013) – Film Independent, the nonprofit arts organization that produces the Film Independent Spirit Awards, the Los Angeles Film Festival and the Film Independent at LACMA Film Series, announced nominations for the 2014 Film Independent Spirit Awards this morning. Film Independent…

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Marche On The New Wave Of Pop Culture Tackling Racism

Marche On The New Wave Of Pop Culture Tackling Racism

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Janusz Kaminski Directs 11 Short-Shorts Of Award Season Contenders

Janusz Kaminski Directs 11 Short-Shorts Of Award Season Contenders

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20W2O: What About Mandela?

At the center of the film are two performances that are, simply, undeniable. Idris Elba grabs hold of all the things that have drawn audiences to him over the last 20 years and puts it all into this telling of a life – a great man who remains a man – showing a range heretofore unasked of him. 50 years… and it never once feels like a stunt. You feel the power this man must have to lead so many so effectively for so many years.

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Blue Comedy Is A Warm Color, Too

“You don’t have to be a lesbian to know how to make love to a woman.” “Judd Apatow. I really want to meet him, he is the master of awkward situations and dialogues.” Blue Comedy Is A Warm Color, Too And – A Clip Of  Adèle Exarchopoulos On Apatow From DP/30

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Gurus o’ Gold: What If…

This week, the Gurus consider their usual Best Picture list, but then a couple of categories that don’t really exist. First, Best Screenplay, without a distinction between Original and Adapted. Then, a proposed category (which not all the Gurus agree should be created) for Best Casting of A Motion Picture.

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Esquire On Josh Oppenheimer’s Follow-Up To The Act Of Killing

Esquire On Josh Oppenheimer’s Follow-Up To The Act Of Killing

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Alexander Payne, Auteur Of The New Male Weepie

Alexander Payne, Auteur Of The New Male Weepie

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Rushfield At The Academy’s Governors Awards

“The Governors Awards are one of the highest honors an actor can receive in mid-November. So many have used the word genius tonight that I might as well say it about Steve Martin.” Rushfield At The Academy’s Governors Awards

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Nebraska Screenwriter Rob Nelson: The 9-Year Overnight Success

Nebraska Screenwriter Rob Nelson: The 9-Year Overnight Success

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Why RADiUS-TWC Thinks It Has Four Documentary Oscar Possibilities

Why RADiUS-TWC Thinks It Has Four Documentary Oscar Possibilities

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“McConaughey is known as many things—a movie star, a notorious public exerciser famous for shirtless “stretchin’,” “a genius” (according to his friend Woody Harrelson)—but what he considers himself to be first and foremost is a storyteller.”

“McConaughey is known as many things—a movie star, a notorious public exerciser famous for shirtless “stretchin’,” “a genius” (according to his friend Woody Harrelson)—but what he considers himself to be first and foremost is a storyteller.”

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Awards Watch

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It shows how out of it I was in trying to be in it, acknowledging that I was out of it to myself, and then thinking, “Okay, how do I stop being out of it? Well, I get some legitimate illogical narrative ideas” — some novel, you know?

So I decided on three writers that I might be able to option their material and get some producer, or myself as producer, and then get some writer to do a screenplay on it, and maybe make a movie.

And so the three projects were “Do Androids Dream of Electric Sheep,” “Naked Lunch” and a collection of Bukowski. Which, in 1975, forget it — I mean, that was nuts. Hollywood would not touch any of that, but I was looking for something commercial, and I thought that all of these things were coming.

There would be no Blade Runner if there was no Ray Bradbury. I couldn’t find Philip K. Dick. His agent didn’t even know where he was. And so I gave up.

I was walking down the street and I ran into Bradbury — he directed a play that I was going to do as an actor, so we know each other, but he yelled “hi” — and I’d forgot who he was.

So at my girlfriend Barbara Hershey’s urging — I was with her at that moment — she said, “Talk to him! That guy really wants to talk to you,” and I said “No, fuck him,” and keep walking.

But then I did, and then I realized who it was, and I thought, “Wait, he’s in that realm, maybe he knows Philip K. Dick.” I said, “You know a guy named—” “Yeah, sure — you want his phone number?”

My friend paid my rent for a year while I wrote, because it turned out we couldn’t get a writer. My friends kept on me about, well, if you can’t get a writer, then you write.”
~ Hampton Fancher

“That was the most disappointing thing to me in how this thing was played. Is that I’m on the phone with you now, after all that’s been said, and the fundamental distinction between what James is dealing with in these other cases is not actually brought to the fore. The fundamental difference is that James Franco didn’t seek to use his position to have sex with anyone. There’s not a case of that. He wasn’t using his position or status to try to solicit a sexual favor from anyone. If he had — if that were what the accusation involved — the show would not have gone on. We would have folded up shop and we would have not completed the show. Because then it would have been the same as Harvey Weinstein, or Les Moonves, or any of these cases that are fundamental to this new paradigm. Did you not notice that? Why did you not notice that? Is that not something notable to say, journalistically? Because nobody could find the voice to say it. I’m not just being rhetorical. Why is it that you and the other critics, none of you could find the voice to say, “You know, it’s not this, it’s that”? Because — let me go on and speak further to this. If you go back to the L.A. Times piece, that’s what it lacked. That’s what they were not able to deliver. The one example in the five that involved an issue of a sexual act was between James and a woman he was dating, who he was not working with. There was no professional dynamic in any capacity.

~ David Simon