Awards Watch Archive for November, 2013

Tracing The Long Career Of 84-Year-Old June Squibb

Tracing The Long Career Of 84-Year-Old June Squibb

Read the full article »

Weinstein Wins Philomena PG-13

“We owe this victory to Barbara Broccoli, producer of the James Bond series, Daniel Craig and Sam Mendes, who because of their relationship with Judi Dench gave permission to spoof the ratings system using the M character.” Weinstein Wins Philomena PG-13

Read the full article »

Florian Ballhaus On Photographing The Book Thief

Florian Ballhaus On Photographing The Book Thief

Read the full article »

Mark Harris Wants To Do A Polish On Best Screenplay Category

Mark Harris Wants To Do A Polish On Best Screenplay Category

Read the full article »

Gurus o’ Gold: Only Two Films Still Waiting To Be Seen

This week, The Gurus take on Best Director and Best Animated Feature in addition to the weekly look at Best Picture, which has one big move up the chart, showing that black and white isn’t always so black and white.

Read the full article » 10 Comments »

Keegan Talks With Miyazaki

Keegan Talks With Miyazaki

Read the full article »

Foundas On The Academy’s Latest Foreign-Language Film Fine-Tuning

Foundas On The Academy’s Latest Foreign-Language Film Fine-Tuning

Read the full article »

More From Nebraska’s Bruce Dern

“Why would I retire? So James Caan can get the part?” More From Nebraska‘s Bruce Dern

Read the full article »

Squibb And Dern On Nebraska And Payne

Squibb And Dern On Nebraska And Payne

Read the full article »

Tracy Letts Talks August: Osage County

Tracy Letts Talks August: Osage County

Read the full article »

Rea On Screenwriter Craig Borten’s 20-Year Push To Make Dallas Buyers Club

Rea On Screenwriter Craig Borten’s 20-Year Push To Make Dallas Buyers Club

Read the full article »

The Challenge Of Being Michael Fassbender

The Challenge Of Being Michael Fassbender

Read the full article »

20 Weeks To Oscar: The Late Game

If you read the award season coverage, you might think the season ended 2 months ago. But you’d be wrong.

It’s been a very odd season already. Toronto was loaded to the degree that when the media got as consumed as we were with 12 Years A Slave and Gravity, some strong films got overlooked and underestimated. And now, as AFI rolls out 3 or 4 more contenders – and renewing interest in some of the earlier festivals’ films – things are bubbling up.

Read the full article » 11 Comments »

Gurus o’ Gold: Let The Games Begin!!!

The Gurus are back with their weekly chart, from now until the week before the Oscar ceremony.

This week, Best Picture and all the acting categories.

Read the full article » 13 Comments »

A Further Comprehensive Look At The FX Of Gravity

A Further Comprehensive Look At The FX Of Gravity

Read the full article »

Does Netflix Want An Oscar For The Square?

Does Netflix Want An Oscar For The Square? And – The Original LAT Report

Read the full article »

Awards Watch

Quote Unquotesee all »

It shows how out of it I was in trying to be in it, acknowledging that I was out of it to myself, and then thinking, “Okay, how do I stop being out of it? Well, I get some legitimate illogical narrative ideas” — some novel, you know?

So I decided on three writers that I might be able to option their material and get some producer, or myself as producer, and then get some writer to do a screenplay on it, and maybe make a movie.

And so the three projects were “Do Androids Dream of Electric Sheep,” “Naked Lunch” and a collection of Bukowski. Which, in 1975, forget it — I mean, that was nuts. Hollywood would not touch any of that, but I was looking for something commercial, and I thought that all of these things were coming.

There would be no Blade Runner if there was no Ray Bradbury. I couldn’t find Philip K. Dick. His agent didn’t even know where he was. And so I gave up.

I was walking down the street and I ran into Bradbury — he directed a play that I was going to do as an actor, so we know each other, but he yelled “hi” — and I’d forgot who he was.

So at my girlfriend Barbara Hershey’s urging — I was with her at that moment — she said, “Talk to him! That guy really wants to talk to you,” and I said “No, fuck him,” and keep walking.

But then I did, and then I realized who it was, and I thought, “Wait, he’s in that realm, maybe he knows Philip K. Dick.” I said, “You know a guy named—” “Yeah, sure — you want his phone number?”

My friend paid my rent for a year while I wrote, because it turned out we couldn’t get a writer. My friends kept on me about, well, if you can’t get a writer, then you write.”
~ Hampton Fancher

“That was the most disappointing thing to me in how this thing was played. Is that I’m on the phone with you now, after all that’s been said, and the fundamental distinction between what James is dealing with in these other cases is not actually brought to the fore. The fundamental difference is that James Franco didn’t seek to use his position to have sex with anyone. There’s not a case of that. He wasn’t using his position or status to try to solicit a sexual favor from anyone. If he had — if that were what the accusation involved — the show would not have gone on. We would have folded up shop and we would have not completed the show. Because then it would have been the same as Harvey Weinstein, or Les Moonves, or any of these cases that are fundamental to this new paradigm. Did you not notice that? Why did you not notice that? Is that not something notable to say, journalistically? Because nobody could find the voice to say it. I’m not just being rhetorical. Why is it that you and the other critics, none of you could find the voice to say, “You know, it’s not this, it’s that”? Because — let me go on and speak further to this. If you go back to the L.A. Times piece, that’s what it lacked. That’s what they were not able to deliver. The one example in the five that involved an issue of a sexual act was between James and a woman he was dating, who he was not working with. There was no professional dynamic in any capacity.

~ David Simon