Awards Watch Archive for December, 2013

Critics Top Ten List 2013: Bill Goodykuntz, Arizona Republic

1. 12 Years A Slave 2. Her 3. Stories We Tell 4. Gravity 5. American Hustle 6. Enough Said 7. The Act Of Killing 8. The Wolf Of Wall Street 9. Upstream Color 10. Dallas Buyers Club

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Critics Top Ten List 2013: Guy Lodge, In Contention

1. Gravity 2. The Selfish Giant 3. Under The Skin 4. The Immigrant 5. Mother Of George 6. Child’s Pose 7. Tom at the Farm 8. Frances Ha 9. Blue is the Warmest Color 10. The Heat

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Critics Top Ten List 2013: Joshua Rothkopf, Time Out New York

1. Inside Llewyn Davis 2. American Hustle 3. Blue Jasmine 4. Stories We Tell 5. The Great Beauty 6. All Is Lost 7. 12 Years A Slave 8. The Conjuring 9. Before Midnight 10. Spring Breakers

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Critics Top Ten List 2013: Robert Greene, Sight & Sound

1. The Act of Killing 2. The Last Station 3. Massive Attack vs Adam Curtis 4. These Birds Walk 5. Sleepless Nights 6. Museum Hours 7. 12 O’Clock Boys 8. Stories We Tell 9. Pablo’s Winter 10. Manakamana 11. Caucus 12. Big Men 13. Sickfuckpeople 14. At Berkeley 15. Cutie and the Boxer 16. The…

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Critics Top Ten List 2013: Cheryl Eddy, SF Bay Guardian

1. The Act of Killing 2. 12 Years a Slave 3. Gravity 4. American Hustle 5. Upstream Color 6. Museum Hours 7. Spring Breakers 8. Frances Ha 9. Computer Chess 10. Fruitvale Station

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Critics Top Ten List 2013: Rob Christopher, Chicagoist

Alphabetical Amour Before Midnight Blue Jasmine Computer Chess Double Play: James Benning and Richard Linklater Gravity Like Someone in Love The Pervert’s Guide to Ideology Portrait of Jason 12 Years a Slave

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Critics Top Ten List 2013: Jonathan Romney, Film Comment

1. The Great Beauty 2. Upstream Color 3. Camille Claudel 1915 4. The Act of Killing 5. Inside Llewyn Davis 6. Norte, the End of History 7. Exhibition 8. In Bloom 9. The Last Time I Saw Macao 10. Spring Breakers

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Critics Top Ten List 2013: Dave Trumbore, Collider

1. This Is the End 2. The World’s End 3. Pacific Rim 4. Man of Steel 5. Monsters University 6. You’re Next 7. The Wolverine 8. Short Term 12 9. Blackfish 10. Getaway

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Critics Top Ten List 2013: Jessica Kiang, The Playlist

1. The Act of Killing 2. Upstream Color 3. Blue is the Warmest Color 4. Inside Llewyn Davis 5. Gravity 6. Borgman 7. Gloria 8. Blue Caprice 9. Death of a Man in the Balkans 10. The Wolf of Wall Street

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Critics Top Ten List 2013: Caryn James, James on Screens

1. Her 2. 12 Years a Slave 3. Nebraska 4. Inside Llewyn Davis 5. The Wolf of Wall St. Director Martin Scorsese 6. American Hustle 7. The Invisible Woman 8. The Broken Circle Breakdown 9. Top of the Lake 10. The Selfish Giant

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Critics Top Ten List 2013: Leonard Maltin, Leonard Maltin’s Movie Crazy

1. Mud 2. Gravity 3. Nebraska 4. The Place Beyond the Pines 5. Saving Mr. Banks 6. Dallas Buyers Club 7. Enough Said 8. Short Term 12 9. Blue Jasmine 10. Fruitvale Station

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Critics Top Ten List 2013: Sam Adams, Criticwire

1. Upstream Color 2. 12 Years a Slave 3. Room 237 4. No 5. The Spectacular Now 6. Before Midnight 7. Bastards 8. In a World 9. Crystal Fairy 10. The Wolf of Wall Street

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Critics Top Ten List 2013: Anne Thompson, Thompson On Hollywood

1. Gravity 2. Nebraska 3. 12 Years a Slave 4. Captain Phillips 5. Short Term 12 6. Before Midnight 7. Her 8. Enough Said 9. Fruitvale Station 10. Ain’t Them Bodies Saints

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Critics Top Ten 2013: Bryce Renninger, indieWIRE

1. Inside Llewyn Davis 2. Her 3. Gasland Part II 4. Cutie and the Boxer 5. After Tiller 6. Blue Jasmine 7. Leviathan 8. The Act of Killing 9. Frances Ha 10. Enough Said

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Critics Top Ten List 2013: Peter Knegt, indieWIRE

1. Inside Llewyn Davis 2. Her 3. Before Midnight 4. Frances Ha 5. Gravity 6. Stories We Tell 7. 12 Years a Slave 8. The Act of Killing 9. This is the End 10. Blue is the Warmest Color

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Critics Top Ten List 2013: Dana Harris, indieWIRE

Alphabetical 12 Years a Slave The Act of Killing American Hustle Gravity Her Short Term 12 Stories We Tell Sun Don’t Shine Wadjda The Wolf of Wall Street

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Critics Top Ten List 2013: Brad Brevet, Rope Of Silicon

1. Her 2. Inside Llewyn Davis 3. Before Midnight 4. Laurence Anyways 5. All Is Lost 6. Lone Survivor 7. The Hunt 8. Side Effects 9. Prisoners 10. Short Term 12

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Critics Top Ten List 2013: Michael Medved, The Michael Medved Show

1. American Hustle 2. August: Osage County 3. 12 Years A Slave 4. Gravity 5. Rush 6. Nebraska 7. The Place Beyond the Pines 8. Captain Phillips 9. Monsters University 10. About Time

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Critics Top Ten List 2013: Ethan Alter, Movies Without Pity

1. Inside Llewyn Davis 2. Before Midnight 3. Tim’s Vermeer 4. 12 Years a Slave 5. Her 6. Gravity 7. The World’s End 8. Something in the Air 9. Spring Breakers 10. A Hijacking/Captain Phillips

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Critics Top Ten List 2013: Drew McWeeny, Hitfix

1. Her 2. Before Midnight 3. Short Term 12 4. The Wolf Of Wall Street 5. Gravity 6. 12 Years A Slave 7. Spring Breakers 8. Inside Llewyn Davis 9. Stories We Tell 10. Cheap Thrills

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Awards Watch

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It shows how out of it I was in trying to be in it, acknowledging that I was out of it to myself, and then thinking, “Okay, how do I stop being out of it? Well, I get some legitimate illogical narrative ideas” — some novel, you know?

So I decided on three writers that I might be able to option their material and get some producer, or myself as producer, and then get some writer to do a screenplay on it, and maybe make a movie.

And so the three projects were “Do Androids Dream of Electric Sheep,” “Naked Lunch” and a collection of Bukowski. Which, in 1975, forget it — I mean, that was nuts. Hollywood would not touch any of that, but I was looking for something commercial, and I thought that all of these things were coming.

There would be no Blade Runner if there was no Ray Bradbury. I couldn’t find Philip K. Dick. His agent didn’t even know where he was. And so I gave up.

I was walking down the street and I ran into Bradbury — he directed a play that I was going to do as an actor, so we know each other, but he yelled “hi” — and I’d forgot who he was.

So at my girlfriend Barbara Hershey’s urging — I was with her at that moment — she said, “Talk to him! That guy really wants to talk to you,” and I said “No, fuck him,” and keep walking.

But then I did, and then I realized who it was, and I thought, “Wait, he’s in that realm, maybe he knows Philip K. Dick.” I said, “You know a guy named—” “Yeah, sure — you want his phone number?”

My friend paid my rent for a year while I wrote, because it turned out we couldn’t get a writer. My friends kept on me about, well, if you can’t get a writer, then you write.”
~ Hampton Fancher

“That was the most disappointing thing to me in how this thing was played. Is that I’m on the phone with you now, after all that’s been said, and the fundamental distinction between what James is dealing with in these other cases is not actually brought to the fore. The fundamental difference is that James Franco didn’t seek to use his position to have sex with anyone. There’s not a case of that. He wasn’t using his position or status to try to solicit a sexual favor from anyone. If he had — if that were what the accusation involved — the show would not have gone on. We would have folded up shop and we would have not completed the show. Because then it would have been the same as Harvey Weinstein, or Les Moonves, or any of these cases that are fundamental to this new paradigm. Did you not notice that? Why did you not notice that? Is that not something notable to say, journalistically? Because nobody could find the voice to say it. I’m not just being rhetorical. Why is it that you and the other critics, none of you could find the voice to say, “You know, it’s not this, it’s that”? Because — let me go on and speak further to this. If you go back to the L.A. Times piece, that’s what it lacked. That’s what they were not able to deliver. The one example in the five that involved an issue of a sexual act was between James and a woman he was dating, who he was not working with. There was no professional dynamic in any capacity.

~ David Simon