Awards Watch Archive for December, 2013

Critics Top Ten List 2013: Germain Lussier, Slashfilm

1. Short Term 12 2. Inside Llewyn Davis 3. 12 Years a Slave 4. Stories We Tell 5. This is the End 6. The Wolf of Wall Street 7. Gravity 8. Before Midnight 9. Her 10. Monsters University

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Critics Top Ten List 2013: Angie Han, Slashfilm

1. Before Midnight 10. Blue Jasmine 2. The World’s End 3. Short Term 12 4. Only Lovers Left Alive 5. The Spectacular Now 6. Gravity 7. Inside Llewyn Davis 8. Her 9. Pain & Gain

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Critics Top Ten List 2013: Alexander Huls

1. Her 2. Before Midnight 3. Inside Llewyn Davis 4. 12 Years a Slave 5. The Act of Killing 6. Frances Ha 7. Upstream Color 8. Drug War 9. The Wolf of Wall Street 10. Leviathan

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Critics Top Ten List 2013: James McNally, Toronto Screen Shots

1. Frances Ha 2. The Act of Killing 3. The Square 4. Club Sandwich 5. Stories We Tell 6. Upstream Color 7. Nebraska 8. Blue Jasmine 9 .The Strange Little Cat 10. These Birds Walk

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Critics Top Ten List 2013: Leora Heilbronn, IONCinema

1. 12 Years a Slave 2. Her 3. Spring Breakers 4. Frozen 5. Captain Phillips 6. Stoker 7. Upstream Color 8. Mud 9. Bastards 10. Nebraska

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Critics Top Ten List 2013: Kirk Haviland, Dork Shelf

1. Her 2. The Wolf of Wall Street 3. 12 Years a Slave 4. The Battery 5. The Way Way Back 6. Spring Breakers 7. Stoker 8. The World’s End 9. Why Don’t You Play in Hell 10. Short Term 12

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Critics Top Ten List 2013: Andrew Parker

1. Her 2. 12 Years a Slave 3. This is Martin Bonner 4. The Wolf of Wall Street 5. Inside Llewyn Davis 6. Museum Hours 7. The Act of Killing 8. A Touch of Sin 9. All the Light in the Sky 10. Frances Ha

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Critics Top Ten List 2013: Will Sloan

1. The Act of Killing 2. All is Lost 3. Drug War 4. The Grandmaster 5. Inside Llewyn Davis 6. Spring Breakers 7. To the Wonder 8. A Touch of Sin 9. 12 Years a Slave 10. The Wolf of Wall Street

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Critics Top Ten List 2013: John Semley, NOW Toronto

1. Inside Llewyn Davis 2. The Act of Killing 3. Room 237 4. A Touch Of Sin 5. The Wolf Of Wall Street 6. Her 7. The World’s End 8. Something In The Air 9. Computer Chess 10. Leviathan

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Critics Top Ten List 2013: Sean Rogers

1. Before Midnight 2. Leviathan / Tristan und Isolde 3. The Grandmaster 4. Bastards 5. The Act of Killing 6. Spring Breakers 7. Computer Chess 8. Something in the Air 9. Drug War 10. Museum Hours

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Critics Top Ten List 2013: Angelo Muredda, Film Freak Central, Torontoist

1. Inside Llewyn Davis 2. Museum Hours 3. Bastards 4. Spring Breakers 5. Leviathan 6. Drug War 7. Computer Chess 8. Like Someone in Love 9. The Act of Killing 10. The Grandmaster

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Critics Top Ten List 2013: Tina Hassannia, Slant

1. 12 Years a Slave 2. Leviathan 3. The Wolf of Wall Street 4. Inside Llewyn Davis 5. Her 6. Spring Breakers 7. The Unspeakable Act 8. At Berkeley 9. Museum Hours 10. A Touch of Sin

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Critics Top Ten List 2013: Calum Marsh

1. Her 2. Leviathan 3. Museum Hours 4. The World’s End 5. Inside Llewyn Davis 6. 12 Years a Slave 7. Spring Breakers 8. Drug War 9. At Berkeley 10. Like Someone in Love

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Critics Top Ten List 2013: Julian Carrington, Torontoist

1. Spring Breakers 2. Neighboring Sounds 3. Museum Hours 4. The Act of Killing 5. A Touch of Sin 6. Inside Llewyn Davis 7. Stranger by the Lake 8. Leviathan 9. Let the Fire Burn 10. Nebraska

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Critics Top Ten List 2013: Brian Robertson, The Seventh Art

1. Post Tenebras Lux 2. Her 3. The Act of Killing 4. Inside Llewyn Davis 5. The Wolf Of Wall Street 6. Paradise: Love 7. Faust 8. No 9. Frances Ha 10. Like Someone in Love

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Critics Top Ten List 2013: Christopher Heron, The Seventh Art, Dork Shelf

1. Story of My Death 2. The Strange Little Cat 3. Leviathan 4. Inside Llewyn Davis 5. The Wolf of Wall Street 6. At Berkeley 7. Bastards 8. Mille soleils 9. Norte, The End of History 10. A Field in England

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Critics Top Ten List 2013: Alan Jones, Toronto Standard

1. Bound 2 2. Spring Breakers 3. American Horror Story: Coven 4. The Act of Killing 5. Only God Forgives 6. Enemy 7. Tower 8. Pain and Gain / The Wolf Of Wall Street 9. 12 Years a Slave 10. Asphalt Watches

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Critics Top Ten List 2013: Blake Williams, IONCinema, blogTO

1. The Three Disasters 2. The Strange Little Cat 3. The Woolworths Choir of 1979 4. Dusty Stacks of Mom: The Poster Project 5. Computer Chess 6. The Realist 7. MANAKAMANA 8. Auto-Collider XVIII 9. Stranger by the Lake 10. Stray Dogs

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Critics Top Ten List 2013: David Davidson, Toronto Film Review

1. Dallas Buyers Club 2. The Oxbow Cure 3. Star Trek Into Darkness 4. A Touch of Sin 5. L’Inconnu du Lac 6. Behind the Candelabra 7. River 8. La última película 9. La Vie d’Adèle 10. Inside Llewyn Davis

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Critics Top Ten List 2013: Chris Hewitt, St. Paul Pioneer Press

1. Gravity 2. Before Midnight 3. Stories We Tell 4. Mud 5. The Grandmaster 6. 12 Years a Slave 7. Short Term 12 8. Prisoners 9. V/H/S/2 10. The Past

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Awards Watch

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It shows how out of it I was in trying to be in it, acknowledging that I was out of it to myself, and then thinking, “Okay, how do I stop being out of it? Well, I get some legitimate illogical narrative ideas” — some novel, you know?

So I decided on three writers that I might be able to option their material and get some producer, or myself as producer, and then get some writer to do a screenplay on it, and maybe make a movie.

And so the three projects were “Do Androids Dream of Electric Sheep,” “Naked Lunch” and a collection of Bukowski. Which, in 1975, forget it — I mean, that was nuts. Hollywood would not touch any of that, but I was looking for something commercial, and I thought that all of these things were coming.

There would be no Blade Runner if there was no Ray Bradbury. I couldn’t find Philip K. Dick. His agent didn’t even know where he was. And so I gave up.

I was walking down the street and I ran into Bradbury — he directed a play that I was going to do as an actor, so we know each other, but he yelled “hi” — and I’d forgot who he was.

So at my girlfriend Barbara Hershey’s urging — I was with her at that moment — she said, “Talk to him! That guy really wants to talk to you,” and I said “No, fuck him,” and keep walking.

But then I did, and then I realized who it was, and I thought, “Wait, he’s in that realm, maybe he knows Philip K. Dick.” I said, “You know a guy named—” “Yeah, sure — you want his phone number?”

My friend paid my rent for a year while I wrote, because it turned out we couldn’t get a writer. My friends kept on me about, well, if you can’t get a writer, then you write.”
~ Hampton Fancher

“That was the most disappointing thing to me in how this thing was played. Is that I’m on the phone with you now, after all that’s been said, and the fundamental distinction between what James is dealing with in these other cases is not actually brought to the fore. The fundamental difference is that James Franco didn’t seek to use his position to have sex with anyone. There’s not a case of that. He wasn’t using his position or status to try to solicit a sexual favor from anyone. If he had — if that were what the accusation involved — the show would not have gone on. We would have folded up shop and we would have not completed the show. Because then it would have been the same as Harvey Weinstein, or Les Moonves, or any of these cases that are fundamental to this new paradigm. Did you not notice that? Why did you not notice that? Is that not something notable to say, journalistically? Because nobody could find the voice to say it. I’m not just being rhetorical. Why is it that you and the other critics, none of you could find the voice to say, “You know, it’s not this, it’s that”? Because — let me go on and speak further to this. If you go back to the L.A. Times piece, that’s what it lacked. That’s what they were not able to deliver. The one example in the five that involved an issue of a sexual act was between James and a woman he was dating, who he was not working with. There was no professional dynamic in any capacity.

~ David Simon