Awards Watch Archive for December, 2013

20 Weeks To Oscar: Why Amy Adams Deserves To a Win Best Actress This Year (Spoilers)

American Hustle is about the human condition. And almost everyone in the film is on some kind of con. At the center of the emotional parallelogram of the film is Sydney Prosser, played by Amy Adams. She is not a good girl. She is perfectly willing to play the game… whatever game will get her where she needs to get right now.

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The Top Ten Lists: 2013

With more than 70 lists, there are 146 films on the scorecard. There’s a lot of agreement in the top spots, with Gravity still leading the lists, but a few are climbing the chart. Dallas Buyers Club and Short Term 12 break the top 20.

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Critics Top Ten List 2013: David Hudson, Fandor

Fandor 1. Before Midnight 2. The Act of Killing 3. The Wolf of Wall Street 4. Das merkwürdige Kätzchen (The Strange Little Cat) 5. The Unspeakable Act 6. Gravity 7. A Touch of Sin 8. Vic + Flo ont vu un ours (Vic + Flo Saw a Bear) 9. 12 Years a Slave 10. Pardé…

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Critics Top Ten List 2013: Glenn Lovell, Cinema Dope

CD 1. Side Effects 2. The Great Gatsby 3. All Is Lost 4. Don Jon 5. The Hunt 6. Simon Killer 7. 12 Years a Slave 8. Dallas Buyers Club / Mud 9. Blue Is the Warmest Color 10. Nebraska

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Critics Top Ten List 2013: Connie Ogle, Miami Herald

1. Her 2. 12 Years a Slave 3. Gravity 4. Before Midnight 5. Enough Said 6. Much Ado About Nothing 7. Blue Jasmine 8. American Hustle 9. Frances Ha 10. Star Trek

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Critics Top Ten List 2013: Rene Rodriguez, Miami Herald

MH 1. Her 2. Inside Llewyn Davis 3. 12 Years a Slave 4. After Lucia 5. The Act of Killing 6. Before Midnight 7. Only God Forgives 8. American Hustle 9. Short Term 12 10. The Wolf of Wall Street

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Critics Top Ten List 2013: James Verniere, Boston Herald

BH Alphabetical. 12 Years a Slave All Is Lost Blue Jasmine Caesar Must Die Gravity Inside Llewyn Davis Leviathan Nebraska Philomena The Wolf of Wall Street”

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Critics Top Ten List 2013: John Serba, Grand Rapids Press

MLIVE 1. Gravity 2. Inside Llewyn Davis 3. Her 4. 12 Years a Slave 5. The Act of Killing 6. Captain Phillips 7. The Wolf of Wall Street 8. Spring Breakers 9. All Is Lost 10. Blue Jasmine

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Critics Top Ten List 2013: Scott Feinberg, THR

THR 1. Gravity 2. Short Term 12 3. Inside Llewyn Davis 4. The Wolf of Wall Street 5. 12 Years a Slave 6. Blue Is the Warmest Color 7. All Is Lost 8. The Hunt 9. 20 Feet From Stardom 10. Gimme the Loot

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Critics Top Ten List 2013: Michael Smith, Tulsa World

TW 1. American Hustle 2. All is Lost 3. Blue Jasmine 4. Gravity 5. Her 6. Prisoners 7. The East 8. The Hunger Games: Catching Fire 9. The Spectacular Now 10. August: Osage County

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Critics Top Ten List 2013: Roger Moore

link 1. The Dallas Buyers Club 2. Gravity 3. Captain Phillips 4. Fruitvale Station 5. Her 6. 12 Years a Slave 7. Nebraska 8. All Is Lost 9. American Hustle 10. Saving Mr. Banks

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Critics Top Ten List 2013: Dennis King, The Oklahoman

TO All Is Lost American Hustle Cutie and the Boxer Frances Ha Inside Llewyn Davis Kiss the Water Nebraska Stories We Tell The Place Beyond the Pines This Is the End/The World’s End

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Critics Top Ten List 2013: Gene Triplett, The Oklahoman

TO 1. 12 Years a Slave 2. American Hustle 3. August: Osage County 4. Inside Llewyn Davis 6. Nebraska 7. Dallas Buyer’s Club 8. All Is Lost 9. The Place Beyond the Pines 10. Mud

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Critics Top Ten List 2013: Peter Biskind

1. 12 Years a Slave 2. American Hustle 3. The Past 4. Blue Is the Warmest Color 5. Fruitvale Station

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Critics Top Ten List 2013: Gerald Peary

GP 1. The Wolf of Wall Street 2. To the Wonder 3. This is the End 4. Sun Don’t Shine 5. No 6. Blackfish 7. The Act of Killing 8. Fill the Void 9. Afternoon Delight 10. Paradise: Love

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Critics Top Ten List 2013: Kiva Reardon, cléo Journal

1. Vic+Flo Saw a Bear 2. Before Midnight 3. Bastards 4. A Touch of Sin 5. Inside Llewyn Davis 6. Museum Hours 7. In a World… 8. Leviathan 9. Neighboring Sounds 10. The Oxbow Cure

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Critics Top Ten List 2013: Eugene Hernandez

FSLC 1. Museum Hours 2. Inside Llewyn Davis 3. An Oversimplification of Her Beauty 4. 12 Years a Slave 5. The Act of Killing 6. The Wolf of Wall Street 7. Downeast 8. These Birds Walk 9. At Berkeley 10. Leviathan

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Critics Top Ten List 2013: Brian Brooks FilmLinc Daily

FSLC 1. 12 Years A Slave 2. The Wolf Of Wall Street 3. The Act Of Killing 4. Blue Is The Warmest Color 5. Frances Ha 6. Wadjda 7. Inside Llewyn Davis 8. The Square 9. Nebraska 10. I Killed My Mother

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Critics Top Ten List 2013: Jon Lekich, Georgia Straight

GS 1. Blue Jasmine 2. Caesar Must Die 3. Captain Phillips 4. Enough Said 5. Kings of Summer 6. Much Ado About Nothing 7. Mud 8. Nebraska 9. Out of the Furnace 10. Rush

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Critics Top Ten List 2013: Patty Jones, Georgia Straight

GS 1. American Hustle 2. Nebraska 3. Gravity 4. Blue Jasmine 5. Frances Ha 6. Before Midnight 7. Spring Breakers 8. Short Term 12 9. This Is the End 10. The Wolf of Wall Street

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Awards Watch

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It shows how out of it I was in trying to be in it, acknowledging that I was out of it to myself, and then thinking, “Okay, how do I stop being out of it? Well, I get some legitimate illogical narrative ideas” — some novel, you know?

So I decided on three writers that I might be able to option their material and get some producer, or myself as producer, and then get some writer to do a screenplay on it, and maybe make a movie.

And so the three projects were “Do Androids Dream of Electric Sheep,” “Naked Lunch” and a collection of Bukowski. Which, in 1975, forget it — I mean, that was nuts. Hollywood would not touch any of that, but I was looking for something commercial, and I thought that all of these things were coming.

There would be no Blade Runner if there was no Ray Bradbury. I couldn’t find Philip K. Dick. His agent didn’t even know where he was. And so I gave up.

I was walking down the street and I ran into Bradbury — he directed a play that I was going to do as an actor, so we know each other, but he yelled “hi” — and I’d forgot who he was.

So at my girlfriend Barbara Hershey’s urging — I was with her at that moment — she said, “Talk to him! That guy really wants to talk to you,” and I said “No, fuck him,” and keep walking.

But then I did, and then I realized who it was, and I thought, “Wait, he’s in that realm, maybe he knows Philip K. Dick.” I said, “You know a guy named—” “Yeah, sure — you want his phone number?”

My friend paid my rent for a year while I wrote, because it turned out we couldn’t get a writer. My friends kept on me about, well, if you can’t get a writer, then you write.”
~ Hampton Fancher

“That was the most disappointing thing to me in how this thing was played. Is that I’m on the phone with you now, after all that’s been said, and the fundamental distinction between what James is dealing with in these other cases is not actually brought to the fore. The fundamental difference is that James Franco didn’t seek to use his position to have sex with anyone. There’s not a case of that. He wasn’t using his position or status to try to solicit a sexual favor from anyone. If he had — if that were what the accusation involved — the show would not have gone on. We would have folded up shop and we would have not completed the show. Because then it would have been the same as Harvey Weinstein, or Les Moonves, or any of these cases that are fundamental to this new paradigm. Did you not notice that? Why did you not notice that? Is that not something notable to say, journalistically? Because nobody could find the voice to say it. I’m not just being rhetorical. Why is it that you and the other critics, none of you could find the voice to say, “You know, it’s not this, it’s that”? Because — let me go on and speak further to this. If you go back to the L.A. Times piece, that’s what it lacked. That’s what they were not able to deliver. The one example in the five that involved an issue of a sexual act was between James and a woman he was dating, who he was not working with. There was no professional dynamic in any capacity.

~ David Simon