Awards Watch Archive for January, 2016

The Complete 22nd Annual SAG Awards List

Outstanding Film and Television Performances Honored at the 22nd Annual Screen Actors Guild Awards® LOS ANGELES (Jan. 30, 2016) —The Screen Actors Guild Awards® presented its coveted Actor® statuettes for the outstanding motion picture and primetime television performances of 2015 at the 22nd Annual Screen Actors Guild Awards® held Saturday, Jan. 30 at the Los…

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“MAD MAX: FURY ROAD,” “THE BIG SHORT” AND “INSIDE OUT” WIN BIG AT THE 66TH ANNUAL ACE EDDIE AWARDS RECOGNIZING THE BEST FILM EDITING OF THE YEAR

Beverly Hills, January 29 – “Mad Max: Fury Road” (edited by Margaret Sixel) and “The Big Short” (edited by Hank Corwin, ACE) won Best Edited Feature Film (Dramatic) and Best Edited Feature Film (Comedy) respectively at the 66th Annual ACE Eddie Awards tonight where trophies were handed out recognizing the best editing of 2015 in ten…

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20 Weeks To Oscar: The Race & Race – Part 3: All Fixed

This has been an unpleasant week. And yet, there should be unrestrained celebration amongst all Academy members and all believers in efforts to seek greater (and ultimately achieve) racial and gender diversity in all film industry organizations, including The Academy.

So what is the problem?

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Gurus o’ Gold: The Week After Nominations

Things seem to be firming up in the top 8 categories. The Gurus offer their Top 2 in each of the categories, except for Picture. (Also worth noting – voting was done before nominee Rampling made her statements about race and Oscar.)

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20 Weeks To Oscar: The Race & Race – Part 2: Four Suggestions To “Fix” The Academy

This is where we are… the third season in the last six without a “black” film or black actor nominated. That was background… here is the foreground. Three small but perhaps important suggestions about how to “fix” the problem at The Academy. And then one last suggestion that I think may actually be the most actionable and helpful of the lot.

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20 Weeks To Oscar: The Race & Race – Part 1: Expectations

This is the first of a series examining the issue of Race and The Academy Of Motion Picture Arts & Sciences. It follows a Gurus o’ Gold special edition that charted the history of the Gurus voting for Best Picture over the course of the season.

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Gurus o’ Gold Special: The Trajectory Of The Season

With all the controversy around the Oscar voting, we thought we would take a look at how we got to nominations Thursday. The chart shows where the contenders were, in the minds of The Gurus, in the 10 weeks of voting, from August’s pre-festival vote until the week that voting closed. We hope it is enlightening.

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Gurus o’ Gold: Nomination Day (part 1 of 2)

The Gurus (well, most of us) are back with our insta-take on where the Oscar nominees will fall. If The Gurus are right, it looks like The Revenant and Mad Max: Fury Road will be battling it out for the most wins, while another film wins the big prize.

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Gurus o’ Gold: Nomination Day (part 2 of 2)

back to part 1

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The Nomination Reactions

“Champagne and Mezcal will run tonight!” The Nomination Reactions

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Nomination Reactions

“I am sitting in a coffee shop with my mum and just found out I have an Oscar nomination. Feeling very overwhelmed and just can’t believe it. Better pick out a gown.” – Sam Smith “I am in London and just heard the good news! We gave it our all on this film and this…

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20 Weeks To Oscar: Nomination Morning

This morning is what has been missing from this season so far… this was, in an instant, The Great Settling… which usually occurs in mid-December or so. Or as a director once said (it’s been attributed to so many), they didn’t finish Oscar nominations, they took them away. Another week or two and they could have changed again (by 10% – 20%… not completely).

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The Oscar Nominations – By Film

The Oscar Nominations – By Film

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Oscar Nominees – By Film

45 Years 1 Nomination Actress in a Leading Role – Charlotte Rampling The 100-Year-Old Man Who Climbed out the Window and Disappeared 1 Nomination Makeup and Hairstyling – Love Larson and Eva von Bahr Amy 1 Nomination Documentary (Feature) – Asif Kapadia and James Gay-Rees Anomalisa 1 Nomination Animated Feature Film – Charlie Kaufman, Duke…

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88TH OSCARS® NOMINATIONS ANNOUNCED

LOS ANGELES, CA – Academy President Cheryl Boone Isaacs, Guillermo del Toro, John Krasinski and Ang Lee announced the 88th Academy Awards® nominations today (January 14). Del Toro and Lee announced the nominees in 11 categories at 5:30 a.m. PT, followed by Boone Isaacs and Krasinski for the remaining 13 categories at 5:38 a.m. PT,…

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Make-up Artists And Hair Stylists Guild Nominates…

NOMINATIONS ANNOUNCED FOR THE MAKE-UP ARTISTS AND HAIR STYLISTS GUILD (MUAHS) 2016 ANNUAL AWARDS RECOGNIZING OUTSTANDING ACHIEVEMENTS IN MOTION PICTURES, TELEVISION, COMMERCIALS AND LIVE THEATER Ceremony to Take Place February 20, 2016 at Paramount Studios Johnny Depp to Present Lifetime Achievement Awards LOS ANGELES, Jan. 13, 2016 – Nominees for the Make-Up Artists and Hair…

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The Look of Silence Wins Three at 9th Annual Cinema Eye Honors

Joshua Oppenheimer’s Follow-Up to Act of Killing Named Outstanding Feature, Direction, Production Amy’s Chris King Wins Unprecedented 3rd Prize for Editing Meru Receives 2 / Cartel Land, Heart of a Dog, Montage of Heck and The Wolfpack all Win Awards   January 13, 2015, Astoria, Queens, New York – The Look of Silence was the…

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ASC Spotlight Nominates…

American Society of Cinematographers Nominates Beasts of No Nation, Macbeth and Son of Saul for Spotlight Award LOS ANGELES (January 13, 8:00 a.m. PST) —The American Society of Cinematographers (ASC) has nominated three cinematographers for the 2016 Spotlight Award, which recognizes outstanding cinematography in feature-length projects that are screened at festivals, internationally, or in limited…

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6 Weeks To Oscar: Parsing, Peak Award Season, and The Alleged Seven

We have all allowed the award season to become a gaping, hungry maw that leads to… the starting line. Which is insane, when you think about it. If we are at Peak Award Season Bullshit, let’s all get out the GPSes and plan a course for a change. The movies deserve it.

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Visual Effects Society 2015 Nominations

Led by “Star Wars: The Force Awakens.”

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Awards Watch

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It shows how out of it I was in trying to be in it, acknowledging that I was out of it to myself, and then thinking, “Okay, how do I stop being out of it? Well, I get some legitimate illogical narrative ideas” — some novel, you know?

So I decided on three writers that I might be able to option their material and get some producer, or myself as producer, and then get some writer to do a screenplay on it, and maybe make a movie.

And so the three projects were “Do Androids Dream of Electric Sheep,” “Naked Lunch” and a collection of Bukowski. Which, in 1975, forget it — I mean, that was nuts. Hollywood would not touch any of that, but I was looking for something commercial, and I thought that all of these things were coming.

There would be no Blade Runner if there was no Ray Bradbury. I couldn’t find Philip K. Dick. His agent didn’t even know where he was. And so I gave up.

I was walking down the street and I ran into Bradbury — he directed a play that I was going to do as an actor, so we know each other, but he yelled “hi” — and I’d forgot who he was.

So at my girlfriend Barbara Hershey’s urging — I was with her at that moment — she said, “Talk to him! That guy really wants to talk to you,” and I said “No, fuck him,” and keep walking.

But then I did, and then I realized who it was, and I thought, “Wait, he’s in that realm, maybe he knows Philip K. Dick.” I said, “You know a guy named—” “Yeah, sure — you want his phone number?”

My friend paid my rent for a year while I wrote, because it turned out we couldn’t get a writer. My friends kept on me about, well, if you can’t get a writer, then you write.”
~ Hampton Fancher

“That was the most disappointing thing to me in how this thing was played. Is that I’m on the phone with you now, after all that’s been said, and the fundamental distinction between what James is dealing with in these other cases is not actually brought to the fore. The fundamental difference is that James Franco didn’t seek to use his position to have sex with anyone. There’s not a case of that. He wasn’t using his position or status to try to solicit a sexual favor from anyone. If he had — if that were what the accusation involved — the show would not have gone on. We would have folded up shop and we would have not completed the show. Because then it would have been the same as Harvey Weinstein, or Les Moonves, or any of these cases that are fundamental to this new paradigm. Did you not notice that? Why did you not notice that? Is that not something notable to say, journalistically? Because nobody could find the voice to say it. I’m not just being rhetorical. Why is it that you and the other critics, none of you could find the voice to say, “You know, it’s not this, it’s that”? Because — let me go on and speak further to this. If you go back to the L.A. Times piece, that’s what it lacked. That’s what they were not able to deliver. The one example in the five that involved an issue of a sexual act was between James and a woman he was dating, who he was not working with. There was no professional dynamic in any capacity.

~ David Simon