Awards Watch Archive for January, 2016

Alliance of Women Film Journalists Announce 2015 EDA Award Winners

Spotlight, Spotlight, Spotlight.

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CINEMA AUDIO SOCIETY ANNOUNCES NOMINATIONS FOR THE 52nd CAS AWARDS

CINEMA AUDIO SOCIETY ANNOUNCES NOMINATIONS FOR THE 52nd CAS AWARDS FOR OUTSTANDING ACHIEVEMENT IN SOUND MIXING FOR 2015 AND THE  CAS TECHNICAL ACHIEVEMENT AWARD NOMINATIONS Los Angeles, Tuesday January 12, 2016 — The Cinema Audio Society announces the nominees for the 52nd Annual CAS Awards for Outstanding Achievement in Sound Mixing for 2015 in six categories and…

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11 Tech And Scientific Achievements To Receive Oscar

11 SCIENTIFIC AND TECHNICAL ACHIEVEMENTS TO BE HONORED WITH ACADEMY AWARDS LOS ANGELES, CA – The Academy of Motion Picture Arts and Sciences today announced that 10 scientific and technical achievements represented by 33 individual award recipients will be honored at its annual Scientific and Technical Awards Presentation on Saturday, February 13, at the Beverly Wilshire…

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The 2015 BAFTA Nominations

NOMINATIONS ANNOUNCED FOR THE EE BRITISH ACADEMY FILM AWARDS IN 2016 2015 NOMINATIONS (presented in 2016) BEST FILM THE BIG SHORT Dede Gardner, Jeremy Kleiner, Brad Pitt BRIDGE OF SPIES Kristie Macosko Krieger, Marc Platt, Steven Spielberg CAROL Elizabeth Karlsen, Christine Vachon, Stephen Woolley THE REVENANT Steve Golin, Alejandro G. Iñárritu, Arnon Milchan, Mary Parent,…

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Central Ohio Film Critics Association Goes For Spotlight

Spotlight shines at 14th annual Central Ohio Film Critics Association awards (Columbus, January 7, 2016) Tom McCarthy’s investigative dramaSpotlight has been named Best Film in the Central Ohio Film Critics Association’s 14th annual awards, which recognize excellence in the film industry for 2015.  The film also claimed three other awards. McCarthy was honored as Best…

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Gurus o’ Gold: Down To The Nomination Wire…

For a very confused season, things seem to be coming into focus, at least for the Gurus. Opinions are firming up on 8 Best Picture candidates. The Big Short is the big mover, rising to contention in a number of categories and even the top slot for Adapted Screenplay. Carol has suffered from a lack of guild nominations. And only one category seems wide open, even for the 5-slot… Supporting Actress. But will it all change again?

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It shows how out of it I was in trying to be in it, acknowledging that I was out of it to myself, and then thinking, “Okay, how do I stop being out of it? Well, I get some legitimate illogical narrative ideas” — some novel, you know?

So I decided on three writers that I might be able to option their material and get some producer, or myself as producer, and then get some writer to do a screenplay on it, and maybe make a movie.

And so the three projects were “Do Androids Dream of Electric Sheep,” “Naked Lunch” and a collection of Bukowski. Which, in 1975, forget it — I mean, that was nuts. Hollywood would not touch any of that, but I was looking for something commercial, and I thought that all of these things were coming.

There would be no Blade Runner if there was no Ray Bradbury. I couldn’t find Philip K. Dick. His agent didn’t even know where he was. And so I gave up.

I was walking down the street and I ran into Bradbury — he directed a play that I was going to do as an actor, so we know each other, but he yelled “hi” — and I’d forgot who he was.

So at my girlfriend Barbara Hershey’s urging — I was with her at that moment — she said, “Talk to him! That guy really wants to talk to you,” and I said “No, fuck him,” and keep walking.

But then I did, and then I realized who it was, and I thought, “Wait, he’s in that realm, maybe he knows Philip K. Dick.” I said, “You know a guy named—” “Yeah, sure — you want his phone number?”

My friend paid my rent for a year while I wrote, because it turned out we couldn’t get a writer. My friends kept on me about, well, if you can’t get a writer, then you write.”
~ Hampton Fancher

“That was the most disappointing thing to me in how this thing was played. Is that I’m on the phone with you now, after all that’s been said, and the fundamental distinction between what James is dealing with in these other cases is not actually brought to the fore. The fundamental difference is that James Franco didn’t seek to use his position to have sex with anyone. There’s not a case of that. He wasn’t using his position or status to try to solicit a sexual favor from anyone. If he had — if that were what the accusation involved — the show would not have gone on. We would have folded up shop and we would have not completed the show. Because then it would have been the same as Harvey Weinstein, or Les Moonves, or any of these cases that are fundamental to this new paradigm. Did you not notice that? Why did you not notice that? Is that not something notable to say, journalistically? Because nobody could find the voice to say it. I’m not just being rhetorical. Why is it that you and the other critics, none of you could find the voice to say, “You know, it’s not this, it’s that”? Because — let me go on and speak further to this. If you go back to the L.A. Times piece, that’s what it lacked. That’s what they were not able to deliver. The one example in the five that involved an issue of a sexual act was between James and a woman he was dating, who he was not working with. There was no professional dynamic in any capacity.

~ David Simon