Awards Watch Archive for January, 2017

Honorary Oscars Go To 18 Scientific And Technical Achievements

The Academy of Motion Picture Arts and Sciences announced today that 18 scientific and technical achievements represented by 34 individual award recipients, as well as five organizations, will be honored at its annual Scientific and Technical Awards Presentation on Saturday, February 11, 2017 at the Beverly Wilshire in Beverly Hills. “This year we are particularly…

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Writers Guild Nominations 2016

SCREENPLAY NOMINEES ORIGINAL SCREENPLAY Hell or High Water, Written by Taylor Sheridan; CBS Films La La Land, Written by Damien Chazelle; Lionsgate Loving, Written by Jeff Nichols; Focus Features Manchester by the Sea, Written by Kenneth Lonergan; Amazon Studios/Roadside Attractions Moonlight, Written by Barry Jenkins, Story by Tarell McCraney; A24 ADAPTED SCREENPLAY Arrival, Screenplay by…

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Online Film Critics Society Announces Winners

2016 ONLINE FILM CRITICS SOCIETY AWARDS – WINNERS PRESS RELEASE The powerful coming-of-age drama Moonlight dominated the 2016 Online Film Critics Society Awards, winning a total of four awards out of seven nominations. The film beat out competition from La La Land, Arrival, Jackie and Manchester by the Sea amongst others to be named Best…

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American Cinema Editors Nominate

NOMINEES ANNOUNCED FOR THE 67TH ANNUAL ACE EDDIE AWARDS RECOGNIZING THE BEST EDITING OF THE YEAR IN FILM, TELEVISION AND DOCUMENTARIES American Cinema Editors (ACE) today announced nominations for the 67th Annual ACE Eddie Awards recognizing outstanding editing in ten categories of film, television and documentaries.  Winners will be revealed during ACE’s annual black-tie awards ceremony…

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It shows how out of it I was in trying to be in it, acknowledging that I was out of it to myself, and then thinking, “Okay, how do I stop being out of it? Well, I get some legitimate illogical narrative ideas” — some novel, you know?

So I decided on three writers that I might be able to option their material and get some producer, or myself as producer, and then get some writer to do a screenplay on it, and maybe make a movie.

And so the three projects were “Do Androids Dream of Electric Sheep,” “Naked Lunch” and a collection of Bukowski. Which, in 1975, forget it — I mean, that was nuts. Hollywood would not touch any of that, but I was looking for something commercial, and I thought that all of these things were coming.

There would be no Blade Runner if there was no Ray Bradbury. I couldn’t find Philip K. Dick. His agent didn’t even know where he was. And so I gave up.

I was walking down the street and I ran into Bradbury — he directed a play that I was going to do as an actor, so we know each other, but he yelled “hi” — and I’d forgot who he was.

So at my girlfriend Barbara Hershey’s urging — I was with her at that moment — she said, “Talk to him! That guy really wants to talk to you,” and I said “No, fuck him,” and keep walking.

But then I did, and then I realized who it was, and I thought, “Wait, he’s in that realm, maybe he knows Philip K. Dick.” I said, “You know a guy named—” “Yeah, sure — you want his phone number?”

My friend paid my rent for a year while I wrote, because it turned out we couldn’t get a writer. My friends kept on me about, well, if you can’t get a writer, then you write.”
~ Hampton Fancher

“That was the most disappointing thing to me in how this thing was played. Is that I’m on the phone with you now, after all that’s been said, and the fundamental distinction between what James is dealing with in these other cases is not actually brought to the fore. The fundamental difference is that James Franco didn’t seek to use his position to have sex with anyone. There’s not a case of that. He wasn’t using his position or status to try to solicit a sexual favor from anyone. If he had — if that were what the accusation involved — the show would not have gone on. We would have folded up shop and we would have not completed the show. Because then it would have been the same as Harvey Weinstein, or Les Moonves, or any of these cases that are fundamental to this new paradigm. Did you not notice that? Why did you not notice that? Is that not something notable to say, journalistically? Because nobody could find the voice to say it. I’m not just being rhetorical. Why is it that you and the other critics, none of you could find the voice to say, “You know, it’s not this, it’s that”? Because — let me go on and speak further to this. If you go back to the L.A. Times piece, that’s what it lacked. That’s what they were not able to deliver. The one example in the five that involved an issue of a sexual act was between James and a woman he was dating, who he was not working with. There was no professional dynamic in any capacity.

~ David Simon