The Top Tens – Critics Pages

Critics Top Ten List 2014: Jay Kuehner

1. Goodbye to Language (Jean-Luc Godard) 2. A Spell to Ward Off the Darkness (Ben Russell and Ben Rivers) 3. Jealousy (Philippe Garrel) 4. The Strange Little Cat (Ramon Zürcher) 5. Boyhood (Richard Linklater) 6. Ida (Pawel Pawlikowski) 7. Two Days, One Night (Jean-Pierre Dardenne and Luc Dardenne) 8. Winter Sleep (Nuri Bilge Ceylan) 9….

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Critics Top Ten List 2014: Jonathan Kiefer

[in alphabetical order] 1. Blue Ruin (Jeremy Saulnier) 2. Boyhood (Richard Linklater) 3. Calvary (John Michael McDonagh) 4. Force Majeure (Ruben Östlund) 5. The Grand Budapest Hotel (Wes Anderson) 6. Happy Christmas (Joe Swanberg) 7. Land Ho! (Aaron Katz and Martha Stephens) 8. Listen Up Philip (Alex Ross Perry) 9. Night Moves (Kelly Reichardt) 10….

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Critics Top Ten List 2014: Tarah Judah

1. A Girl Walks Home Alone at Night (Ana Lily Amirpour) 2. Boyhood (Richard Linklater) 3. Ida (Pawel Pawlikowski) 4. Two Days, One Night (Jean-Pierre and Luc Dardenne) 5. Winter Sleep (Nuri Bilge Ceylan) 6. The Babadook (Jennifer Kent) 7. Maps to the Stars (David Cronenberg) 8. Blue Ruin (Jeremy Saulnier) 9. John Wick (Chad…

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Critics Top Ten List 2014: Eugene Hernandez

1. Citizenfour (Laura Poitras) 2. Inherent Vice (Paul Thomas Anderson) 3. Love Is Strange (Ira Sachs) 4. Stranger by the Lake (Alain Guiraudie) 5. The Grand Budapest Hotel (Wes Anderson) 6. Only Lovers Left Alive (Jim Jarmusch) 7. Snowpiercer (Bong Joon Ho) 8. A Girl Walks Home Alone at Night (Ana Lily Amirpour) 9. Manakamana…

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Critics Top Ten List 2014: Dennis Harvey

[in no order of preference] Birdman (Alejandro González Iñárritu) Boyhood (Richard Linklater) The Dance of Reality (Alejandro Jodorowsky) Foxcatcher (Bennett Miller) Ida (Pawel Pawlikowski) Inherent Vice (Paul Thomas Anderson) Like Father, Like Son (Hirokazu Koreeda) Love Is Strange (Ira Sachs) Omar (Hany Abu-Assad) Snowpiercer (Bong Joon-ho) Via Fandor.

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Critics Top Ten List 2014: Brandon Harris

[in no order of preference other than top film] Under the Skin (Jonathan Glazer) Heli (Amat Escalante) The Immigrant (James Gray) Birdman (Alejandro González Iñárritu) Whiplash (Damien Chazelle) Inherent Vice (Paul Thomas Anderson) Land Ho! (Martha Stephens and Aaron Katz) Leviathan (Andrey Zvyagintsev) Force Majeure (Ruben Östlund) Enemy (Denis Villeneuve) Goodbye to All That (Angus…

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Critics Top Ten List 2014: Tomas Hachard

1. Only Lovers Left Alive (Jim Jarmusch) 2. Force Majeure (Ruben Östlund) 3. Two Days, One Night (Luc and Jean-Pierre Dardenne) 4. Boyhood (Richard Linklater) 5. Under the Skin (Jonathan Glazer) 6. Norte, the End of History (Lav Diaz) 7. Listen Up Philip (Alex Ross Perry) 8. We Are the Best! (Lukas Moodysson) 9. Ida…

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Critics Top Ten List 2014: Pam Grady

1. Locke (Steven Knight) 2. Inherent Vice (Paul Thomas Anderson) 3. Grand Budapest Hotel (Wes Anderson) 4. Ida (Pawel Pawlikowski) 5. Frank (Lenny Abrahamson) 6. The Way He Looks (Daniel Ribeiro) 7. Jodorowsky’s Dune (Frank Pavich) 8. Force Majeure (Ruben Östlund) 9. Whiplash (Damien Chazelle) 10. Cold in July (Jim Mickle) Via Fandor.

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Critics Top Ten List 2014: Jaime Grijalba

1. Snowpiercer (Bong Joon-ho) 2. Interstellar (Christopher Nolan) 3. Goodbye to Language (Jean-Luc Godard) 4. Why Don’t You Play in Hell? (Sion Sono) 5. Boyhood (Richard Linklater) 6. Guilty of Romance (Sion Sono) 7. The Dance of Reality (Alejandro Jodorowsky) 8. Only Lovers Left Alive (Jim Jarmusch) 9. Gone Girl (David Fincher) 10. The Grand…

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Critics Top Ten List 2014: David Ehrenstein

1. Love Is Strange (Ira Sachs) 2. The Imitation Game (Morten Tyldum) 3. Goodbye to Language (Jean-Luc Godard) 4. Finding Vivian Maier (Charles Siskel, John Maloof) 5. Dear White People (Justin Simien) 6. Still Alice (Wash Westmoreland, Richard Glatzer) 7. The Grand Budapest Hotel (Wes Anderson) 8. The David Whiting Story or The Cesar Romero…

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Critics Top Ten List 2014: Brian Darr

1. Goodbye to Language (Jean-Luc Godard) 2. Citizenfour (Laura Poitras) 3. Interstellar (Christopher Nolan) 4. Vic + Flo Saw A Bear (Denis Côté) 5. The Immigrant (James Gray) 6. Abuse of Weakness (Catherine Breillat) 7. The Grand Budapest Hotel (Wes Anderson) 8. The Dance of Reality (Alejandro Jodorowsky) 9. Manakamana (Stephanie Spray and Pacho Velez)…

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Critics Top Ten List 2014: Jordan Cronk

1. Story of My Death (Albert Serra) 2. Goodbye to Language (Jean-Luc Godard) 3. Norte, the End of History (Lav Diaz) 4. Stray Dogs (Tsai Ming-liang) 5. Stranger by the Lake (Alain Guiraudie) 6. Closed Curtain (Jafar Panahi) 7. What Now? Remind Me (Joaquim Pinto) 8. Life of Riley (Alain Resnais) 9. The Last of…

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Critics Top Ten List 2014: Adam Cook

1. Journey to the West (Tsai Ming-liang) 2. The Tale of Princess Kaguya (Isao Takahata) 3. Goodbye to Language (Jean-Luc Godard) 4. The Grand Budapest Hotel (Wes Anderson) 5. Jealousy (Philippe Garrel) 6. Boyhood (Richard Linklater) 7. Pompeii (Paul W.S. Anderson) 8. Don t Go Breaking My Heart 2 (Johnnie To) 9. Jersey Boys (Clint…

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Critics Top Ten List 2014: Chuck Bowen

Via Fandor. 1. Mr. Turner (Mike Leigh) 2. The Immigrant (James Gray) 3. Cheap Thrills (E.L. Katz) 4. Inherent Vice (Paul Thomas Anderson) 5. Life of Riley (Alain Resnais) 6. The Grand Budapest Hotel (Wes Anderson) 7. Low Down (Jeff Preiss) 8. Stranger by the Lake (Alain Guiraudie) 9. National Gallery (Frederick Wiseman) 10. Under…

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Critics Top Ten List 2014: Miriam Bale

Miriam Bale 1. Inherent Vice (Paul Thomas Anderson) 2. Maps to the Stars (David Cronenberg) 3. The Tale of Princess Kaguya (Isao Takahata) 4. Gone Girl (David Fincher) 5. Belle (Amma Asante) 6. Goodbye to Language (Jean-Luc Godard) 7. Listen Up Philip (Alex Ross Perry) 8. Under the Skin (Jonathan Glazer) 9. Jealousy (Philippe Garrel)…

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Critics Top Ten List 2014: Robert Greene

The Talkhouse, Sight & Sound Top 10 nonfiction films released in the US in 2014: 1. National Gallery (Wiseman) 2. Manakamana (Spray/Velez) 3. The Overnighters (Moss) 4. Tales Of The Grim Sleeper (Broomfield) 5. Stop The Pounding Heart (Minervini) 6. Big Men (Boynton) 7. 20,000 Days On Earth (Forsyth/Pollard) 8. CITIZENFOUR (Poitras) 9. Maidan (Loznitsa)…

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Critics Top Ten List 2014: Bret Easton Ellis

The Talkhouse 1. Boyhood 2. Leviathan 3. Force Majeure 4. Birdman 5. The Last of the Unjust 6. Nymphomaniac 7. Listen Up Phillip 8. Stranger By the Lake 9. Omar 10. Gone Girl

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Critics Top Ten List 2014: Carrie Rickey

CarrieRickey.com Alphabetically: Belle Beyond the Lights Birdman Citizenfour Ida Kids For Cash Laggies Selma Top Five Whiplash

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Critics Top Ten List 2014: Michael Atkinson

Via Fandor 1. Maidan 2. Manakamana 3. Goodbye to Language 4. Closed Curtain 5. Heli 6. Winter Sleep 7. Manuscripts Don’t Burn 8. Birdman 9. Citizenfour 10. Under the Skin

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Critics Top Ten List 2014: Sean Axmaker

Via Fandor 1. Boyhood 2. Gone Girl 3. The Grand Budapest Hotel 4. The Immigrant 5. Only Lovers Left Alive 6. Ida 7. The Babadook 8. Under the Skin 9. Night Moves 10. Snowpiercer

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Quote Unquotesee all »

It shows how out of it I was in trying to be in it, acknowledging that I was out of it to myself, and then thinking, “Okay, how do I stop being out of it? Well, I get some legitimate illogical narrative ideas” — some novel, you know?

So I decided on three writers that I might be able to option their material and get some producer, or myself as producer, and then get some writer to do a screenplay on it, and maybe make a movie.

And so the three projects were “Do Androids Dream of Electric Sheep,” “Naked Lunch” and a collection of Bukowski. Which, in 1975, forget it — I mean, that was nuts. Hollywood would not touch any of that, but I was looking for something commercial, and I thought that all of these things were coming.

There would be no Blade Runner if there was no Ray Bradbury. I couldn’t find Philip K. Dick. His agent didn’t even know where he was. And so I gave up.

I was walking down the street and I ran into Bradbury — he directed a play that I was going to do as an actor, so we know each other, but he yelled “hi” — and I’d forgot who he was.

So at my girlfriend Barbara Hershey’s urging — I was with her at that moment — she said, “Talk to him! That guy really wants to talk to you,” and I said “No, fuck him,” and keep walking.

But then I did, and then I realized who it was, and I thought, “Wait, he’s in that realm, maybe he knows Philip K. Dick.” I said, “You know a guy named—” “Yeah, sure — you want his phone number?”

My friend paid my rent for a year while I wrote, because it turned out we couldn’t get a writer. My friends kept on me about, well, if you can’t get a writer, then you write.”
~ Hampton Fancher

“That was the most disappointing thing to me in how this thing was played. Is that I’m on the phone with you now, after all that’s been said, and the fundamental distinction between what James is dealing with in these other cases is not actually brought to the fore. The fundamental difference is that James Franco didn’t seek to use his position to have sex with anyone. There’s not a case of that. He wasn’t using his position or status to try to solicit a sexual favor from anyone. If he had — if that were what the accusation involved — the show would not have gone on. We would have folded up shop and we would have not completed the show. Because then it would have been the same as Harvey Weinstein, or Les Moonves, or any of these cases that are fundamental to this new paradigm. Did you not notice that? Why did you not notice that? Is that not something notable to say, journalistically? Because nobody could find the voice to say it. I’m not just being rhetorical. Why is it that you and the other critics, none of you could find the voice to say, “You know, it’s not this, it’s that”? Because — let me go on and speak further to this. If you go back to the L.A. Times piece, that’s what it lacked. That’s what they were not able to deliver. The one example in the five that involved an issue of a sexual act was between James and a woman he was dating, who he was not working with. There was no professional dynamic in any capacity.

~ David Simon