The Top Tens – Critics Pages

Critics Top Ten List 2014: Ella Taylor

Via Fandor. Ella Taylor 1. Winter Sleep (Nuri Bilge Ceylan) 2. Leviathan (Andrey Zviagintsev) 3. Gloria (Sebastián Lelio) 4. Bethlehem (Yuval Adler) 5. Boyhood (Richard Linklater) 6. Gett (Ronit and Shlomi Elkabetz) 7. Foxcatcher (Bennet MIller) 8. We are the Best! (Lukas Moodysson) 9. The Tale of The Princess Kaguya (Isao Takahata) 10. The Last…

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Critics Top Ten Lists: Bob Mondello

NPR 1. Boyhood 2. Birdman 3. The Grand Budapest Hotel 4. Mr. Turner 5. Citizenfour 6. Selma 7. Leviathan 8. Two Days, One Night 9. Force Majeure 10. Love Is Strange

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Critics Top Ten Lists 2014: Kenneth Turan

Los Angeles Times 1. Mr. Turner (at random) American Sniper A Most Violent Year Edge Of Tomorrow Guardians Of The Galaxy Child’s Pose Force Majeure Ida Like Father, Like Son The Lunchbox Foxcatcher The Grand Budapest Hotel The Imitation Game The Theory Of Everything Interstellar Locke

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Critics Top Ten List 2014: David Hudson

Fandor Keyframe 1. Boyhood 2. Goodbye to Language 3. Citizenfour 4. Winter Sleep 5. Phoenix 6. Under the Skin 7. The Grand Budapest Hotel 8. Mr. Turner 9. Journey to the West 10. Beloved Sisters

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Critics Top Ten List 2014: Scott Mendelson

Forbes Nightcrawler (and alphabetical) Beyond The Lights Birdman Edge Of Tomorrow The Fault In Our Stars The Grand Budapest Hotel Guardians Of The Galaxy How To Train Your Dragon 2 John Wick The LEGO Movie Selma Snowpiercer Whiplash

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Critics Top Ten List 2014: Matthew Lucas

The Dispatch, Lexington, NC 1. THE IMMIGRANT 2. UNDER THE SKIN 3. THE GRAND BUDAPEST HOTEL 4. THE LAST OF THE UNJUST 5. THE TALE OF PRINCESS KAGUYA 6. BOYHOOD 7. GOODBYE TO LANGUAGE 8. TWO DAYS, ONE NIGHT 9. MR. TURNER 10. AMERICAN SNIPER

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Critics Top Ten List 2014: Jami Philbrick

I Am Rogue Birdman Battered Bastards of Baseball Guardians of the Galaxy Nightcrawler Whiplash Captain America: Winter Soldier Inherent Vice Grand Budapest Hotel Only Lovers Left ALive Selma  

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Critics Top Ten List 2014: John Urbancich

Cleveland.com 1. Whiplash 2. Boyhood 3. Locke 4. The Grand Budapest Hotel 5. Calvary 6. Get on Up 7. The Theory of Everything 8. Selma 9. Birdman 10. Life Itself / Glen Campbell: I’ll Be Me

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Critics Top Ten Lists 2014: Andrew O’Hehir

Slate 1. Boyhood 2. Leviathan 3. Inherent Vice 4. Winter Sleep 6. The Homesman 7. Under the Skin 8. Snowpiercer 9. The Grand Budapest Hotel 10. The Immigrant 11. A Girl Walks Home Alone at Night 12. 20,000 Days on Earth

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Critics Top Ten List 2014: Erik Davis

Movies.com 1. Whiplash 2. Boyhood 3. Nightcrawler 4. The Grand Budapest Hotel 5. The Lego Movie 6. Birdman 7. Selma 8. Wild 9. Top Five 10. Edge of Tomorrow

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Critics Top Ten List 2014: Peter Labuza

The Film Stage 1. Jealousy 2. Goodbye to Language 3. Two Days, One Night 4. The Grand Budapest Hotel 5. Listen Up Philip 6. John Wick 7. Manakamana 8. Boyhood 9. The Immigrant / Inherent Vice / Jersey Boys 10. Abuse of Weakness

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Critics Top Ten List 2014: Michael Phillips

Chicago Tribune 1. Boyhood 2. The Grand Budapest Hotel3 3. Winter Sleep 4. Whiplash 5. The Lego Movie 6. Listen Up Philip 7. Force Majeure 8. Mr. Turner 9. Dear White People 10. Heaven Knows What

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Critics Top Ten List 2014: Tim Grierson

Deadspin 1. Boyhood 2. The Overnighters 3. Under the Skin 4. The Unknown Known 5. Mr. Turner 6. Foxcatcher 7. Night Moves 8. The Grand Budapest Hotel 9. Dawn of the Planet of the Apes 10. Manuscripts Don’t Burn

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Critics Top Ten List 2014: Will Leitch

Deadspin 1. Boyhood 2. A Most Wanted Man 3. Stand Clear of the Closing Doors 4. Under the Skin 5. Birdman 6. Whiplash 7. American Sniper 8. The Raid 2 9. Gone Girl 10. Only Lovers Left Alive

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Critics Top Ten List 2014 Todd McCarthy

THR 1. LEVIATHAN 2. ONLY LOVERS LEFT ALIVE 3. BIRDMAN 5. BOYHOOD 6. FOXCATCHER 7. WILD TALES 8. A MOST VIOLENT YEAR 9. SELMA 10. THE GRAND BUDAPEST HOTEL

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Critics Top Ten List 2014 Borys Kit

THR 1. Dawn of the Planet of the Apes 2. Guardians of the Galaxy 3. Snowpiercer 4. The Lego Movie 5. Captain America: The Winter Soldier 6. How to Train Your Dragon 2 7. The Raid 2 8. Edge of Tomorrow/X-Men: Days of Future Past 9. The Guest 10. Jodorowsky’s Dune

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Critics Top Ten List 2014: Al Alexander

The Patriot Ledger 1. BOYHOOD 2. WHIPLASH 3. LEVIATHAN 4. TWO DAYS, ONE NIGHT 5. THE GRAND BUDAPEST HOTEL 6. LIFE ITSELF 7. THE BABADOOK 8. WE ARE THE BEST! 9. GONE GIRL 10. AMERICAN SNIPER/THE IMITATION GAME

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Critics Top Ten List 2014: Dana Barbuto

The Patriot-Ledger 1. AMERICAN SNIPER 2. BOYHOOD 3. GONE GIRL 4. MR. TURNER and THE IMITATION GAME 5. A MOST VIOLENT YEAR 6. GUARDIANS OF THE GALAXY 7. SELMA 8. THE LEGO MOVIE 9. BIRDMAN 10. LOCKE and THE DROP

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Critics Top Ten List 2014: Sean Means

Salt Lake Tribune 1. Selma 2. Boyhood 3. Birdman 4. The LEGO Movie 5. The Grand Budapest Hotel 6. Obvious Child 7. Snowpiercer 8. Edge of Tomorrow 9. Gone Girl 10. The Overnighters

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Critics Top Ten List 2014: Gerald Peary

Fuse 1. Leviathan 2. Nightcrawler 3. Two Days, One Night (Belgium) 4. Boyhood 5. The Skeleton Twins 6. Foxcatcher 7. Whiplash 8. Zero Motivation 9. Mommy 10. Ida

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Quote Unquotesee all »

It shows how out of it I was in trying to be in it, acknowledging that I was out of it to myself, and then thinking, “Okay, how do I stop being out of it? Well, I get some legitimate illogical narrative ideas” — some novel, you know?

So I decided on three writers that I might be able to option their material and get some producer, or myself as producer, and then get some writer to do a screenplay on it, and maybe make a movie.

And so the three projects were “Do Androids Dream of Electric Sheep,” “Naked Lunch” and a collection of Bukowski. Which, in 1975, forget it — I mean, that was nuts. Hollywood would not touch any of that, but I was looking for something commercial, and I thought that all of these things were coming.

There would be no Blade Runner if there was no Ray Bradbury. I couldn’t find Philip K. Dick. His agent didn’t even know where he was. And so I gave up.

I was walking down the street and I ran into Bradbury — he directed a play that I was going to do as an actor, so we know each other, but he yelled “hi” — and I’d forgot who he was.

So at my girlfriend Barbara Hershey’s urging — I was with her at that moment — she said, “Talk to him! That guy really wants to talk to you,” and I said “No, fuck him,” and keep walking.

But then I did, and then I realized who it was, and I thought, “Wait, he’s in that realm, maybe he knows Philip K. Dick.” I said, “You know a guy named—” “Yeah, sure — you want his phone number?”

My friend paid my rent for a year while I wrote, because it turned out we couldn’t get a writer. My friends kept on me about, well, if you can’t get a writer, then you write.”
~ Hampton Fancher

“That was the most disappointing thing to me in how this thing was played. Is that I’m on the phone with you now, after all that’s been said, and the fundamental distinction between what James is dealing with in these other cases is not actually brought to the fore. The fundamental difference is that James Franco didn’t seek to use his position to have sex with anyone. There’s not a case of that. He wasn’t using his position or status to try to solicit a sexual favor from anyone. If he had — if that were what the accusation involved — the show would not have gone on. We would have folded up shop and we would have not completed the show. Because then it would have been the same as Harvey Weinstein, or Les Moonves, or any of these cases that are fundamental to this new paradigm. Did you not notice that? Why did you not notice that? Is that not something notable to say, journalistically? Because nobody could find the voice to say it. I’m not just being rhetorical. Why is it that you and the other critics, none of you could find the voice to say, “You know, it’s not this, it’s that”? Because — let me go on and speak further to this. If you go back to the L.A. Times piece, that’s what it lacked. That’s what they were not able to deliver. The one example in the five that involved an issue of a sexual act was between James and a woman he was dating, who he was not working with. There was no professional dynamic in any capacity.

~ David Simon