Gurus o’ Gold Archive for November, 2010

Gurus o’ Gold: True Grit Week – Episode One

This is Round 1 of 2 rounds of voting this week, as True Grit rolls out for most of the Gurus. Will it change the complexion of the race? Tune back in on Friday to see, as The Gurus vote on all of the Top 8 categories. Today, Winter’s Bone moves into a Top Ten tie.

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Black Swan: Mirrors

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Gurus o’ Gold – November 23, 2010

Happy Thanksgiving all. Some votes have changed and three films have fallen off The Chart, but the Top Ten remains unchanged from last week. This week’s special categories are Unexpected Nods I’d Be Thankful For and a pair of categories in memory of Ronni Chasen.

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Gurus o’ Gold – November 16, 2010

The Gurus have landed on their regular weekly date, Tuesday, but no changes in Best Picture since last week. But they are looking at the Supporting Acting races, with veterans up front and a youthful newcomer in each category. Plus, they look at the Globes’ Best Comedy/Musical race, offering 18 possible candidates.

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Gurus o’ Gold – November 12, 2010

Not much movement by The Gurus on Best Picture, though Hereafter, How Do Yo Know and Secretariat have fallen from the chart. Also this week, a look at Best Director and the Animation category… we rank 5, though the category may only manage 3 nominees.

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Gurus o’ Gold, November 4, 2010

The Gurus are back!

They’ll be with you every week through the next months of the award season, letting you in on who is up… and who is down. This week, a little movement at the bottom of the Best Picture chart, but the Actors & Actresses seem to be locked in… for now.

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Gurus o' Gold

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It shows how out of it I was in trying to be in it, acknowledging that I was out of it to myself, and then thinking, “Okay, how do I stop being out of it? Well, I get some legitimate illogical narrative ideas” — some novel, you know?

So I decided on three writers that I might be able to option their material and get some producer, or myself as producer, and then get some writer to do a screenplay on it, and maybe make a movie.

And so the three projects were “Do Androids Dream of Electric Sheep,” “Naked Lunch” and a collection of Bukowski. Which, in 1975, forget it — I mean, that was nuts. Hollywood would not touch any of that, but I was looking for something commercial, and I thought that all of these things were coming.

There would be no Blade Runner if there was no Ray Bradbury. I couldn’t find Philip K. Dick. His agent didn’t even know where he was. And so I gave up.

I was walking down the street and I ran into Bradbury — he directed a play that I was going to do as an actor, so we know each other, but he yelled “hi” — and I’d forgot who he was.

So at my girlfriend Barbara Hershey’s urging — I was with her at that moment — she said, “Talk to him! That guy really wants to talk to you,” and I said “No, fuck him,” and keep walking.

But then I did, and then I realized who it was, and I thought, “Wait, he’s in that realm, maybe he knows Philip K. Dick.” I said, “You know a guy named—” “Yeah, sure — you want his phone number?”

My friend paid my rent for a year while I wrote, because it turned out we couldn’t get a writer. My friends kept on me about, well, if you can’t get a writer, then you write.”
~ Hampton Fancher

“That was the most disappointing thing to me in how this thing was played. Is that I’m on the phone with you now, after all that’s been said, and the fundamental distinction between what James is dealing with in these other cases is not actually brought to the fore. The fundamental difference is that James Franco didn’t seek to use his position to have sex with anyone. There’s not a case of that. He wasn’t using his position or status to try to solicit a sexual favor from anyone. If he had — if that were what the accusation involved — the show would not have gone on. We would have folded up shop and we would have not completed the show. Because then it would have been the same as Harvey Weinstein, or Les Moonves, or any of these cases that are fundamental to this new paradigm. Did you not notice that? Why did you not notice that? Is that not something notable to say, journalistically? Because nobody could find the voice to say it. I’m not just being rhetorical. Why is it that you and the other critics, none of you could find the voice to say, “You know, it’s not this, it’s that”? Because — let me go on and speak further to this. If you go back to the L.A. Times piece, that’s what it lacked. That’s what they were not able to deliver. The one example in the five that involved an issue of a sexual act was between James and a woman he was dating, who he was not working with. There was no professional dynamic in any capacity.

~ David Simon