Gurus o’ Gold Archive for January, 2011

Gurus o’ Gold: Oscar Nominations (Pt 3 of 3)

The third group of Oscar nominations, as seen by The Gurus. None are unanimous, though Song and Score come closest.

Group 1 | Group 2 | Group 3

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Gurus o’ Gold: Oscar Nominations (Pt 2 of 3)

Eight more categories in from The Gurus. The only unanimity in this group is in Animation. The tightest races are Foreign Language and Editing. The last categories tomorrow.

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Gurus ‘ Gold: Oscar Nominations (Pt 1 of 3)

The Gurus are putting together their votes in all Oscar categories. Five of the Top 8 categories have unanimous votes for the frontrunners. And the other 3 are also pretty one-sided. On Thursday, we’ll see if the rest of the ballot looks less settled in the eyes of The Gurus.

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Gurus o’ Gold, 1/12/11

The Gurus have as narrow a view of most of the guilds seem to have right now. So like the selections, the page will go unadorned today. Mila Kunis and Jeremy Renner have some heat, as The Gurus look at the Supporting Acting categories, which just last month looked like free-for-alls. And the Directors are down to a list of 6 contenders.

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Gurus o’ Gold: The Holiday Is Over! (Jan 5, 2011)

The Gurus welcome you to 2011! The long-ranking Top 2, Social Network & King’s Speech, are now in a dead tie on top. But Rooster, Mattie &
LaBoeuf are chasing, as True Grit leaps from #7 to #3 this week.

We also ask, how many of these major guild nominations might translate into Oscar nods?

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Gurus o' Gold

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It shows how out of it I was in trying to be in it, acknowledging that I was out of it to myself, and then thinking, “Okay, how do I stop being out of it? Well, I get some legitimate illogical narrative ideas” — some novel, you know?

So I decided on three writers that I might be able to option their material and get some producer, or myself as producer, and then get some writer to do a screenplay on it, and maybe make a movie.

And so the three projects were “Do Androids Dream of Electric Sheep,” “Naked Lunch” and a collection of Bukowski. Which, in 1975, forget it — I mean, that was nuts. Hollywood would not touch any of that, but I was looking for something commercial, and I thought that all of these things were coming.

There would be no Blade Runner if there was no Ray Bradbury. I couldn’t find Philip K. Dick. His agent didn’t even know where he was. And so I gave up.

I was walking down the street and I ran into Bradbury — he directed a play that I was going to do as an actor, so we know each other, but he yelled “hi” — and I’d forgot who he was.

So at my girlfriend Barbara Hershey’s urging — I was with her at that moment — she said, “Talk to him! That guy really wants to talk to you,” and I said “No, fuck him,” and keep walking.

But then I did, and then I realized who it was, and I thought, “Wait, he’s in that realm, maybe he knows Philip K. Dick.” I said, “You know a guy named—” “Yeah, sure — you want his phone number?”

My friend paid my rent for a year while I wrote, because it turned out we couldn’t get a writer. My friends kept on me about, well, if you can’t get a writer, then you write.”
~ Hampton Fancher

“That was the most disappointing thing to me in how this thing was played. Is that I’m on the phone with you now, after all that’s been said, and the fundamental distinction between what James is dealing with in these other cases is not actually brought to the fore. The fundamental difference is that James Franco didn’t seek to use his position to have sex with anyone. There’s not a case of that. He wasn’t using his position or status to try to solicit a sexual favor from anyone. If he had — if that were what the accusation involved — the show would not have gone on. We would have folded up shop and we would have not completed the show. Because then it would have been the same as Harvey Weinstein, or Les Moonves, or any of these cases that are fundamental to this new paradigm. Did you not notice that? Why did you not notice that? Is that not something notable to say, journalistically? Because nobody could find the voice to say it. I’m not just being rhetorical. Why is it that you and the other critics, none of you could find the voice to say, “You know, it’s not this, it’s that”? Because — let me go on and speak further to this. If you go back to the L.A. Times piece, that’s what it lacked. That’s what they were not able to deliver. The one example in the five that involved an issue of a sexual act was between James and a woman he was dating, who he was not working with. There was no professional dynamic in any capacity.

~ David Simon