Note Pad Archive for January, 2013

AMERICAN CINEMA EDITORS (ACE) ANNOUNCES NOMINEES FOR THE 63RD ANNUAL ACE EDDIE AWARDS RECOGNIZING THE BEST EDITING OF THE YEAR IN FILM,

AMERICAN CINEMA EDITORS (ACE) ANNOUNCES NOMINEES FOR THE 63RD ANNUAL ACE EDDIE AWARDS RECOGNIZING THE BEST EDITING OF THE YEAR IN FILM, TELEVISION AND DOCUMENTARIES Universal City, CA, Jan. 11 –American Cinema Editors (ACE) today announced nominations for the 63rd Annual ACE Eddie Awards recognizing outstanding editing in nine categories of film, television and documentaries. Winners will be…

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Nominations Reactions

“First an Oscar nomination, then I find a basically brand-new queen mattress on my drive home. This is an incredible day.” –Seth MacFarlane “Congratulations, you five ladies no longer have to pretend to be attracted to Harvey Weinstein.” – Seth MacFarlane to the Best Actress nominees “The director of the film I’m currently working on…

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Nominations by the Numbers

FEATURE FILMS WITH TWO OR MORE NOMINATIONS (This list does not include Short Films or Documentary Short Subjects.) Picture Distribution Company Nominations “Lincoln” Walt Disney/20th Century Fox 12 “Life of Pi” 20th Century Fox 11 “Les Misérables” Universal 8 “Silver Linings Playbook” The Weinstein Company 8 “Argo” Warner Bros. 7 “Amour” Sony Pictures Classics 5…

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Oscar Sidebars

A few facts about this year’s nominations … With his Best Picture nomination for Argo, George Clooney joins Warren Beatty as the only individuals to have competitive nominations for Best Picture, directing, writing and acting.

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85th OSCAR® NOMINATIONS ANNOUNCED

January 10, 2013 FOR IMMEDIATE RELEASE  BEVERLY HILLS, CA – Nominations for the 85th Academy Awards® were announced today (Thursday, January 10) by this year’s Oscar host, Seth MacFarlane, and actress Emma Stone. MacFarlane and Stone announced the nominees at a 5:38 a.m. PT live news conference attended by more than 400 international media representatives….

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5 Broken Cameras, Detropia Top 6th Annual Cinema Eye Honors

January 9, 2013 For Immediate Release Documentary about Palestinian occupation wins Outstanding Feature Heidi Ewing & Rachel Grady receive Outstanding Direction for Detropia, Only the Young top Debut The Imposter wins for Production, How to Survive a Plague for Editing Chasing Ice for Cinematography and Bully takes Audience Choice New York – 5 Broken Cameras, Emad Burnat and Guy Davidi’s documentary about Israeli settlements encroaching upon…

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BAFTAs 2012 Nominate….

EE BRITISH ACADEMY FILM AWARDS in 2013 NOMINATIONS ANNOUNCED Press release and full nominations follow; available as word document downloads below. Lincoln receives ten nominations. Les Misérables and Life of Pi are each nominated in nine categories; Skyfall has eight nominations, Argo has seven nominations and Anna Karenina has six. Django Unchained and Zero Dark Thirty are each nominated five times. The Master and Amour have four nominations. The Hobbit: An Unexpected Journey andSilver Linings Playbook have each been…

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65th Annual DGA Awards Feature Film Nominees Announced

LOS ANGELES, CA: On January 8, 2013, DGA President Taylor Hackford announced the five nominees for the DGA Award for Outstanding Directorial Achievement in Feature Film for 2012. “DGA members have chosen an incredibly rich and varied group of filmmakers to nominate for this year’s Outstanding Directorial Achievement in Feature Film Award. These directors represent the…

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Visual Effects Society Announces Nominees for 11th Annual VES Awards

Warner Bros.’ ‘The Hobbit,’ Paramount’s ‘The Avengers’ and Fox’s ‘Life of Pi’ Lead Feature Nominations Los Angeles – The Visual Effects Society (VES) is pleased to announce the nominees for the 11th Annual VES Awards, which recognize outstanding visual effects artistry in 24 categories of film, animation, television, commercials and video games. Nominees were selected…

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9 SCIENTIFIC AND TECHNICAL ACHIEVEMENTS TO BE HONORED WITH ACADEMY AWARDS®

Represented by 25 individual award recipients.

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Producers Guild Nominations 2012

PRODUCERS GUILD OF AMERICA ANNOUNCES THEATRICAL MOTION PICTURE, ANIMATED THEATRICAL MOTION PICTURE AND LONG-FORM TELEVISION NOMINATIONS FOR THE 2013 PRODUCERS GUILD AWARDS LOS ANGELES, CA (January 2, 2013) – The Producers Guild of America (PGA) announced today the motion picture and long-form television nominations for the 24th Annual Producers Guild Awards. The categories include: The…

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It shows how out of it I was in trying to be in it, acknowledging that I was out of it to myself, and then thinking, “Okay, how do I stop being out of it? Well, I get some legitimate illogical narrative ideas” — some novel, you know?

So I decided on three writers that I might be able to option their material and get some producer, or myself as producer, and then get some writer to do a screenplay on it, and maybe make a movie.

And so the three projects were “Do Androids Dream of Electric Sheep,” “Naked Lunch” and a collection of Bukowski. Which, in 1975, forget it — I mean, that was nuts. Hollywood would not touch any of that, but I was looking for something commercial, and I thought that all of these things were coming.

There would be no Blade Runner if there was no Ray Bradbury. I couldn’t find Philip K. Dick. His agent didn’t even know where he was. And so I gave up.

I was walking down the street and I ran into Bradbury — he directed a play that I was going to do as an actor, so we know each other, but he yelled “hi” — and I’d forgot who he was.

So at my girlfriend Barbara Hershey’s urging — I was with her at that moment — she said, “Talk to him! That guy really wants to talk to you,” and I said “No, fuck him,” and keep walking.

But then I did, and then I realized who it was, and I thought, “Wait, he’s in that realm, maybe he knows Philip K. Dick.” I said, “You know a guy named—” “Yeah, sure — you want his phone number?”

My friend paid my rent for a year while I wrote, because it turned out we couldn’t get a writer. My friends kept on me about, well, if you can’t get a writer, then you write.”
~ Hampton Fancher

“That was the most disappointing thing to me in how this thing was played. Is that I’m on the phone with you now, after all that’s been said, and the fundamental distinction between what James is dealing with in these other cases is not actually brought to the fore. The fundamental difference is that James Franco didn’t seek to use his position to have sex with anyone. There’s not a case of that. He wasn’t using his position or status to try to solicit a sexual favor from anyone. If he had — if that were what the accusation involved — the show would not have gone on. We would have folded up shop and we would have not completed the show. Because then it would have been the same as Harvey Weinstein, or Les Moonves, or any of these cases that are fundamental to this new paradigm. Did you not notice that? Why did you not notice that? Is that not something notable to say, journalistically? Because nobody could find the voice to say it. I’m not just being rhetorical. Why is it that you and the other critics, none of you could find the voice to say, “You know, it’s not this, it’s that”? Because — let me go on and speak further to this. If you go back to the L.A. Times piece, that’s what it lacked. That’s what they were not able to deliver. The one example in the five that involved an issue of a sexual act was between James and a woman he was dating, who he was not working with. There was no professional dynamic in any capacity.

~ David Simon